Surrender (Cash Cash song)
"Surrender" is a song by American electronic trio Cash Cash, featuring uncredited guest vocals from American artist Julia Michaels, and was released on 16 September 2014. It will be included in their yet unnamed upcoming album.
Background and composition
JP Makhlouf, one of the members of Cash Cash, said that "Working on this song brought out a lot of incredible emotions." While the title may refer to the act of giving act, Jean Paul of Cash Cash has stated that "Surrendering is usually seen as something negative or a sign of defeat, but this song shows a different side of things. Sometimes it’s the fight that kills you. Sometimes you don’t even know what you’re fighting for. Sometimes surrendering can set you free!" The track clocks at 3 minutes 28 seconds and features the vocal by Julia Michaels.
"Surrender" was promoted by the group through a Twitter campaign, #SurrenderToCashCash. The group encouraged fans to change their Twitter profile pictures to white flags to mirror the single's cover art. Fans who tweeted the hashtag may be tweeted, followed, or even have their Twitter profile "taken over" by the group.
Surrender (law)
In common law surrender is the term describing a situation where a tenant gives up possession of property held under a tenancy as a result of which the tenancy ends.
Surrender (Hurts album)
Surrender is the third studio album by English synthpop duo Hurts, released on 9 October 2015 by Columbia Records. The album spawned the singles "Some Kind of Heaven", "Rolling Stone", "Lights", "Slow" and "Wish". Surrender debuted at number 12 on the UK Albums Chart, selling 5,636 copies in its first week.
Track listing
Personnel
Credits adapted from the liner notes of the deluxe edition of Surrender.
Partition of an interval
In mathematics, a partition of an interval [a, b] on the real line is a finite sequence x = ( xi ) of real numbers such that
In other terms, a partition of a compact interval I is a strictly increasing sequence of numbers (belonging to the interval I itself) starting from the initial point of I and arriving at the final point of I.
Every interval of the form [xi, xi+1] is referred to as a sub-interval of the partition x.
Refinement of a partition
Another partition of the given interval, Q, is defined as a refinement of the partition, P, when it contains all the points of P and possibly some other points as well; the partition Q is said to be “finer” than P. Given two partitions, P and Q, one can always form their common refinement, denoted P ∨ Q, which consists of all the points of P and Q, re-numbered in order.
Norm of a partition
The norm (or mesh) of the partition
is the length of the longest of these subintervals, that is
Applications
Partitions are used in the theory of the Riemann integral, the Riemann–Stieltjes integral and the regulated integral. Specifically, as finer partitions of a given interval are considered, their mesh approaches zero and the Riemann sum based on a given partition approaches the Riemann integral.
Mesh (disambiguation)
Mesh is a type of material.
Mesh or MESH may also refer to:
In science and mathematics
In computing
In popular culture
In medicine
Meš
The cuneiform MEŠ, or meš is a plural form attached at the end of Mesopotamian cuneiform words as a suffix. As part of a name (PN, personal name, or other), or major class being referenced, in capital letters (a sumerogram form), it is typically separated from other capital letter sumerograms with a period. The name of the group can follow, in lower case letters, for example: (men-massu, Amarna letter EA 365), LÚ.MEŠ–ma-as-sà-meš, (and using a secondary suffix meš, not being typical).
The MEŠ cuneiform is a vertical stroke, followed by three or four angled smaller wedge-strokes. The strokes can also be "not angled", but 45 degree wedges, smaller, or large. For example, Amarna letter EA 161, Aziru to Pharaoh, shows a series of six preparation items listed sequentially. The following wedges (on the meš or sumerogram .MEŠ wedges, are large, and the scribe has a scribing base line, that follows the vertical stroke, a baseline on which the wedges are placed sequentially. EA 161 shows the baseline 'remainder', extending beyond the last 3rd, or 4th wedge.
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