Supercar is a term used most often to describe an expensive high end car. It has been defined specifically as "a very expensive, fast or powerful car".[1] Stated in more general terms: "it must be very fast, with sporting handling to match", "it should be sleek and eye-catching" and its price should be "one in a rarefied atmosphere of its own".[2]
However, the proper application of the term is subjective and disputed, especially among enthusiasts. So-called vehicles are typically out of the ordinary and are marketed by automakers to be perceived by the public as unusual. The supercar can take many forms including limited production specials from an "elite" automaker, standard looking cars made by mainstream companies that hide massive power and performance, as well as models that appeal to "hardcore enthusiasts" from "manufacturers on the fringe of the car industry".[3]
Occasionally, the term "Hypercar" is used for cars that might be considered beyond the definition of "Supercar". This is even more nebulous to define.
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An advertisement for the Ensign Six, a 6.7 L (410 cu in) high-performance car similar to the Bentley Speed Six, appeared in The Times for 11 November 1920 with the phrase "If you are interested in a supercar, you cannot afford to ignore the claims of the Ensign 6."[4] The Oxford English Dictionary also cites the use of the word in an advertisement for an unnamed car in The Motor dated 3 November 1920, "The Supreme development of the British super-car."[5] and defines the phrase as suggesting "a car superior to all others". A book published by the Research Institute of America in 1944, that previewed the economic and industrial changes to occur after World War II,[6] used the term "supercar" (author's emphasis) to describe future automobiles incorporating advances in design and technology such as flat floorpans and automatic transmissions.[7]
In the United States, the term "supercar" predates the classification of muscle car[8][9] to describe the "dragstrip bred" affordable mid-size cars of the 1960s and early 1970s that were equipped with large, powerful V8 engines and rear wheel drive.[10] The combination of a potent engine in a lightweight car began with the 1957 Rambler Rebel that was described as a "veritable supercar".[11] "In 1966 the sixties supercar became an official industry trend"[12] as the four domestic automakers "needed to cash in on the supercar market" with eye-catching, heart-stopping cars.[13] Among the numerous examples of the use of the supercar description include the May 1965 issue of the American magazine Car Life, in a road test of the Pontiac GTO, and how "Hurst puts American Motors into the Supercar club with the 390 Rogue"[14] (the SC/Rambler) to fight in "the Supercar street racer gang" market segment.[15] The "SC" in the model name stood for "SuperCar".[16] The supercar market segment included regular production models[17] in different muscle market segments (such as the "economy supercar"[18]), as well as limited edition, documented dealer-converted vehicles.[19]
The word supercar later became to mean a "GT" or grand touring type of car.[20] By the 1970s and 1980s the phrase was in regular use, if not precisely defined.[21][22]
During the late 20th century, the term supercar was used to describe "a very expensive, fast or powerful car with a centrally located engine",[23] and stated in more general terms: "it must be very fast, with sporting handling to match", "it should be sleek and eye-catching" and its price should be "one in a rarefied atmosphere of its own".[24]
The supercar term has also been applied to technologically advanced vehicles using new fuel sources, powerplants, aerodynamics, and lightweight materials to develop an 80 mpg-US (2.9 L/100 km; 96 mpg-imp) family-sized sedan.[25] "Supercar" was the unofficial description for the United States Department of Commerce R&D program, Partnership for a New Generation of Vehicles (PNGV).[26] The program was established to support the domestic U.S. automakers (GM, Ford, and Chrysler) develop prototypes of a safe, clean, affordable car the size of the Ford Taurus, but delivering three times the fuel efficiency.[26][27]
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Supercar may refer to:
Supercar (スーパーカー Sūpākā) was a Japanese rock band active from 1995 to 2005, and who made their debut in 1997. Consisting of composer and vocalist Kōji Nakamura (中村弘二 Nakamura Kōji), lyricist and guitarist Junji Ishiwatari (いしわたり淳治 Ishiwatari Junji), bassist Miki Furukawa (フルカワミキ Furukawa Miki), and drummer Kōdai Tazawa (田沢公大 Tazawa Kōdai), Supercar is best known for combining alternative rock with electronic music. Internationally, Supercar is best known for providing much of the soundtrack for the Japanese film Ping Pong, as well as being featured in the anime series Eureka Seven.
Hailing from Aomori Prefecture, Supercar was formed in 1995 when bassist Miki Furukawa placed an advertisement in a local magazine seeking fellow musicians. Junji Ishiwatari responded and convinced childhood friend Kōji Nakamura to join as well. Junji and Kōji soon recruited drummer Kōdai Tazawa, an acquaintance from middle school. After writing songs and recording demo tapes, they received a record contract. In 1997 they released their debut album, Three Out Change, and their second album, Jump Up, in 1999. This album was followed by Ooyeah and Ookeah, both also released in 1999. With the 2000 album Futurama, electronic experimentation took a larger role that would characterize the band's sound for the rest of their career. The 2002 release Highvision continued the electronic development, and the single Strobolights did not even contain a guitar. They released their last album, Answer in 2004. Perhaps their most experimental album, Answer contained balance of both rock and electronica.
Tonite may refer to:
"Tonite" is a song by American rapper and producer DJ Quik, released as the second single from his debut studio album Quik Is the Name. The song contains samples from "Tonight" performed by Kleeer., "Tonight Is the Night" performed by Betty Wright and "Last Night Changed It All (I Really Had a Ball)" performed by Esther Williams.Complex deemed it the 44th best of "The Best L.A. Rap Songs". The synthesizer part was programmed by LA Dream Team's former producer The Real Richie Rich.
You're taking this from the man that wrote the synthesizer part to the song that I did released and fucking in 1991, called "Tonite", that's him!