8-track tape (formally Stereo 8: commonly known as the eight-track cartridge, eight-track tape, or simply eight-track) is a magnetic tape sound recording technology popular in the United States from the mid-1960s to the late 1970s when the Compact Cassette format took over. The format is regarded as an obsolete technology, and was relatively unknown outside the United States, the United Kingdom, Canada and Australia.
Stereo 8 was created in 1964 by a consortium led by Bill Lear of Lear Jet Corporation, along with Ampex, Ford Motor Company, General Motors, Motorola, and RCA Victor Records (RCA). It was a further development of the similar Stereo-Pak four-track cartridge created by Earl "Madman" Muntz. A later quadraphonic version of the format was announced by RCA in April 1970 and first known as Quad-8, then later changed to just Q8.
The original format for magnetic tape sound reproduction was the reel-to-reel tape recorder, first available in the US in the late 1940s, but too expensive and bulky to be practical for amateur home use until well into the 1950s. Loading a reel of tape onto the machine and threading it through the various guides and rollers proved daunting to some casual users—certainly, it was more difficult than putting a vinyl record on a record player and flicking a switch—and because in early years each tape had to be dubbed from the master tape in real-time to maintain good sound quality, prerecorded tapes were more expensive to manufacture, and costlier to buy, than vinyl records.
Stereophonic sound or, more commonly, stereo, is a method of sound reproduction that creates an illusion of multi-directional audible perspective. This is usually achieved by using two or more independent audio channels through a configuration of two or more loudspeakers (or stereo headphones) in such a way as to create the impression of sound heard from various directions, as in natural hearing. Thus the term "stereophonic" applies to so-called "quadraphonic" and "surround-sound" systems as well as the more common two-channel, two-speaker systems. It is often contrasted with monophonic, or "mono" sound, where audio is heard as coming from one position, often centered in the sound field (analogous to a visual field). In the 2000s, stereo sound is common in entertainment systems such as broadcast radio and TV, recorded music and the cinema.
The word stereophonic derives from the Greek "στερεός" (stereos), "firm, solid" + "φωνή" (phōnē), "sound, tone, voice" and it was coined in 1927 by Western Electric, by analogy with the word "stereoscopic".
"Stereo" is a song by American hip hop recording artist MGK. The song was released on September 20, 2012 with an accompanying music video, and serves as the first promotional single from his debut studio album Lace Up. The single features vocals from Alex Fitts of The Kickdrums and was produced by Alex Kickdrum.
"Stereo" is one of MGK's older songs, being previously featured on his 2010 mixtape: Lace Up!. It was released on September 20, 2012 with an accompanying music video, on his Vevo account. On his Twitter account, MGK stated that the music video was shot and finished over a year before it was officially released but wanted to wait for his upcoming album's release date to be closer. The track is featured on Lace Up - The Prelude, an EP released exclusively for Sony's Music Unlimited service. Lace Up - The Prelude was released on October 2, 2012.
The video was released through MGK's Vevo account to YouTube on September 20, 2012, and features a cameo appearance from Alex Fitts. The video, switches between MGK either riding in a custom painted tourbus also occupied by what appears to be prostitutes, or with a girlfriend whose father dislikes him, or rapping in an empty room. The second scenario portrays the songs lyrics; MGK is deeply in love with a girl but her father, a police officer, dislikes him and will go to great lengths to keep them apart. While the first scenario displays shots of MGK running from the police or him and Alex Fitts in the tourbus with all the other girls. The third scenario is shown after MGK is chased away by the police. The first and second scenarios eventually coincide with one another at the end of the video.
Stereo is a 1969 Canadian film written, shot, edited and directed by David Cronenberg. It stars Ronald Mlodzik, who also appears in Cronenberg's Crimes of the Future, Shivers and Rabid. It was Cronenberg's first feature-length effort, following his two short films, Transfer and From the Drain. It is a brief feature film, with a running time of a little over one hour. This film is set in 1969.
The film has a 60% 'fresh' rating on Rotten Tomatoes.
The film purports to be part of a "mosaic" of educational resources by the Canadian Academy of Erotic Enquiry. It documents an experiment by the unseen Dr. Luther Stringfellow. A young man (Ronald Mlodzik) in a black cloak is seen arriving at the Academy, where he joins a group of young volunteers who are being endowed with telepathic abilities which they are encouraged to develop through sexual exploration. It is hoped that telepathic groups, bonded in polymorphous sexual relationships, will form a socially stabilising replacement for the "obsolescent family unit". One girl develops a secondary personality in order to cope with her new state of consciousness, which gradually ousts her original personality. As the volunteers' abilities develop, the experimenters find themselves increasingly unable to control the progress of the experiment. They decide to separate the telepaths, which results in two suicides. The final sequence shows the young woman who developed an extra personality wearing the black cloak.
I've got you under my skin
I've got you deep in the heart of me
So deep in my heart that you're really a part of me
I've got you under my skin
I've tried so not to give in
I said to myself this affair won't go so well
But why should I try to resist when baby I know more
than well
I've got you under my skin
I've got you under my skin
And I've got you deep in the heart of me
So deep in my heart that you're really a part of me
I've got you under my skin
I'd sacrifice anything come what might
For the sake of having you near
In spite of a warning voice that comes in the night
And repeats, repeats in my ear
Don't you know fool you can never win
Use your mentality wake to reality
But each time that I do
Just the thought of you makes me stop before I begin
'Cause I've got you under my skin
I've got you under my skin
I've got you deep in the heart of me
So deep in my heart that you're really a part of me
'Cause I've got you under my skin
oooohhhh
ooohhh ooohhh
oooohhhh
ooohhh ooohhh
I've got you under my skin
I've got you deep in the heart of me
So deep in my heart that you're really a part of me