Sueños (Eng.: Dreams) is the title of a studio album released by norteño music band Intocable. This album became their first number-one set on the Billboard Top Latin Albums chart for 4 weeks and received a nomination for a Grammy Award for Best Mexican/Mexican-American Album.
The track listing from Billboard.com
The information form Allmusic.
Intocable (Untouchable) is a Tejano/Norteño musical group from Zapata, Texas that was started by friends Ricky Muñoz and René Martínez in the early 1990s. In a few years, Intocable rose to the top of the Tejano and Norteño fields with a musical signature that fused Tejano's robust conjunto and Norteño folk rhythms with a pop balladry. Intocable is perhaps the most influential group in Tejano and their tough Tejano/Norteño fusion has become the blueprint for dozens of Tex-Mex groups. The group's style, which combines romantic, hooky melodies, tight instrumentation and vocal harmony, is consistently imitated by other Tejano and Norteño groups, including Imán, Duelo, Costumbre, Solido, Estruendo, Intenso, and Zinzero.
Career accomplishments include four consecutive sold-out nights at Mexico City's prestigious Auditorio Nacional and the group's 2003 headlining appearance at Reliant Stadium in Houston, which drew a record 70,104 fans. They also played two sold-out dates at the 10,000-capacity Monterrey Arena in Monterrey, Mexico—an unusual accomplishment given that Norteño groups typically play large dance halls and rarely arenas unless it's an all day festival event. Intocable has also won at least eight of Univision's Premio Lo Nuestro awards. They received their first Grammy win in February 2005 at the 47th Annual Grammys (Grammy Award for Best Mexican/Mexican-American Album; Intimamente) and second at the 53rd annual Grammys for their album Classic.
Cache or caching may refer to:
InterSystems Caché is a commercial object-oriented database management system from InterSystems, used to develop healthcare management and telecommunications software. Customer software can use the database with object and SQL code. Caché also allows developers to directly manipulate its underlying data structures: hierarchical arrays known as M technology.
Internally, Caché stores data in multidimensional arrays capable of carrying hierarchically structured data. These are the same “global” data structures used by the MUMPS programming language, which influenced the design of Caché, and are similar to those used by MultiValue (aka PICK) systems. In most applications, however, object and/or SQL access methods are used.
Caché ObjectScript, Caché Basic or T-SQL can be used to develop application business logic. External interfaces include native object binding for C++, Java, EJB, ActiveX, and .NET. Caché supports JDBC and ODBC for relational access. XML and web services are also supported.
Caché [ka.ʃe], titled Hidden in the UK and Ireland, is a 2005 French psychological thriller written and directed by Michael Haneke. Starring Daniel Auteuil as Georges and Juliette Binoche as his wife Anne, the film follows an upper-class French couple who are terrorized by anonymous tapes that appear on their front porch and hint at childhood memories of the husband.
Caché opened to acclaim from film critics, who lauded Binoche's acting and Haneke's direction. The ambiguities of its plot continue to attract considerable discussion among scholars; many have commented on the film's themes of "bourgeois guilt" and collective memory, often drawing parallels between its narrative and the French government's decades-long denial of the 1961 Seine River massacre. Caché is today regarded as one of the greatest films of the 2000s.
The quiet life of a Paris family is disturbed when they receive a series of surveillance tapes of the exterior of their residence from an anonymous source. Georges Laurent is the successful host of a French literary television program, living with his wife Anne, a book publisher, and their 12-year-old son Pierrot. Unmarked videocassettes arrive on their doorstep, tapes that show extended observation of their home's exterior from a static street camera that is never noticed. At first passive and harmless, but later accompanied by crude, disturbing crayon drawings, the tapes lead to questions about Georges' early life that disrupt both his work and marriage. But because the tapes do not contain an open threat, the police refuse to help the family.