Suffocation is the process of Asphyxia.
Suffocation or Suffocate may also refer to:
Dysfunction is the second studio album by the American rock band Staind. It is also the group's first release on any label at all, in this case the Flip/Elektra label. "Suffocate", "Just Go", "Mudshovel", and "Home" were released as singles. The song "Mudshovel" can also be found on the band's previous album, Tormented, albeit in a slightly different form; that version of the song goes under the title spelled "Mudshuvel". It would serve as Staind's breakout single, peaking at number 10 on the Mainstream Rock chart. The album was certified 2x Platinum by the RIAA.
Despite trying to remove Staind from opening for Limp Bizkit at a 1997 concert, due to the intense cover illustration on their 1996 album Tormented, Fred Durst was impressed with their performance. After hearing their four-song demo, Durst signed Staind to Flip/Elektra to record the band's album Dysfunction. However, Durst suggested Staind would become more melodic. Durst and Staind then traveled to Jacksonville, Florida to begin developing new songs, and after a meeting with Flip, Staind recorded a three-track sampler in Los Angeles, California. By February 1998, they acquired a record contract and after performing on the summer Warped Tour began recording Dysfunction in December.
"Suffocate" is the fourth single by British glam rock band King Adora. The single was released on 19 February 2001 on Superior Quality Recordings and reached number 39 on the UK Singles Chart, becoming the band's first Top 40 single. The song would be included as the closing track on the band's debut album, Vibrate You and frequently closed their live shows.
Suffocate was written on a bunk bed in Sawmills Studios in Cornwall by Matt Browne and Martyn Nelson during recording sessions for their debut album Vibrate You in late 2000. Nelson revealed it was "a special moment" when Browne played the chords and Nelson came up with the song's opening riff. They quickly agreed that Suffocate would be "a good song".Suffocate was produced and mixed by John Cornfield. Like other songs recorded for Vibrate You, Suffocate contains programmed drum loops which made up a backing track for the recording and live performances.
Browne called Suffocate "an anti-love song, destruction of something beautiful". He was inspired to write the song's lyrics after returning from a tour to find his then-girlfriend had died. Browne never had the chance to say he was sorry before her passing and the song became a way of conveying his emotions. On the band's 2012 Who Do You Love? | The King Adora Story documentary he revealed that "things weren't well at all, most of it my fault, because I was too much caught up in the lifestyle of being on the road and ignoring what's real".
The Báthory (Polish: Batory) were a Hungarian noble family of the Gutkeled clan. The family rose to significant influence in Central Europe during the late Middle Ages, holding high military, administrative and ecclesiastical positions in the Kingdom of Hungary. In the early modern period, the family brought forth several Princes of Transylvania and one King of Poland.
The Báthory family belonged to the Gutkeled, a clan of Hungarian nobles, which traced its descent to the Swabian brothers Gut and Kelad, who immigrated into Hungary from the castle Stof (probably Staufen im Breisgau or Hohenstaufen in Württemberg) during the reign of King Peter (reigned 1038–1046), who himself was partly of Venetian descent.
The actual Báthory family began in the 13th century with Andrew of Rakoméz, surnamed the Bald, son of Nikolaus. Andrew is mentioned in 1250 as a patron of the monastery of Sárvár in the county of Szatmár.
In 1279, King Ladislaus IV rewarded Andrew's brother Hados and Andrew's sons George (d. 1307), Benedict (d. 1321) and Briccius (d. 1322) for their military services by granting them Bátor in the county of Szabolcs. Bátor had been the estate of Vajda son of Lángos, who had married a relative of Andrew but died without issue.
Bathory (also released as Bathory: Countess of Blood) is a 2008 historical drama written and directed by Juraj Jakubisko. Filming began in December 2005, and the film was released in July 2008. It was Jakubisko's first English-language film and an international co-production between the cinemas of Slovakia, the Czech Republic, Hungary, and the United Kingdom.
The film is based on the story of Erzsébet Bathory, a Hungarian countess in the 16th and 17th centuries. Her story takes place in a part of the Kingdom of Hungary that is now Slovakia. In this retelling, the Countess is a healer who conducts medical experiments and rudimentary autopsies in a "hospital" beneath her castle. She forms a relationship with a reputed witch, Darvulia, who saves her from poisoning. The witch promises Erzsebet a son and eternal beauty. In return, Erzsebet must sacrifice both love and her reputation. Darvulia becomes Erzsebet's companion. Meanwhile, maidens in the area have been dying of seemingly unrelated causes, and Erzsebet is seen bathing in a large tub of red liquid as the girls' now-mutilated corpses are buried nearby. Two monks later conclude that the water is not blood but is simply colored red by herbs.
The Báthory family were a Hungarian noble family of the Gutkeled clan.
Bathory may also refer to:
Kill me!
I am but a fuckin' livin' dead
Help me!
I am goin' outta this damn head
Crazy!
I can't stand the agony and aich
A helpless fuckin' vegetable
I feel I suffocate
Suffocate
Suffocate
Suffocate
Suffocate
By and by I tighten the loop
laid around my neck
stretching that damn rope some more
like some damn fuckin' pet
I am like a book
that never will be read
this damn body's outside live
but inside I am dead
Karma!
I don't give a fuck for what will be
I shit upon what will come
when the lights gone out for me
Suffocate
Suffocate
Suffocate
Suffocate
I chew my fuckin' limbs
frustration fills all cavitys
living brings me closer
to hardcore insanity
Just one fuckin' step
all'll be fuckin' over and done
I've been taking this one step
since my damn life fuckin' begun
Seeing this whole fuckin' life
like some damn fuckin' trap
I'll be laughin' 'till I hear