Still the One

"Still the One" is a song written by Johanna Hall and John Hall, and recorded by the soft rock group Orleans on their album Waking and Dreaming, released in 1976, which made it to No. 5 on the Billboard Hot 100.

Country singer Bill Anderson recorded and released a successful cover version, peaking at No. 11 on Billboard's Hot Country Singles chart in 1977.

Song lyrics

The lyrics of the song are of a man describing his feelings for a woman with whom he has a long lasting and, of course, intimate relationship ("You're still the one, I want to talk to in bed; Still the one that turns my head") and all the reasons why she is "Still the One" for whom he has feelings.

Background

Orleans bass player Lance Hoppen recalls that Johanna Hall wrote the lyrics for "Still the One" after a friend "asked her why somebody couldn't write a song about staying together, as opposed to breaking up"; Johanna Hall wrote the lyrics on an envelope which she then handed to John Hall who Hoppen says "created the music in about fifteen minutes". John Hall would recall that "Still the One" was not an automatic choice for lead single from Waking and Dreaming saying rather that "we had several songs that were candidates. We were too close to it to see. Fortunately, our producer, Chuck Plotkin, had a strong feeling about the song."

Take Me Home (One Direction album)

Take Me Home is the second studio album by British-Irish group One Direction, released on 9 November 2012 by Sony Music Entertainment. As a follow-up to One Direction's internationally successful debut album, Up All Night (2011), Take Me Home was written in groups and has an average of just under five songwriters per track. Largely recorded and composed in Sweden during 2012, Savan Kotecha, Rami Yacoub and Carl Falk, who composed One Direction's hits, "What Makes You Beautiful" and "One Thing", spent six months in Stockholm developing songs for the album, and were able to shape melodies around the members' tones.

The album's songs are characterised by metronomic pop, vocal harmonies, hand claps, prominent electric guitar riffs, bright synthesizers, a homogeneous sound and message, and rotations of lead vocals. The members' voices are presented individually on the record, and its lyricism speaks of falling in love, unrequited love, the insistence that flaws are what make a person unique, commitment, jealousy, and longing for past significant others. Take Me Home garnered mostly positive reviews from music critics. There was praise for its quality of production, while criticism hinged on its generic, rushed nature.

Shania Twain

Shania Twain, OC (/ʃəˌnaɪ.ə ˈtweɪn/) (born Eilleen Regina Edwards; August 28, 1965) is a Canadian singer and songwriter. Twain has sold over 85 million records, making her one of the world's best-selling artists of all time. She is also the best selling female artist in the history of country music, which garnered her honorific titles including the "Queen of Country Pop".

Twain's second studio album, 1995's The Woman in Me, brought her widespread fame. It sold 20 million copies worldwide, spawning hits such as "Any Man of Mine" and earning her a Grammy Award. Twain's third album, Come On Over, became the best-selling studio album of all time by a female act in any genre and the best-selling country album of all time, selling around 40 million copies worldwide.Come On Over produced several singles, including "You're Still the One", "From This Moment On" and "Man! I Feel Like a Woman!", and earned Twain four Grammy Awards. Her fourth and latest studio album, Up!, was released in 2002 and, like her previous two albums, was also certified Diamond in the U.S., spawning hits like "I'm Gonna Getcha Good!" and "Forever and for Always".

The Producers

The Producers may refer to:

Titled works

Bands

The Producers (musical)

The Producers is a musical adapted by Mel Brooks and Thomas Meehan from Brooks' 1968 film of the same name, with lyrics written by Brooks and music composed by Brooks and arranged by Glen Kelly and Doug Besterman. As in the film, the story concerns two theatrical producers who scheme to get rich by overselling interests in a Broadway flop. Complications arise when the show unexpectedly turns out to be successful. The humor of the show draws on ridiculous accents, caricatures of homosexuals and Nazis, and many show business in-jokes.

After 33 previews, the original Broadway production opened at the St. James Theatre on April 19, 2001, starring Nathan Lane and Matthew Broderick, and ran for 2,502 performances, winning a record-breaking 12 Tony Awards. It spawned a successful London production running for just over two years, national tours in the US and UK, many productions worldwide and a 2005 film version.

Background

David Geffen persuaded Mel Brooks to turn his movie into a stage musical. When Brooks met with Jerry Herman to discuss their working together, Herman declined, telling Brooks that he should do the job himself, as he was a good songwriter. Brooks then asked Thomas Meehan to join him in writing the book for the stage. Brooks persuaded Mike Ockrent and his wife Susan Stroman to join the creative team as director and choreographer. After Ockrent's death in 1999, Stroman agreed to continue as both director and choreographer.

The Producers (1968 film)

The Producers is a 1968 American satirical comedy film written and directed by Mel Brooks. The film is set in the late 1960s and tells the story of a theatrical producer and an accountant who want to produce a sure-fire Broadway flop. They take more money from investors than they can repay (the shares they sell total more than 100% of any profits) and plan to abscond to Brazil as soon as the play closes, only to see the plan go awry when the show turns out to be a hit.

The film stars Zero Mostel as Max Bialystock, the producer, and Gene Wilder as Leo Bloom, the accountant. It features Dick Shawn as L.S.D., the actor who ends up playing the lead in the musical within the movie, and Kenneth Mars as a playwright and former Nazi soldier, Franz Liebkind.

The Producers was the first film directed by Brooks. He won an Academy Award for Best Original Screenplay. Decades later, the film was selected for preservation in the National Film Registry and placed 11th on the AFI's 100 Years...100 Laughs list. It was later remade successfully by Brooks as an acclaimed Broadway stage musical, which itself was adapted as a film.