Acacia is a genus of shrubs and trees of Gondwanian origin, belonging to the subfamily Mimosoideae of the family Fabaceae. (Not to be confused with akasha.)
It has also on occasion been used as the common name, or part of the common name, of other closely related plants, such as some species of Robinia.
Acacia may also refer to:
Acacia was a multi-cultural British experimental pop band active during the mid-1990s. The band is most notable for helping to launch the subsequent musical careers of several of its members, most notably keyboard player/producer Guy Sigsworth, singer Alexander "Blackmoth" Nilere and associate vocalist Imogen Heap (later a solo artist, half of Frou Frou and a collaborator with Urban Species and Jeff Beck). Though never commercially successful, Acacia attracted a good deal of underground attention during their existence and were notable for their eclectic musical approach and for Nilere's unorthodox, polysexual image.
Other musicians who played with Acacia were drummer Eshan Khadaroo (Cirque Du Soleil, Blue Man Group, Psapp, Bow Wow Wow), guitarists Luca Ramelli and Maurizio Anzalone, and percussionist/world instrument player Ansuman Biswas (better known as a performance poet). Talvin Singh was also a member during the early days of the group.
The band should not be confused with the Detroit-based techno artist Acacia a.k.a. Kelli Hand.
Acacia is a 2003 South Korean horror film, directed by Park Ki-hyung and starring Shim Hye-jin and Kim Jin-geun. A re-release in 2011 changed the title to 'Root of Evil'.
Unable to have children of their own, married couple Mi-sook and Do-il adopt a young boy named Lee Jin-seong. His name soon gets changed to Kim Jin-seong when he moves with Mi-sook and Do-il. The boy is drawn to an acacia tree in his new home's backyard, believing it to be his mother, and it soon becomes the focal point for an increasing number of strange occurrences when Jin-seong appears to have run away.
Jin-seong befriends an older girl named Min-jee. She tells Jin-seong that she cannot go to school as she has lost a lot of blood. After she kisses Jin-seong, he becomes even more aggressive and violent. He turns even worse as Mi-sook becomes pregnant and has a new baby named Hae-sung. Jin-seong, experiencing many emotional difficulties, becomes more withdrawn and confused. He starts to develop an anger towards his adopted family, so much so that he tries to smother the new baby. Mi-sook gets so frustrated with Jin-Seong's actions and obsession towards the acacia tree that she decides to chop the tree down, which results in Jin-Seong allegedly running away.
Sway may refer to:
Sway is a 2014 young adult fiction book by American author Kat Spears and her debut novel. The work was first published on 16 September 2014 through St. Martin's Griffin and is a modern take on the story of Cyrano de Bergerac.
Jesse "Sway" Alderman is a boy who can get you whatever you want, be it fake IDs, term papers, or a date with that one person that seems to be completely unattainable. As a result Jesse has developed a reputation for being calm, collected, and never letting anything deter him from successfully completing his transactions. This resolve is tested when Ken, the school's football captain, asks Jessie to help him win over Bridget, a good girl that has already rebuffed his advances. No one is more surprised than Jesse when he finds himself developing feelings for Bridget and he's even more shocked when he finds himself bonding with Bridget's brother Pete, as Jesse goes out of his way to avoid making any real friendships. Pete has cerebral palsy and as a result, has a limp, an asymmetrical face, a huge problem with low self-esteem, and a massive chip on his shoulder regarding what he sees as people (including his own sister) being nice to him only out of pity and his parents constantly comparing him to Bridget, who they view as practically perfect.
The term sway has a specific meaning in the technique of ballroom dances. Sway describes a dancer's body position in which the entire body gracefully deflects from the vertical. Entrance to and exit from this position are matters of fine technical detail and differ in various dance figures.
Sway may be an element of both stationary and moving dance figures. In moving figures, sway is commonly achieved as a natural result of body swing, but small amounts from other sources may be useful as an inflection. Sway comes primarily from an incline of the entire body, but a portion may also come from gradual bending of the trunk. It is customary to consider any bending of the trunk to occur more as a stretching of one side of the rib cage more than as a compression of the other side. This description helps to produce sway without the body line breaking awkwardly at the waist. Substantial abdominal strength may be needed to fully utilize this technique.
Possible angles of sway range from having the upper body substantially trailing the lower through a movement, to having the upper body a very small amount in advance. The purposes of sway are both better control of dance motion and aesthetics.