"Taboo" | ||||
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File:Taboo (Single Cover).jpg | ||||
Single by Don Omar | ||||
from the album Meet the Orphans | ||||
Released | January 24, 2011 | |||
Format | Digital download | |||
Recorded | 2009[1] | |||
Genre | Lambada, danza, kuduro, Latin | |||
Length | 4:52 | |||
Label | Universal Latino, Machete | |||
Writer(s) | William Landrón, Gonzalo Hermosa, Ulises Hermosa, Milton Restituyo | |||
Producer | A&X And Eliel | |||
Don Omar singles chronology | ||||
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"Taboo" is the third single from Don Omar's collaborative album Meet the Orphans released in January 24, 2011 through Universal Latino.[2] The song is re-adapted version from Los Kjarkas's song "Llorando se fue" most commonly known for its use in Kaoma's 1989 hit single "Lambada" fused with Latin beats.[3] The song peaked at number one on the Billboard Latin Songs, becoming his third number one single on the chart.
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A low-quality preview of the song was posted on October 19, 2009 planned to be included on the now-unreleased album iDon 2.0, the re-release of his 2009 album iDon.[1] The album was never released, and in 2010 the song was mastered and included on Meet the Orphans.
Brian Voerding from Aol Radio Blog said that the song "It's a down-and-dirty dance number that melds traditional island rhythms with a techno-friendly undercurrent and bright synthesizer melodies. [...] Omar, along with Daddy Yankee and others, is one of the primary faces and souls of Reggaeton, a relatively new term for music that blends reggae with contemporary hip-hop and electronic elements."[2]
On the issue of March 5, 2011 the song debuted at number 41 on the Billboard Latin Songs, peaking at number one on the week of July 16, 2011,[4] becoming his third number one single on the chart, and number 23 on the Billboard Latin Pop Airplay,[5] peaking at number 2.[6] On the issue of April 2, 2011 the song debuted at number 28 on the Latin Tropical Airplay,[7] peaking at number 1.[8] On the issue of May 14, 2011 the song also debuted on the Bubbling Under Hot 100 Singles chart at position 15,[9] and weeks after, topped the chart.[10] It later debuted at number 97 on the Billboard Hot 100 giving Don Omar his third single to enter the chart.[11]
The music video for the song was shot in both the Dominican Republic and Brazil, directed by Marlon Pena and produced by Noelia Cacavelli.[12] It was premiered on April 12, 2011 through Vevo and YouTube.[13] The music video contains clips from the 2011 movie Fast Five (also known as Fast & Furious 5), where he is guest star,[12] as well guest appearances from the movie cast including Vin Diesel, Paul Walker, Tyrese Gibson, Dwayne Johnson, Ludacris and Tego Calderón.[14]
According to Don Omar's Universal website, the video has a strong storyline and recaptures the essence of the popular Brazilian version, which is heavily influenced by choreographed dance moves.[15] As of August 2011, the music video had received 50 million views, becoming his most viewed video after "Danza Kuduro".[16]
Chart (2011) | Peak position |
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Spain (PROMUSICAE)[17] | 36 |
US Latin Songs (Billboard)[4] | 1 |
US Latin Pop Songs (Billboard)[6] | 2 |
US Latin Tropical Airplay (Billboard)[8] | 1 |
US Latin Rhythm Airplay (Billboard)[18] | 1 |
US Billboard Hot 100[11] | 97 |
Venezuela (International Chart)[19] | 58 |
Venezuela (Latin Chart)[20] | 16 |
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Taboo was a Eurodance group formed in Germany. It was created by producers Nico Dee-Brunetti and Piero Brunetti. They released one single, "I Dream of You Tonight (Bab Ba Ba Bab)". It peaked at number 92 on the German Singles Chart and reached number-one on the RPM Dance Chart in Canada.
Taboo is a forthcoming British-American drama television miniseries created by Steven Knight. The eight-episode miniseries is about an adventurer who returns to Britain from Africa along with fourteen stolen diamonds to seek vengeance after the death of his father. Kristoffer Nyholm will direct the first four episodes. The miniseries, created from a story co-written by Tom Hardy and his father, Chips Hardy, who will act as a consulting producer, will premiere on BBC One in the United Kingdom and FX in the United States.
Before the broadcast of Taboo, Steven Knight said the East India Company would be depicted as the historical equivalent of "the CIA, the NSA, and the biggest, baddest multinational corporation on earth". This description surprised some historians, who argued it would give an excessively negative view of the East India Company.
"Mine" is the second and final single from Taproot's second studio album Welcome. Along with "Poem", the song is one of the band's most successful singles. A music video was released for the song and was directed by System of a Down bassist Shavo Odadjian.
Mining is the extraction of valuable minerals or other geological materials from the earth from an orebody, lode, vein, seam, reef or placer deposits which forms the mineralized package of economic interest to the miner.
Ores recovered by mining include metals, coal, oil shale, gemstones, limestone, dimension stone, rock salt, potash, gravel, and clay. Mining is required to obtain any material that cannot be grown through agricultural processes, or created artificially in a laboratory or factory. Mining in a wider sense includes extraction of any non-renewable resource such as petroleum, natural gas, or even water.
Mining of stones and metal has been a human activity since pre-historic times. Modern mining processes involve prospecting for ore bodies, analysis of the profit potential of a proposed mine, extraction of the desired materials, and final reclamation of the land after the mine is closed.
Mining operations usually create a negative environmental impact, both during the mining activity and after the mine has closed. Hence, most of the world's nations have passed regulations to decrease the impact. Worker safety has long been a concern as well, and modern practices have significantly improved safety in mines.
A naval mine is a self-contained explosive device placed in water to damage or destroy surface ships or submarines. Unlike depth charges, mines are deposited and left to wait until they are triggered by the approach of, or contact with, an enemy vessel. Naval mines can be used offensively—to hamper enemy shipping movements or lock vessels into a harbour; or defensively—to protect friendly vessels and create "safe" zones.
Mines can be laid in many ways: by purpose-built minelayers, refitted ships, submarines, or aircraft—and even by dropping them into a harbour by hand. They can be inexpensive: some variants can cost as little as US$1000, though more sophisticated mines can cost millions of dollars, be equipped with several kinds of sensors, and deliver a warhead by rocket or torpedo.
Their flexibility and cost-effectiveness make mines attractive to the less powerful belligerent in asymmetric warfare. The cost of producing and laying a mine is usually anywhere from 0.5% to 10% of the cost of removing it, and it can take up to 200 times as long to clear a minefield as to lay it. Parts of some World War II naval minefields still exist because they are too extensive and expensive to clear. It is possible for some of these 1940s-era mines to remain dangerous for many years to come.
and though I lie inside the suffering cryingand though I
old beyond the days sadness
my soul it will alone a standing mourning
for if I swallow my dismay timeless
and though my reasons they may faulter broken
time may kiss me with despair heaven
I know it will not be long always waiting
Not mine
To know what I would die for and find above the reasons
was never what I asked for was here my heart away
for sorrow
for beauty heart away from me
I�m crying for eternity
So when I leave the mountain and come to you in rain
you're falling so when I leave I take away the pain.