TCG (short for "The Cheetah Girls") is the second studio album by The Cheetah Girls. The album was released on Hollywood Records on September 25, 2007.
The Girls began work on the album while touring the U.S. on their The Party's Just Begun Tour which began in September 2006 and ended in March 2007.
Group member Adrienne Bailon was quoted as saying, "We'll be making a real studio album, not a soundtrack. It's important for people to see us as a real musical group. We have all this great marketing around us, with the movies and other things. But we are a musical group." She also added that the soundtracks and Christmas album "don't count".
Group member Sabrina Bryan was interviewed by Billboard magazine and stated that the group was eager to showcase a more mature sound to gather an audience of older fans while keeping the lyrics clean for the younger fanbase as well. She stated that the group would work with some of the producers that they had previously worked with, while also exploring new producers as well. They also announced that they'd be releasing the album via Hollywood Records rather than Walt Disney Records, which was the record labels used to release the group's soundtrack albums, their holiday album Cheetah-licious Christmas, and their live album In Concert: The Party's Just Begun Tour.
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
The following people were involved in the making of !:
"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.
Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".
All compositions by John Zorn and Thurston Moore
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.
A number of trigraphs are found in the Latin script, most of these used especially in Irish orthography.
⟨aai⟩ is used in Dutch to write the sound /aːi̯/.
⟨abh⟩ is used in Irish to write the sound /əu̯/, or in Donegal, /oː/, between broad consonants.
⟨adh⟩ is used in Irish to write the sound /əi̯/, or in Donegal, /eː/, between broad consonants, or an unstressed /ə/ at the end of a word.
⟨aei⟩ is used in Irish to write the sound /eː/ between a broad and a slender consonant.
⟨agh⟩ is used in Irish to write the sound /əi̯/, or in Donegal, /eː/, between broad consonants.
⟨aim⟩ is used in French to write the sound /ɛ̃/ (/ɛm/ before a vowel).
⟨ain⟩ is used in French to write the sound /ɛ̃/ (/ɛn/ before a vowel). It also represents /ɛ̃/ in Tibetan Pinyin, where it is alternatively written än.
⟨aío⟩ is used in Irish to write the sound /iː/ between broad consonants.
⟨amh⟩ is used in Irish to write the sound /əu̯/, or in Donegal, /oː/, between broad consonants.