Kathleen Mary "Kathy" Griffin (born November 4, 1960) is an American actress, comedian, writer, producer, and television host. Born in Oak Park, Illinois, she moved to Los Angeles in 1978, where she studied drama at the Lee Strasberg Theatre and Film Institute and became a member of the improvisational comedy troupe The Groundlings. In the 1990s, Griffin began performing as a standup comedian and also appeared as a guest star on several television shows. She achieved recognition in a supporting role on the NBC sitcom Suddenly Susan (1996–2000).
Her Bravo reality show Kathy Griffin: My Life on the D-List (2005–2010) became a ratings hit for the network and earned her two Emmy Awards for Outstanding Reality Program. Griffin has released six comedy albums, all of which received Grammy Award nominations. Her first album, For Your Consideration (2008), made her the first female comedian to debut at the top of the Billboard Top Comedy Albums chart. In 2009, she released her autobiography Official Book Club Selection: A Memoir According to Kathy Griffin, which topped The New York Times Best Seller list.
Straight to Hell is the sixth stand-up comedy special by stand-up comedian Kathy Griffin on Bravo and her eighth overall. It was televised live from the Chicago Theatre in Chicago, Illinois on November 29, 2007 (2007-11-29) on Bravo.
The live Bravo performance special was nominated for the Emmy for Outstanding Variety, Music Or Comedy Special in the 60th Primetime Emmy Awards.
Straight to Hell may refer to:
Straight to Hell is the third studio album by American country music/punk artist Hank Williams III. It was Williams' first release since settling a contract dispute with Curb Records and was one of the first releases on Curb's Bruc Records imprint. It was also the first ever country music release to merit both a parental advisory sticker on the package and a clean version of the album for more conservative retail outlets like Wal-Mart, due to language more suited to Williams' punk rock side and some repeated drug and alcohol references. On his website, Williams encourages fans to support independent record outlets that are more willing to stock the uncensored version of the album .
Espousing the Do-it-yourself (DIY) ethic more associated with punk rock, Williams recorded the double album at what was referred to in the liner notes as "a house with a good wooden room in East Nashville" (recently revealed to be the house Williams's steel player, Andy Gibson, was living in at the time) with a $400 Korg D 1600 digital workstation, handling producing and engineering duties along with his longtime Damn Band members JoeBuck and Andy Gibson, although instead of a "Produced and Engineered by..." credit, the Williams/Buck/Gibson triad was instead credited with "Settin' up the mics, turnin' the knobs and recording this record". The results would inspire Williams to state that every musician should own their own workstation in order to take full control of their own music.
"Straight to Hell" is a rock song by The Clash, from their album Combat Rock. It was released as a double A-side single with "Should I Stay or Should I Go" on 17 September 1982 in 12" and 7" vinyl format (the 7" vinyl is also available in picture disc) format.
Like many songs by the Clash, the lyrics of "Straight to Hell" decry injustice. The first verse refers to the shutting down of steel mills in Northern England and unemployment spanning generations, it also considers the alienation of non English speaking immigrants in British society. The second verse concerns the abandonment of children in Vietnam who were fathered by American soldiers during the Vietnam War. The third verse contrasts the American Dream as seen through the eyes of an Amerasian child with a dystopian vision of American reality. The final verse broadly considers the life of immigrants throughout the world.
The reference to "Amerasian Blues" describes the abandonment of children fathered by American soldiers stationed in Vietnam during the Vietnam War: an Amerasian child is portrayed as presenting an absent American father, "papa-san," with a photograph of his parents, pleading with his father to take him home to America. The child's plea is rejected. "-San" is a Japanese rather than Vietnamese honorific, but it was used by US troops in Vietnam who referred to Vietnamese men and women, especially older men and women, as "mama-san" or "papa-san".