Juju or Ju-Ju are objects, such as amulets, and spells used in religious practice, as part of witchcraft in West Africa. Juju historically referred to traditional West African religions.
The term "juju", and the practices associated with it, travelled to the Americas from West Africa with the influx of slaves via the Atlantic slave trade and still survives in some areas, particularly among the various groups of Maroons, who have preserved their African traditions.
Juju is sometimes used to enforce a contract or ensure compliance. In a typical scenario, a juju spell will be placed on a Nigerian woman before she is trafficked into Europe for a life in prostitution, to ensure that she will pay back her traffickers and won't escape. The witch doctor casting the spell requires a payment for this service. Juju is also commonly used in an attempt to affect the outcome of football games.
Contrary to common belief, Vodun is not related to juju, despite the linguistic and spiritual similarities. Juju has acquired some karmic attributes in more recent times: good juju can stem from almost any good deed; bad juju can be spread just as easily. These ideas revolve around the luck and fortune portions of juju. The use of juju to describe an object usually involves small items worn or carried; these generally contain medicines produced by witch doctors.
Juju (ジュジュ) (stylized as JUJU) (born February 14, 1976) is a Japanese jazz singer. She is represented by Sony Music Associated Records Inc.
She currently resides in New York City. She dreamed of being a jazz singer while growing up in Kyoto, and participated in all sorts of music-related activities. At age 18, she left for the US alone. While in New York, she was very taken with the "New York sound," including jazz, R&B, hip-hop, soul, Latin music, and house. Around 2001, Juju began to be featured in a number of works by other artists. In 2002, she provided music for the film Kyōki no Sakura. In 2004, she debuted with her first single "Hikaru no Naka e". The same year, concurrent with her musical activities in New York, she started performing live in Japan. When her third single, "Kiseki o Nozomu nara", was released, it topped the USEN charts and remained on the chart for a record length of 22 weeks. At this point, while she received support from a small group of listeners, she remained mostly unknown. On August 23, 2008, with the release of "Kimi no Subete ni", a collaboration between Spontania and Juju, she broke out onto the Japanese popular music scene, with the single receiving over 2.5 million downloads. Again, on November 26, 2008, another collaboration with Spontania named "Sunao ni Naretara" earned her even more fame, with the song receiving 2.2 million downloads.In 2010, Juju released her third album called Juju and it won the Excellence Album Award at the 52nd Japan Record Awards.
A Juju is a supernatural power ascribed to an object.
Juju may also refer to:
Stické (also stické tennis) is an indoor racquet sport invented in the late 19th century merging aspects of real tennis, racquets, and lawn tennis. It derives from sphairistikè (Ancient Greek meaning "the art of playing ball"), the term originally given to lawn tennis by Walter Clopton Wingfield.
Stické is played with standard lawn tennis racquets and low pressure balls in an enclosed court. The court is somewhat similar to a real tennis court in shape, but is smaller (about 78 feet by 27 feet) and different in construction. Play takes place using all the basics of lawn tennis and the same scoring system, with the addition of side and back walls. Players face each other over the net in pairs. As in real tennis, there is a penthouse, used throughout the game as a playing surface and on which the service has to land to start each point.
There were at least 39 courts built throughout the British Empire since 1875. The dimensions of the Taplow Court built by Lord Desborough in 1892 became the standard. In the early 20th century, stické was a popular recreation at many country houses. At the time it was one of the few games that was played by both men and women.
Stick or the stick may refer to:
Stick is a 1985 crime film directed by and starring Burt Reynolds, based on the novel of the same name by Elmore Leonard.
Ernest "Stick" Stickley, a former car thief, has just been released from prison. He meets up with an old friend, Rainy, whose "quick stop" near the Florida Everglades before they go home is an illegal drug deal that goes sour. With his friend dead, Stick needs to hide out for a while to elude the killers (who must eliminate him as a witness).
While lying low, Stick finds himself in the right place at the right time when he helps a wealthy eccentric named Barry get into his locked car. Hired as a driver, he has a comfortable home with a stable job and tries to make up for lost time with Katie, his teen-age daughter. He also finds a new flame in Kyle, a financial consultant who acts as a business adviser for Barry, who must decide what of Stick can be salvaged.
Before he can move on, however, Stick confronts drug dealer Chucky to demand the money owed to his murdered friend. Chucky refuses and sends albino hit-man Moke after the ex-con. Stick can't get on with his new life without cleaning up old business first. He becomes the target of Moke as well as the cartel that employs Chucky, led by the voodoo-obsessed Nestor.
[JD & Lil' Bow Wow:]
(Dance) Don't nobody move till I say so
(Hands) Up in the air if you feel me
(And) If you like to party, make dough, and ball it out
It's all right it's a stick up
[Lil' Bow Wow:]
It's tha bow to the wow, ballin' it out
Get dough, ride low, that's all we about
In da house, talking 'bout its tha young BG
With the 1-2-3 run, quick, see
How I give it to you in many different ways
Gotta get paid put it down for my age, now
Hey who keep the shorties reaching for me
I keep the party on the up and up
I chill in the cut where them fools throw it up
And the crew give me love
Dogg Pound pup for all you ladies
If you rolling with me then you know how it be, just
[1 - JD & Lil' Bow Wow:]
(Dance) Don't nobody move till I say so
(Hands) Up in the air if you feel me
(And) If you like to party, make dough, and ball it out
It's all right it's a stick up
(Dance) Don't nobody move till I say so
(Hands) Up in the air if you feel me
(And) If you like to party, make dough, and ball it out
It's all right with me
[JD:]
Well I came in the door spitting nothing but game
Came in making niggaz switch up their chain
Knowing they ain't see no parts of this hot boy
Keep something pop boy, stay on the spot boy
Only in the big toys with the chrome wheels
Making all kind of noise, dressed to kill
Me and my lil' dog with the girls ready to hit
So So Def baby we the ultimate
Now is they ready yet?
[Lil' Bow Wow:]
Nah J I don't think so
[JD:]
Well whatcha wanna do?
[Lil' Bow Wow:]
Let all these fools know
My goal is to hold
Get the green with the eagle
I'm all about control and I ain't even legal
[Repeat 1 (2x)]
[Lil' Bow Wow:]
Now what'cha wanna do
Bang or bark, I'm a DPP with tha gangsta bark
Give it up to them ladies who bounce that thing
Hit em up with the playas who got phat game
[JD:]
Hey yo but what's your name
[Lil' Bow Wow:]
Bow to the wizzow
Yippe Yo Yippe Yeah I'm up in da house
I'm a car knocker, jeep rocker, six locker
Girls stop for us and everything's proper
Drop it like this and then like that
Like that, like this for the ladies and gents who
Bump in the coupe, ride or you lose
If you wild, we wild
Let me holla at you too
[Repeat 1]
[Lil' Bow Wow & JD:]
Dance, hands, and
Dance, hands, and
Dance, hands, and