The taal (Assamese: তাল; Odia: ଗିନି, Gini ) is a pair of clash cymbals, which make high-pitched percussion sounds. The word taal comes from the Sanskrit word Tālà, literally means a clap. It is a part of Indian music and culture, used in various traditional customs e.g. Bihu music, Harinaam etc.
The clash cymbal, taal is made of bell metals i.e. bronze, brass, copper, zinc etc. Each cymbal is connected with a cord which passes through hole in its center. The pitch of different types of taal vary according to their size, weight and the materials used. A player can also adjust the timbre by varying the point of contact while playing.
There are many types of Taal, categorised by size, weight and appearance.
Instrument may refer to:
Instrument is a documentary film directed by Jem Cohen about the band Fugazi. Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker.
Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine.
The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years. The Instrument Soundtrack by Fugazi was released in conjunction with the film. It consisted primarily of instrumental and unreleased songs (including many demo cuts from End Hits, their next album after the soundtrack).
Instrument Soundtrack is a 1999 album by American post-hardcore band Fugazi.
It is a mainly instrumental soundtrack for the documentary (Instrument) about the band produced by the band and filmmaker Jem Cohen.
The soundtrack mostly consists of previously unreleased songs and studio outtakes culled from Fugazi's history to that point, as well as seven demo versions of songs from their proper albums (six from 1998's End Hits and one from 1993's In on the Kill Taker).
Of particular note is the song "I'm So Tired", a piano ballad played and sung by Ian MacKaye, which is a significant departure from Fugazi's usual post-hardcore sound.
The riff from "Lusty Scripps" was played in Fugazi's final live show, in the break between the main set and the encore.
Taal is the Dutch and Afrikaans word for language and was used as an early name for Afrikaans; it may also refer to the South African creole language Tsotsitaal.
The word Taal can also refer to:
Taal (English: Rhythm) is a 1999 Bollywood musical romantic drama directed by Subhash Ghai. Taal was an official selection for the 2005 Ebertfest: Roger Ebert's Film Festival. Taal was screened retrospective, during the 2014 International Film Festival of India in the Celebrating Dance in Indian cinema section. The film stars Anil Kapoor, Akshaye Khanna, Aishwarya Rai, Amrish Puri and Alok Nath. It was also dubbed in Tamil as Thaalam. It was quite successful in India and overseas, becoming the first Indian film to reach the top 20 on Variety's box office list.Anil Kapoor, A.R. Rahman, Alka Yagnik and Anand Bakshi each won a Filmfare Award for their work in the film.
Manav (Akshaye Khanna) comes to visit India with his wealthy father Jagmohan Mehta (Amrish Puri), his aunt and uncle, and his father's employees. In Chamba he meets Mansi (Aishwarya Rai), the beautiful daughter of a spiritual singer named Tara Babu (Alok Nath); Jagmohan Mehta owns the Mehta & Mehta group and is into investing in Chamba; their families meet, and Jagmohan and Tara Babu become acquainted and friendly toward each other. Manav and Mansi fall in love, but when Jagmohan learns of this he packs the family up and moves them to their house in Mumbai, with the excuse that Mansi and her father are of low social status. However, he is nice to Tara Babu's face and invites him to come and stay with him in Mumbai if he, Tara Babu, ever happens to be visiting there. Mansi is distressed by Manav's departure but he assures her that he will not abandon her and that everything will be fine. She gives Manav his scarf which she modified, making it say "Manavsi", a juxtaposition of their names.