Sway may refer to:
The term sway has a specific meaning in the technique of ballroom dances. Sway describes a dancer's body position in which the entire body gracefully deflects from the vertical. Entrance to and exit from this position are matters of fine technical detail and differ in various dance figures.
Sway may be an element of both stationary and moving dance figures. In moving figures, sway is commonly achieved as a natural result of body swing, but small amounts from other sources may be useful as an inflection. Sway comes primarily from an incline of the entire body, but a portion may also come from gradual bending of the trunk. It is customary to consider any bending of the trunk to occur more as a stretching of one side of the rib cage more than as a compression of the other side. This description helps to produce sway without the body line breaking awkwardly at the waist. Substantial abdominal strength may be needed to fully utilize this technique.
Possible angles of sway range from having the upper body substantially trailing the lower through a movement, to having the upper body a very small amount in advance. The purposes of sway are both better control of dance motion and aesthetics.
"Sway" is a song by English rock 'n roll band The Rolling Stones from their 1971 album Sticky Fingers. It was also released as the b-side of the "Wild Horses" single in June 1971. This single was released in the US only. Initial pressings of the single contain an alternate take; later pressings include the album version instead.
Credited to Mick Jagger and Keith Richards, "Sway" is a slower blues song and was the first song recorded by the band at Stargroves.
The song features a bottleneck slide guitar solo during the bridge and a dramatic, virtuoso outro solo (both performed by Taylor). Rhythm guitar performed by Jagger was his first electric guitar performance on an album. The strings on the piece were arranged by Paul Buckmaster, who also worked on other songs from Sticky Fingers. Richards added his backing vocals but provided no guitar to the track. Pete Townshend, Billy Nichols and Ronnie Lane are believed to contribute backing vocals as well.
It was performed live for the first time in Columbus, Ohio, and then at many of the shows on the band's A Bigger Bang Tour in 2006.
Athiri (Greek: Αθήρι) or Athiri Aspro is a white Greek wine grape used to make Retsina on the island of Rhodes.
The grape is noted for its lemon character and in other parts of Greece it is often blended with Assyrtiko. In other areas it is blended with Vilana and Ladikino.
Its close association with Rhodes has developed in the use of "Rhodes" as a synonym for the grape that can be appear on Greek wine labels.
Athiri is also known under the synonyms Asprathiri, Asprathiro, Athiri Aspro, Athiri Lefko, and Athiri Leyko.
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David Rhodes, stagename Rhodes (stylized RHODES), is a British musician, singer and songwriter from Baldock in Hertfordshire. He released his debut EP Raise Your Love on Hometown Records in October 2013 and released his second EP Morning on Rhodes Music on 12 May 2014. His debut album Wishes was released on 18 September 2015.
Rhodes's music began to spread early 2013 when his demo track "Always" was playlisted on Amazing Radio at the beginning of the summer and then picked up plays from BBC Radio 1. Following a busy summer supporting Rufus Wainwright, Laura Marling and Nick Mulvey in the UK, his debut EP ‘Raise Your Love’ was released on Phil Taggart’s label Hometown Records in October 2013.
On 12 March 2014, Rhodes unveiled the song "Your Soul" - which was premiered by Zane Lowe on BBC Radio 1 as his 'Next Hype' – taken from his second EP ‘Morning’ released on May 11, 2014. On this EP, Rhodes recorded alongside Ian Grimble and Tim Bran/Roy Kerr, producers who have been previously working with the likes of London Grammar and Daughter.
Philip Leonard Rhodes (1895–1974) was a naval architect known for his diverse yacht designs. He designed a wide variety of vessels from 123' motor-sailors to 7' dinghies, from hydrofoil racers to giant motor yachts. His work also included commercial and military vessels such as minesweepers and police boats. His clients ranged from Rockefellers to Sears & Roebuck. His 12 Meter class Weatherly (USA-17) won the America's Cup in 1962.
Rhodes was born in 1895 in Thurman, Ohio. He attended MIT, graduating in 1918 in naval architecture and marine engineering. He worked for the US Army Corp of Engineers during World War I. After the war he began work as a shipfitter in Lorain, Ohio. He later moved to New York where he opened a small office as a marine architect.
Philip Rhodes joined the design firm of Cox & Stevens in 1934. He became head naval architect for the firm after the death of lead designer Bruno Tornroth in 1935. In 1946 the firm of Philip L. Rhodes succeeded Cox & Stevens Inc. It closed in 1974, following Rhodes's death.
(brooker / reid)
Outside the gates of cerdes sits the two-pronged unicorn
Who plays at relaxation time a rhinestone flugelhorn
Whilst mermaids lace carnations into wreaths for ailing whales
And neptune dances hornpipes while salome sheds her veils
Phallus phil tries peddling his pewter painted pot
But sousa sam can only hear the screams of peep the sot
Who only sips his creme de menthe from terra cotta cups
And exhales menthol scented breath whilst spewing verbiage up
Down technical blind alleys live the wraiths of former dreams
And greeps who often crossed them are no longer what they seem
And even christian scientists can but display marble plaques
Which only retell legends whilst my eyes reach out for facts