The Sudice are the Fates of Slavic mythology. Spirits of judgement that meted out fortune, destiny, judgement and in some cases, fatality, when a child was born. In Czech and Slovak languages, they are called Sudičky. They can also be found in Serbian mythology by the name of Sudice, Suđaje and in Polish mythology known as Rodzanice, Narecznice or Sudiczki. In Slovenian mythology are known as Sojenice and Rojenice.
This is what the legend is roughly translated from the Czech Wikipedia page.
Sudička is a figure in Slavic mythology. It tells the story of three old women spinners who approach cradles of every newborn child, and foretell their fate. The first has a big bottom lip from the continuous salivating the thread. The second has an inch-wide thumb from drafting the fiber and the third has a huge foot from pedaling on the spinning wheel. The fate will fulfill to the man, regardless as to whether he is a good man or a bad man.
The story has many similarities to the Greek myth of the Moirai.
Sudice may mean:
Sudice is a village and municipality (obec) in Blansko District in the South Moravian Region of the Czech Republic.
The municipality covers an area of 5.39 square kilometres (2.08 sq mi), and has a population of 445 (as at 28 August 2006).
Sudice lies approximately 18 kilometres (11 mi) north of Blansko, 37 km (23 mi) north of Brno, and 173 km (107 mi) east of Prague.
Sudice is a village and municipality (obec) in Třebíč District in the Vysočina Region of the Czech Republic.
The municipality covers an area of 6.13 square kilometres (2.37 sq mi), and has a population of 344 (as at 3 July 2006).
Sudice lies approximately 27 kilometres (17 mi) east of Třebíč, 53 km (33 mi) south-east of Jihlava, and 165 km (103 mi) south-east of Prague.
Mythology is a collection of myths, especially one belonging to a particular sacred, religious or cultural tradition of a group of people. Myths are a collection of stories told to explain nature, history, and customs–or the study of such myths.
As a collection of such stories, mythology is a vital feature of every culture. Various origins for myths have been proposed, ranging from personification of nature, personification of natural phenomena to truthful or hyperbolic accounts of historical events, to explanations of existing ritual. Although the term is complicated by its implicit condescension, mythologizing is not just an ancient or primitive practice, as shown by contemporary mythopoeia such as urban legends and the expansive fictional mythoi created by fantasy novels and comics. A culture's collective mythology helps convey belonging, shared and religious experience, behavioural models, and moral and practical lessons.
The study of myth dates back to antiquity. Rival classifications of the Greek myths by Euhemerus, Plato's Phaedrus, and Sallustius were developed by the Neoplatonists and revived by Renaissance mythographers. Nineteenth-century comparative mythology reinterpreted myth as a primitive and failed counterpart of science (E. B. Tylor), a "disease of language" (Max Müller), or a misinterpretation of magical ritual (James Frazer).
Mythology is the fourth solo album by keyboard player Derek Sherinian. Sherinian again draws upon some of the greatest talent from the worlds of rock and jazz music. Among the artists appearing on Mythology are jazz fusion player Allan Holdsworth (U.K., Soft Machine, Level 42), Steve Lukather (Toto), Simon Phillips (Toto, Jeff Beck, The Who), Zakk Wylde (Ozzy Osbourne, Black Label Society), Grammy award winner Steve Stevens (Billy Idol), Jerry Goodman (Mahavishnu Orchestra, Dixie Dregs), and a very rare guest appearance from guitarist John Sykes (Whitesnake, Thin Lizzy, Blue Murder).
Mythology is an album by new age artist Eloy Fritsch. It is generally viewed as one of his stronger solo works. As with Apocalypse, Fritsch plays a variety of keyboard instruments on the album. Featured in the inside photograph are a Modular Synthesizer System-700, Minimoog Synthesizer and electronic keyboards. Mythology deals with diverse myths of the world. So several cultures were visited, including those of Brazil, the Aztecs, the Incas, Assyria, Greek, Hindu, Egyptian, Nordic, Atlantis, the Romans, the Chinese, and so on. All electronic compositions on the album were based in his own interpretation of the characteristics of each mythological element chosen for this work.