Sugar (musical)

Sugar is a musical with a book by Peter Stone, music by Jule Styne, and lyrics by Bob Merrill. It is based on the film Some Like It Hot, which was adapted by Billy Wilder and I.A.L. Diamond from a story by Robert Thoeren and Michael Logan. It premiered on Broadway in 1972 and was staged in the West End twenty years later.

Synopsis

Two unemployed musicians, bass player Jerry and saxophone player Joe, witness the St. Valentine's Day Massacre in Chicago. In order to escape gangster Spats Palazzo and his henchmen, they dress as women and join Sweet Sue and Her Society Syncopaters, an all-female band about to leave town for an engagement at a Miami Beach hotel.

Complications arise when Joe, now known as Josephine, falls in love with beautiful band singer Sugar Kane, who has a slight drinking problem that tends to interfere with her ability to choose a romantic partner wisely. More than anything, Sugar wants to marry a millionaire, prompting Joe to disguise himself as the man of her dreams.

Musical film

The musical film is a film genre in which songs sung by the characters are interwoven into the narrative, sometimes accompanied by dancing.

The songs usually advance the plot or develop the film's characters, though in some cases they serve merely as breaks in the storyline, often as elaborate "production numbers".

The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if there is a live audience watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it.

Musical films in the Western world

The classical sound era

The 1930s through the early 1950s are considered to be the golden age of the musical film, when the genre's popularity was at its highest in the Western world.

Musical theatre

Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting, and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through the words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.

Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre works of American creators like George M. Cohan. The Princess Theatre musicals and other smart shows like Of Thee I Sing (1931) were artistic steps forward beyond revues and other frothy entertainments of the early 20th century and led to such groundbreaking works as Show Boat (1927) and Oklahoma! (1943). Some of the most famous and iconic musicals through the decades that followed include West Side Story (1957), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1985), The Phantom of the Opera (1986), Rent (1996), The Producers (2001) and Wicked (2003).

1776 (musical)

1776 is a musical with music and lyrics by Sherman Edwards and a book by Peter Stone. The story is based on the events surrounding the signing of the Declaration of Independence. It dramatizes the efforts of John Adams to persuade his colleagues to vote for American independence and to sign the document.

It premiered on Broadway in 1969, earning warm reviews, and ran for 1,217 performances. The production was nominated for five Tony Awards and won three, including the Tony Award for Best Musical. In 1972 it was made into a film adaptation. It was revived on Broadway in 1997.

History

In 1926, Rodgers and Hart had written a musical about the American Revolution, called Dearest Enemy. Additionally, in 1950, a musical about the Revolution had been presented on Broadway, titled Arms and the Girl, with music by Morton Gould, lyrics by Dorothy Fields, and a book by Herbert Fields, Dorothy Fields, and Rouben Mamoulian, the show's director.

Sherman Edwards, a writer of pop songs with several top ten hits in the late fifties and early sixties, spent several years developing lyrics and libretto for a musical based on the signing of the Declaration of Independence. Edwards recounted that, "I wanted to show [the founding fathers] at their outermost limits. These men were the cream of their colonies... They disagreed and fought with each other. But they understood commitment, and though they fought, they fought affirmatively." Producer Stuart Ostrow recommended that librettist Peter Stone collaborate with Edwards on the book of the musical. Stone recalled,

Sugar

Sugar is the generalized name for sweet, short-chain, soluble carbohydrates, many of which are used in food. They are carbohydrates, composed of carbon, hydrogen, and oxygen. There are various types of sugar derived from different sources. Simple sugars are called monosaccharides and include glucose (also known as dextrose), fructose and galactose. The table or granulated sugar most customarily used as food is sucrose, a disaccharide. (In the body, sucrose hydrolyses into fructose and glucose.) Other disaccharides include maltose and lactose. Longer chains of sugars are called oligosaccharides. Chemically-different substances may also have a sweet taste, but are not classified as sugars. Some are used as lower-calorie food substitutes for sugar described as artificial sweeteners.

Sugars are found in the tissues of most plants, but are present in sufficient concentrations for efficient extraction only in sugarcane and sugar beet. Sugarcane refers to any of several species of giant grass in the genus Saccharum that have been cultivated in tropical climates in South Asia and Southeast Asia since ancient times. A great expansion in its production took place in the 18th century with the establishment of sugar plantations in the West Indies and Americas. This was the first time that sugar became available to the common people, who had previously had to rely on honey to sweeten foods. Sugar beet, a cultivated variety of Beta vulgaris, is grown as a root crop in cooler climates and became a major source of sugar in the 19th century when methods for extracting the sugar became available. Sugar production and trade have changed the course of human history in many ways, influencing the formation of colonies, the perpetuation of slavery, the transition to indentured labour, the migration of peoples, wars between sugar-trade–controlling nations in the 19th century, and the ethnic composition and political structure of the New World.

List of Burn Notice characters

This is a list of fictional characters in the television series Burn Notice. The article deals with the series' main and recurring characters.

Main characters

Michael Westen

Fiona Glenanne

Sam Axe

Madeline Westen

Jesse Porter

Jesse Porter (Coby Bell) is a former Counterintelligence Field Activity/Defense Intelligence Agency agent introduced in the Season 4 premiere. He was initially stationed in the field, but his risky and impulsive tactical maneuvers led to his being demoted to desk duty. Because of his research on the war-profiteering organization that Management was hunting, Michael stole Jesse's work in the course of his investigation, unintentionally burning Jesse. Jesse came to Michael for help as a fellow burned spy, which Michael accepted. But the fact that Jesse was insistent on exacting revenge on whoever burned him led the team to cover their trails leading to his burning. Left with nothing as Michael was, Jesse moves in as a tenant with Madeline and quickly fits into the team and their regular jobs.

Sugar (Stanley Turrentine album)

Sugar is an album by jazz saxophonist Stanley Turrentine, his first recorded for the CTI Records label following his long association with Blue Note, featuring performances by Turrentine with Freddie Hubbard, George Benson, Ron Carter, and Billy Kaye with Lonnie Liston Smith added on the title track and Butch Cornell and Richard "Pablo" Landrum on the other two tracks on the original release. The CD rerelease added a live version of the title track recorded at the Hollywood Palladium in 1971.

Reception

The album is one of Turrentines best received and was greeted with universal acclaim on release and on subsequent reissues. The Allmusic review by Thom Jurek awarded the album 4½ stars and states "If jazz fans are interested in Turrentine beyond the Blue Note period — and they should be — this is a heck of a place to listen for satisfaction". The All About Jazz review by David Rickert states "Seldom does a group of musicians click on all levels and rise into the stratosphere, but this is one such record, a relic from a time when jazz was going through growing pains but still spawning some interesting projects. Turrentine was one of the lucky few who made his crowning achievement during this time".