Streak (film)

Streak is a 2008 American coming-of-age short film directed by Demi Moore, written by Kelly Fremon and Allan Loeb, and starring Brittany Snow and Rumer Willis. The film was actress Demi Moore's first film. The plot focuses on a young woman stuck in a life she no longer wants with gym-rat friends and obsessive behavior. To break free, she reaches for fun in an interesting form of expression.

Family connection

Director Demi Moore's then 20-year-old daughter Rumer Willis starred in the film. Of directing her daughter, Moore said, "The great thing is I’m seeing her mature and operate as a complete professional. And it’s giving us, I think, another opportunity to connect in a totally different way."

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Streak (mineralogy)

The streak (also called "powder color") of a mineral is the color of the powder produced when it is dragged across an un-weathered surface. Unlike the apparent color of a mineral, which for most minerals can vary considerably, the trail of finely ground powder generally has a more consistent characteristic color, and is thus an important diagnostic tool in mineral identification. If no streak seems to be made, the mineral's streak is said to be white or colorless. Streak is particularly important as a diagnostic for opaque and colored materials. It is less useful for silicate minerals, most of which have a white streak or are too hard to powder easily.

The apparent color of a mineral can vary widely because of trace impurities or a disturbed macroscopic crystal structure. Small amounts of an impurity that strongly absorbs a particular wavelength can radically change the wavelengths of light that are reflected by the specimen, and thus change the apparent color. However, when the specimen is dragged to produce a streak, it is broken into randomly oriented microscopic crystals, and small impurities do not greatly affect the absorption of light.

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

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Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: