Taboo (musical)

Taboo is a stage musical with a book by Mark Davies Markham (extensively rewritten for the Broadway production by Charles Busch), lyrics by Boy George, and music by George, John Themis, Richie Stevens and Kevan Frost.

Set in an abandoned London warehouse, the partly imagined story of a group of club 'names' set in the location of what was the city's most fashionable nightclub, the now-legendary Taboo (1985–87) of the title, which was the creation of Leigh Bowery. Boy George is featured as one of the club's regulars, but in reality, George rarely attended. The show also focuses on George's life prior to and after achieving fame.

Productions

The show premiered in London's West End at the newly opened Venue Theatre on January 29, 2002. Comedian/talk show host Rosie O'Donnell was so enamoured with it that she decided to finance a Broadway production. After 16 previews, it opened on November 13, 2003 at the Plymouth Theatre where, hampered by mostly scathing reviews, it closed after 100 performances. The cast, directed by Christopher Renshaw, included Boy George (credited under his real name, George O'Dowd), Euan Morton, Luke Evans, Dianne Pilkington, Raúl Esparza, Sarah Uriarte Berry, Jeffrey Carlson, and Brooke Elliott. O'Donnell reportedly lost her entire $10 million investment in the project. O'Donnell said in an interview about Leigh Bowery that she will take Taboo back to Broadway in the future.

Taboo (Don Omar song)

"Taboo" is the second single from Don Omar's collaborative album Meet the Orphans released in January 24, 2011 through Universal Latino. The song is re-adapted version from Los Kjarkas's song "Llorando se fue" most commonly known for its use in Kaoma's 1989 hit single "Lambada" fused with Latin beats. The song peaked at number one on the Billboard Latin Songs, becoming his third number one single on the chart.

Background

A low-quality preview of the song was posted on October 19, 2009 planned to be included on the now-unreleased album iDon 2.0, the re-release of his 2009 album iDon. The album was never released, and in 2010 the song was mastered and included on Meet the Orphans.

Critical reception

Brian Voerding from Aol Radio Blog said that the song "It's a down-and-dirty dance number that melds traditional island rhythms with a techno-friendly undercurrent and bright synthesizer melodies. [...]" Omar, along with Daddy Yankee and others, is one of the primary faces and souls of Reggaeton, a relatively new term for music that blends reggae with contemporary hip-hop and electronic elements. received and award for "Urban Song of the Year" at the 2012 ASCAP Awards, which are awarded annually by the American Society of Composers, Authors and Publishers in the United States.

Taboo (game)

Taboo is a word, guessing, and party game published by Parker Brothers in 1989 (subsequently purchased by Hasbro). The objective of the game is for a player to have their partners guess the word on the player's card without using the word itself or five additional words listed on the card.

The game is similar to Catch Phrase, also from Hasbro, in which a player tries to get his or her teammates to guess words using verbal clues. Taboo was later the basis for a 2002 game show of the same name on TNN (now Spike), hosted by comedian Chris Wylde.

Equipment

Some early editions include a board to track progress (as shown in the photo on this page), but current editions do not.

The second edition of the game, produced in 1994, has a round, pink squeaker, or hooter, instead of a buzzer, as do the 1993 and 1990 editions.

Taboo (Wildstorm)

Taboo is the name of a fictional character from the Wildstorm universe that first appeared in Backlash #1 in 1994, she quickly became a major supporting character in the series and Backlash's main love interest.

Fictional character biography

Born in Queens, New York, Amanda Reed's mother died when she was still young. Her father was a substance abuser and was often violent towards Amanda. When she was seventeen years old, Amanda was a prostitute, living on the streets, until she was recruited for the Daemonite organisation known as the Cabal. She was bonded to a symbiote that could form a bio-metallic suit around her and became Taboo. The symbiote had vampiric tendencies though and often Taboo would found herself overcome with bloodlust in battle. She was framed for murder when she wanted to leave the organisation and sent to Purgatory Max, a special prison for super-powered beings in the Arctics.

Five years later, colonel Mark Slayton aka Backlash freed her, hoping to use her knowledge of the Cabal to help his girlfriend, Major Diane Lasalle, who had been left comatose after the Daemonite Lord S'ryn had possessed her during an attempted Daemonite incursion of Skywatch. Together they tracked S'ryn down and fought him. S'ryn managed to escape, but Taboo had proven herself to Backlash. They went for a few drinks, but ended up in bed. Once sobered up, Slayton felt guilty about betraying Diane and tried to keep Amanda at bay, but over time they grew closer.

Musical film

The musical film is a film genre in which songs sung by the characters are interwoven into the narrative, sometimes accompanied by dancing.

The songs usually advance the plot or develop the film's characters, though in some cases they serve merely as breaks in the storyline, often as elaborate "production numbers".

The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if there is a live audience watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it.

Musical films in the Western world

The classical sound era

The 1930s through the early 1950s are considered to be the golden age of the musical film, when the genre's popularity was at its highest in the Western world.

Musical theatre

Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting, and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through the words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.

Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre works of American creators like George M. Cohan. The Princess Theatre musicals and other smart shows like Of Thee I Sing (1931) were artistic steps forward beyond revues and other frothy entertainments of the early 20th century and led to such groundbreaking works as Show Boat (1927) and Oklahoma! (1943). Some of the most famous and iconic musicals through the decades that followed include West Side Story (1957), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1985), The Phantom of the Opera (1986), Rent (1996), The Producers (2001) and Wicked (2003).

MusicAL

MusicAL is a 24-hour Albanian television music channel.

MusicAL is owned by Top Media which also owns Top Channel and DigitALB. MusicAL is available via DigitALB on satellite and terrestrial and via Home2US in North America.