Erroll Louis Garner (June 15, 1923 - January 2, 1977) (some sources say 1921) was an American jazz pianist and composer known for his swing playing and ballads. His best-known composition, the ballad "Misty", has become a jazz standard. Scott Yanow of Allmusic calls him "one of the most distinctive of all pianists" and a "brilliant virtuoso". He received a star on the Hollywood Walk of Fame at 6363 Hollywood Blvd.
Born with his twin brother Ernest in Pittsburgh, Pennsylvania, to an African American family on June 15, 1923, Erroll began playing piano at the age of three. His elder siblings were taught piano by Miss Bowman. From an early age Erroll would sit down and play anything she'd demonstrated, just like Miss Bowman, his eldest sister Martha said. He attended George Westinghouse High School, as did fellow pianists Billy Strayhorn and Ahmad Jamal. Garner was self-taught and remained an "ear player" all his life – he never learned to read music. At the age of seven, he began appearing on the radio station KDKA in Pittsburgh with a group called the Candy Kids. By the age of 11, he was playing on the Allegheny riverboats. At 14 in 1937, he joined local saxophonist Leroy Brown.
Strike! Up the Band is the second album by English rock band The Scaramanga Six.
Rather than being produced as an album, the material for Strike! Up the Band was cherry-picked from Scaramanga Six sessions and recordings spanning 2000 to 2002. Approximately half of the album’s material had been previously released. "Grasp the Candle" and "Ladies and Gentlemen" came from 2000's Are You One of the Family? EP, while 2001's The Continuing Saga of The Scaramanga Six EP provided its title track plus "Pressure Cage" and "Big in a Small Town".
Two tracks from the album were released separately. "You Do, You Die!" became the Scaramanga Six half of a split single with Les Flames, while "Too Cool for School" was included on the first Wrath Records compilation.
During this period, The Scaramanga Six underwent several personnel changes, resulting in this being the last band album until 2013 to feature a six-piece lineup. Guitarist Bill Bailey left the band during the sessions for Are You One of the Family? in 2000, and consequently played on only one track on the album (contributing the fuzz guitar to "Rush of Blood"). Bailey’s replacement, guitarist/organist Jenny "Jet" Harris, left the band in 2002 following the completion of Strike! Up the Band, as did drummer James Agnew. Keyboard player John Gulliver departed midway through the sessions for the subsequent album Cabin Fever.
Strike Up the Band may refer to:
Strike Up the Band is a 1940 American black and white musical film. It is directed by Busby Berkeley and stars Mickey Rooney and Judy Garland.
A very famous, memorable quote from the film is "Take that boy on the street. Teach him to blow a horn, and he'll never blow a safe.", spoken by Paul Whiteman.
As well as being commercially released as a VHS in its own right, it was also released on 25 September 2007 by Warner Home Video in a film package entitled: "The Mickey Rooney & Judy Garland Collection." This collection included the films Babes in Arms, Babes on Broadway, Girl Crazy, and Strike Up the Band.
The original taglines for the film were: "THEIR SUNNIEST, FUNNIEST, DOWN-TO-MIRTHIEST HIT!; IT BEATS THE BAND!; "Melodious with WHITEMAN'S BAND; and The merriest pair on the screen in a great new musical show!
In keeping with MGM's practice of the time, the film soundtrack was recorded in stereophonic sound but released with conventional monaural sound. At least some of the original stereo recording has survived and been included in some home video releases, including the Mickey Rooney - Judy Garland Collection.
Cole Porter
Like the beat beat beat of the tom-tom
When the jungle shadows fall,
Like the tick tick tock of the stately clock
As it stands against the wall,
Like the drip drip drip of the raindrops
When the sum'r show'r is through,
So a voice within me keeps repeating
You-You-You
Night and day you are the one,
Only you beneath the moon and sun,
Whether near me or far
It's no matter, darling, where you are,
I think of you, night and day.
Day and night, why is it so
That this longing for you follows wherever I go?
In the roaring traffic's boom,
In the silence of my lonely room,
I think of you, night and day.
Night and day under the hide of me
There's an, oh, such a hungry yearning
Burning inside of me,
And its torment won't be through
Till you let me spent my life making love to you
Day and night, night and day.