The Japanese language uses a broad array of honorific suffixes for addressing or referring to people. These honorifics attach to the end of people's names, as in Aman-san where the honorific -san was attached to the name Aman. These honorifics are often gender-neutral, but some imply a more feminine context (such as -chan) while others imply a more masculine one (such as -kun).
These honorifics are often used along with other forms of Japanese honorific speech, keigo, such as that used in conjugating verbs.
Although honorifics are not part of the basic grammar of the Japanese language, they are a fundamental part of the sociolinguistics of Japanese, and proper use is essential to proficient and appropriate speech. Significantly, referring to oneself using an honorific, or dropping an honorific when it is required, is a serious faux pas, in either case coming across as clumsy or arrogant.
They can be applied to either the first or last name depending on which is given. In situations where both the first and last names are spoken, the suffix is attached to whichever comes last in the word order.
San or SAN may refer to:
]........ΑΝΤΑΣ:ΧΑ.[
]....ΚΕΑΣ:ΑΝΓΑΡΙΟΣ[
]...ΑΥϜΙΟΣ:ΣΟΚΛΕΣ:[
].ΤΙΔΑΣ:ΑΜΥΝΤΑΣ[
]ΤΟΙ ΜΑΛΕϘΟ:ΚΑΙ.[
San (Ϻ) was an archaic letter of the Greek alphabet. Its shape was similar to modern M, or to a modern Greek Sigma (Σ) turned sideways, and it was used as an alternative to Sigma to denote the sound /s/. Unlike Sigma, whose position in the alphabet is between Rho and Tau, San appeared between Pi and Qoppa in alphabetic order. In addition to denoting this separate archaic character, the name "San" was also used as an alternative name to denote the standard letter Sigma.
The existence of the two competing letters Sigma and San is traditionally believed to have been due to confusion during the adoption of the Greek alphabet from the Phoenician script, because Phoenician had more sibilant (s-like) sounds than Greek had. According to one theory, the distribution of the sibilant letters in Greek is due to pair-wise confusion between the sounds and alphabet positions of the four Phoenician sibilant signs: Greek Sigma got its shape and alphabetic position from Phoenician Šin (), but its name and sound value from Phoenician Samekh. Conversely, Greek Xi (Ξ) got its shape and position from Samekh (
), but its name and sound value from Šin. The same kind of pair-wise exchange happened between Phoenician Zayin and Tsade: Greek Zeta has the shape and position of Zayin (
) but the name and sound value of Tsade, and conversely Greek San has the approximate shape and position of Tsade (
) but may originally have had the sound value of Zayin, i.e. voiced [z]. However, since voiced [z] and voiceless [s] were not distinct phonemes in Greek, Sigma and San came to be used in essentially the same function.
You tell yourself you're not the one
You won't get hurt when the damage is done
You tell yourself it won't happen to you
It's the same old story, there's nothing new
Can't be the one, the one to lose
You won't be wearing someone else's shoes
Can't you read it, it's up on the wall
How can someone so big be so small
You're nothing without your friends
They'll be with you 'till the bitter end
You're nothing and you'll find out
What this world is all about
Standing in a strike zone
Running with the pack
Standing in a strike zone
Ain't no use in turning back
You want no war it's the chance you take
Nothing easier and the ice won't break
When the sun comes out in the dead of the night
You won't escape from the blinding light
Freedom goes but who's to blame
See the madness burning in their brains
Nowhere to run, no place to hide
You're all alone on a one-way ride
You're nothing without your friends
They'll be with you 'till the bitter end
You're nothing and you'll find out
What this world is all about
Standing in a strike zone
Running with the pack
Standing in a strike zone
Ain't no use in turning back
Standing in a strike zone
There's a panic in the streets
Standing in a strike zone
Ain't no golden parks retreat
You tell yourself you're not the one
You won't get hurt when the damage is done
You tell yourself it won't happen to you
It's the same old story, there's nothing new
Can't be the one, the one to lose
You won't be wearing someone else's shoes
Can't you read it, it's up on the wall
How can someone so big be so small
Standing in a strike zone
Running with the pack
Standing in a strike zone
Ain't no use in turning back
Standing in a strike zone
There's a panic in the streets
Standing in a strike zone
Ain't no golden parks retreat
Standing in a strike zone
Running with the pack
Standing in a strike zone
Ain't no use in turning back
Standing in a strike zone
There's a panic in the streets
Standing in a strike zone
You've got a ticket for a front row seat