The Book of Isaiah (Hebrew: ספר ישעיהו, IPA: [sɛ.fɛr jə.ʃaʕ.ˈjɑː.hu]) is the first of the Latter Prophets in the Hebrew Bible and the first of the Major Prophets in English Bibles. The book is identified by a superscription as the works of the 8th-century BCE prophet Isaiah ben Amoz, but there is ample evidence that much of it was composed during the Babylonian captivity and later.Bernhard Duhm originated the view, held as a consensus through most of the 20th century, that the book comprises three separate collections of oracles:Proto-Isaiah (chapters 1–39), containing the words of Isaiah; Deutero-Isaiah (chapters 40–55), the work of an anonymous 6th-century author writing during the Exile; and Trito-Isaiah (chapters 56–66), composed after the return from Exile. While virtually no one today attributes the entire book, or even most of it, to one person, the book's essential unity has become a focus in current research. Isaiah 1–33 promises judgment and restoration for Judah, Jerusalem and the nations, and chapters 34–66 presume that judgment has been pronounced and restoration follows soon. It can thus be read as an extended meditation on the destiny of Jerusalem into and after the Exile.
In knowledge representation, object-oriented programming and design (see object oriented program architecture), is-a (is_a or is a) is a subsumption relationship between abstractions (e.g. types, classes), where one class A is a subclass of another class B (and so B is a superclass of A). In other words, type A is a subtype of type B when A’s specification implies B’s specification. That is, any object (or class) that satisfies A’s specification also satisfies B’s specification, because B’s specification is weaker.
The is-a relationship is to be contrasted with the has-a (has_a or has a) relationship between types (classes).
It may also be contrasted with the instance-of relationship between objects (instances) and types (classes): see "type-token distinction" and "type-token relations." When designing a model (e.g., a computer program) of the real-world relationship between an object and its subordinate, a common error is confusing the relations has-a and is-a.
To summarize the relations, we have
ISA is a 2014 made-for-television, sci-fi, psychological thriller movie about Isa Reyes, a high school teen who discovers that a chip in her brain allows her to unlock repressed memories through her dreams. It premiered on the Syfy channel on June 11, 2014, and stars Jeanette Samano,Sabi, Eric Ochoa, Ana Layevska, with Timothy DeLaGhetto and Fernando Allende. It also aired on the Chiller, mun2 and Telemundo networks and iTunes. It was produced by Fluency.
Isa Reyes (Jeanette Samano) is graduating from high school to study computer science when she is hit by a car. At the hospital, doctors find a foreign object inside her brain giving off a radio signal. That night, Isa dreams that she is being driven home by her deceased parents, and her mother tells her there was no accident. She wakes up inside the dream and breaks into a vault wherein she finds a golden cocoon. As Isa is dreaming, her phone is transmitting a radio signal to two engineers in Mexico who are monitoring her dream remotely. The engineers interpret Isa's dream as a break-in and reboot their system, causing Isa to wake up in pain. She’s holding the very cocoon she dreamt about.
Summertime may refer to:
"Summertime" is the third single released by The Maybes? from their debut album, Promise. It was released on 25 August 2008 on Xtra Mile Recordings as a download and 7" Record.
Download Single
7" Single
Charles L. Mee (born September 15, 1938) is an American playwright, historian and author known for his collage-like style of playwriting, which makes use of radical reconstructions of found texts. He is also a professor of theater at Columbia University.
Mee was born in Evanston, Illinois, in 1938. He contracted polio at the age of fourteen. His memoir A Nearly Normal Life (1999) tells how that event informed the rest of his life.
After graduating from Harvard University in 1960, Mee moved to Greenwich Village and became a part of the Off-Off-Broadway scene. Between 1962 and 1964, his plays were presented at venues that included La MaMa E.T.C., Caffe Cino, Theatre Genesis, and the Ontological-Hysteric Theater.
In 1961 Mee began work at American Heritage publishing company and eventually became the editor of the hardback bi-monthly Horizon: A Magazine of the Arts. He was also the Advising Editor and then Contributing Editor of Tulane Drama Review – now called TDR and published from New York University – until 1964 and its Associate Editor from 1964 to 1965.