A storyboard is a graphic organizer in the form of illustrations or images displayed in sequence for the purpose of pre-visualizing a motion picture, animation, motion graphic or interactive media sequence. The storyboarding process, in the form it is known today, was developed at Walt Disney Productions during the early 1930s, after several years of similar processes being in use at Walt Disney and other animation studios.
The storyboarding process can be very time-consuming and intricate. Many large budget silent films were storyboarded but most of this material has been lost during the reduction of the studio archives during the 1970s. The form widely known today was developed at the Walt Disney studio during the early 1930s. In the biography of her father, The Story of Walt Disney (Henry Holt, 1956), Diane Disney Miller explains that the first complete storyboards were created for the 1933 Disney short Three Little Pigs. According to John Canemaker, in Paper Dreams: The Art and Artists of Disney Storyboards (1999, Hyperion Press), the first storyboards at Disney evolved from comic-book like "story sketches" created in the 1920s to illustrate concepts for animated cartoon short subjects such as Plane Crazy and Steamboat Willie, and within a few years the idea spread to other studios.
Storyboards is the third full-length album by alternative rock band Sleeping at Last. It was released independently in 2009.
Storyboard is a BBC drama anthology series of 30 minute plays, each written by Troy Kennedy Martin, the first series created by the screenwriter. The series was followed by Studio 4.
All six episodes are missing from the BBC archives.
Miho (みほ, ミホ) is a feminine Japanese given name.
Miho can be written using different kanji characters and can mean:
The name can also be written in hiragana or katakana.
Miho (ミホ) is a character in Frank Miller's Sin City graphic novel series. In the film adaptation of Sin City, she is portrayed by Devon Aoki.Jamie Chung replaces Aoki in the 2014 expansion, Sin City: A Dame to Kill For.
Miho is a mute female assassin of Japanese descent (Miho is easily offended by anti-Japanese racial slurs, such as "Jap slut" and "Jap slag"; in response, she behaves in an even more sadistic way than she normally does). Along with Gail, she serves as an enforcer and defender of the city's Old Town. She is often referred to as "Deadly Little Miho" by the character Dwight McCarthy in his narrations. Despite residing in Old Town, there is nothing to suggest that she herself is a prostitute (contrary to the opinion expressed by some film critics such as Andrew Sarris and Ty Burr, as well as by IGN).
Miho is very small and light; she has long dark hair, a very slim figure, and dark eyes. Normally she dresses in a short, modified black kimono worn over a bra, and a belt into which she tucks all sorts of weapons. A wakizashi is sometimes shown hanging from her belt. In Family Values, her appearance changes drastically. She is drawn only with white and her body is devoid of shading (including her dark hair).