"Sugar Baby Love", recorded in autumn 1973 and released in January 1974, is a bubblegum pop song, and the debut single of the Rubettes. Written by Wayne Bickerton and Tony Waddington and produced by Bickerton, engineered by John Mackswith at Lansdowne Recording Studios, and with lead vocals by Paul Da Vinci, "Sugar Baby Love" was the band's one and only number one single in the UK Singles Chart, spending four weeks at the top of the chart in May 1974.
Bickerton and Waddington had been writing songs together since they were both members of the Pete Best Four in Liverpool in the early 1960s. Their biggest success had been writing "Nothing but a Heartache", a US hit for The Flirtations in 1968. In the early 1970s, they came up with the idea for a rock 'n' roll musical. They co-wrote and produced a demonstration recording of "Sugar Baby Love", originally intending to submit it for the Eurovision Song Contest but instead offering it to Showaddywaddy, who turned it down. They then offered it to the demo musicians, provided that they would become an actual group. With the exception of the recording's lead singer, Paul Da Vinci, who had signed a solo recording contract with another company, the other musicians agreed and became The Rubettes. "Sugar Baby Love" became a UK No. 1 hit in 1974, also reaching No. 37 and No. 30 on the US Billboard Hot 100 and Cashbox charts, respectively. It also reached No. 1 in Germany, Switzerland, the Netherlands, Austria, Belgium and Australia, and No. 2 in South Africa.
Wink (ウィンク) was a popular Japanese pop female duo in the late 1980s and early-to-mid-1990s composed of Sachiko Suzuki (鈴木早智子, Suzuki Sachiko, b. February 22, 1969) and Shōko Aida (相田翔子, Aida Shōko, b. February 23, 1970). They released their first single on April 27, 1988, and their final release was on March 31, 1996. Many of their singles topped the Oricon charts in Japan, including their biggest hit, "Samishii Nettaigyo", which has since been covered by W (Double You).
In 1987, Suzuki and Aida both entered a beauty contest given by the magazine "Up to boy". Suzuki won the grand prize, while Aida was one of the runners-up. As a result, Wink was formed the next year, and in April they debuted with the single "Sugar Baby Love", a cover of an English song by The Rubettes. Indeed, many Wink songs were covers of Western songs, but with different lyrics in Japanese.
"Sugar Baby Love" and their next single, "Amaryllis", did decently, but it wasn't until the release of their third single "Ai ga Tomaranai (Turn It Into Love)" (a cover of Kylie Minogue's "Turn It Into Love") the next year that they became popular. It quickly became No. 1 on the Oricon charts, along with many of the singles that followed it.
Dive in the heart of extremes
All assembled in a style
Extremes reconciled
Improvisation
Rational and poetical
Summing up contradictions
Lyrical departure
Formal unity
All in one
Intimate sensuality
Big and cold non places of concrete
Art and social action
Freedom and control
All in one
A knowing type of beauty
(A knowing type of beauty)
That inspires freedom
(That inspires freedom)
The beam is bright and shining
(The beam is bright and shining)
Not the fall of love
Reality clipped its nose, hiding personally
Utopia and reality
Hand in hand all this way
Dedicate to change it can't bring about
It failed but succeeded