Chandelier (Plastic Tree album)

Chandelier is the Japanese rock band Plastic Tree's sixth full-length album. Those who ordered the first press limited edition of this album also received a poster.

Track listing

References

"Plastic Tree Chandelier CD Track Listing". Retrieved 26 August 2009. 

Stay

Stay may refer to:

Art

Law

Media

Film and television

Literature

Albums

Stay (Bernard Butler song)

"Stay" is the debut single from Bernard Butler released in January 1998. It was taken from the album People Move On and charted at number 12 on the UK Singles Chart.

Background

The song begins with a gentle acoustic guitar, which leads into Butler's vocals. Drums, electric guitar, keyboards and backing vocals all get introduced gradually, before coming together in one last climax and quiet coda. Butler has said that "Stay" is not a love song but a song about change. "The process of change is hard but you've got to do it. It's about when you know you've got to do something but there's an element of risk. It's about when I first went to France to record. A lot of the lyrics come from a conversation with Elisa, my wife. I wrote them on the train over to France."

The music video for the title song was directed by David Mould, whose directing credits include Suede's "Trash", the first single released after Butler's departure. B-side "Hotel Splendide" features lead vocals from Edwyn Collins.

Can't Be Tamed

Can't Be Tamed is the third studio album by American singer Miley Cyrus. It was released on June 18, 2010, by Hollywood Records; it would become her final album with the label after signing with RCA Records in 2013. Cyrus wrote the project in 2009, while travelling internationally for her Wonder World Tour, and recorded it in 2010. Described by Cyrus as a "good [record] to blast in your car", Can't Be Tamed represents a musical departure from her earlier work, which she had grown to feel uninspired by. As executive producers, Tish Cyrus and Jason Morey enlisted partners including Devrim Karaoglu, Marek Pompetzki, Rock Mafia, and John Shanks to achieve Cyrus' desired new sound. Their efforts resulted in a primarily dance-pop record, which Cyrus' record label acknowledged differed from the original plans for the project. Its lyrical themes revolve largely around breaking free of constraints and expectations, which are largely mentioned in the context of romantic relationships.