Suture is a 1993 neo-noir film directed by Scott McGehee and David Siegel and stars Dennis Haysbert and Mel Harris. It was screened in the Un Certain Regard section at the 1994 Cannes Film Festival.
After murdering his father, wealthy Vincent Towers decides to fake his own death. He plants a car bomb in an attempt to kill a nearly identical half-brother, Clay Arlington, after persuading Arlington to switch identities with him.
Arlington survives, but requires facial reconstruction and also has lost most of his memory. Dr. Renee Descartes is there during his recovery. Towers resurfaces and tries once more to eliminate him, but is killed himself. Arlington makes a decision to make his new identity a permanent one.
Surgical suture (commonly called stitches) is a medical device used to hold body tissues together after an injury or surgery. Application generally involves using a needle with an attached length of thread. A number of different shapes, sizes, and thread materials have been developed over its millennia of history. Surgeons, physicians, dentists, podiatrists, eye doctors, registered nurses and other trained nursing personnel, medics, and clinical pharmacists typically engage in suturing. Surgical knots are used to secure the sutures.
Through many millennia, various suture materials were used, debated, and remained largely unchanged. Needles were made of bone or metals such as silver, copper, and aluminium bronze wire. Sutures were made of plant materials (flax, hemp and cotton) or animal material (hair, tendons, arteries, muscle strips and nerves, silk, and catgut).
The earliest reports of surgical suture date to 3000 BC in ancient Egypt, and the oldest known suture is in a mummy from 1100 BC. A detailed description of a wound suture and the suture materials used in it is by the Indian sage and physician Sushruta, written in 500 BC. The Greek father of medicine, Hippocrates, described suture techniques, as did the later Roman Aulus Cornelius Celsus. The 2nd-century Roman physician Galen described gut sutures. In the 10th century the manufacturing process involved harvesting sheep intestines, the so-called catgut suture, and was similar to that of strings for violins, guitar, and tennis racquets.
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: