State

State may refer to:

Law and politics

Science and technology

States (The Paper Kites album)

States is the debut studio album by the indie folk band The Paper Kites. The album was released on August 1, 2013 in Australia and October 1, 2013 in North America.

Track listing

All songs written by Sam Bentley, except where noted.

Personnel

Charts

References

Klinik

Klinik, (sometimes called The Klinik), is an industrial music band from Belgium, originally formed around 1982 by electro-synthpop practitioner Marc Verhaeghen, who is the only constant member.

History

Marc Verhaeghen originally formed Klinik in the early-to-mid 1980s; the exact date varies depending on the source. The group is normally described as one of the most influential Belgian industrial bands in history.

In 1985, Verhaeghen joined forces with two other bands, Absolute Body Control (with Dirk Ivens and Eric van Wonterghem), and "The Maniacs" (Sandy Nys) to form one "super group" "Absolute Controlled Clinical Maniacs". This rather unwieldy name was soon dropped in favour of the shorter name "The Klinik". Nys soon left the band to form "Hybryds", followed in 1987 by van Wonterghem, leaving The Klinik as the "classic" duo of Dirk Ivens and Marc Verhaeghen.

The Klinik soon made a name for themselves with their cold and harsh EBM sound and their live shows, where both Ivens and Verhaeghen performed with their heads wrapped in gauze, wearing long black leather coats. Ivens' hissing vocals and minimalist lyrics were complemented by Verhaeghen's synthesizer skills and distorted trombone playing. This however, did not last forever; after Time, an album neither member was fully pleased with, musical differences became too great, and they decided to go their separate ways. In a 2013 interview, Ivens said the due were moving in different directions musically, and that compromise between only two members was challenging.

Pompeii (album)

Pompeii is an album by German progressive rock group Triumvirat. The band released the album under the name of "The New Triumvirat" due to temporary legal squabbles over the original name.

Track listing

Bonus Track

Personnel

Pink Floyd bootleg recordings

Pink Floyd bootleg recordings are the collections of audio and video recordings of musical performances by the British rock band Pink Floyd, which were never officially released by the band. The recordings consist of both live performances and outtakes from studio sessions unavailable in official releases. In some cases, certain bootleg recordings may be highly prized among collectors, as at least 40 songs composed by Pink Floyd have never been officially released.

During the 1970s, bands such as Pink Floyd created a lucrative market for the mass production of unofficial recordings with large followings of fans willing to purchase them. In addition, the huge crowds that turned up to these concerts made the effective policing of the audience for the presence of recording equipment virtually impossible. Vast numbers of recordings were issued for profit by bootleg labels.

Some Pink Floyd bootlegs exist in several variations with differing sound quality and length because sometimes listeners have recorded different versions of the same performance at the same time. Pink Floyd was a group that protected its sonic performance, making recording with amateur recording devices difficult. In their career, Pink Floyd played over 1,300 concerts, of which more than 350 were released as bootlegged recordings (sometimes in various versions). Few concerts have ever been broadcast (or repeated once they were broadcast on television), especially during 'the golden age' of the group from 1966 to 1981.

Pompeii (Bastille song)

"Pompeii" is a song by English indie rock band Bastille. It is the fourth single from their debut studio album Bad Blood and the first to get major airplay and promotion. The song was released as the album's fourth single on 11 January 2013. It reached number 2 in the UK Singles Chart, number 4 in Australian ARIA Chart, and number 5 on the US Billboard Hot 100 and number one on the Alternative Songs chart. Furthermore, according to the Official Charts Company, it was the UK's most streamed song up to June 2014.

Lyrically, the song is about the Roman town of the same name, which met its fate with the eruption of Mount Vesuvius in AD 79. It was nominated for British Single of the Year at the 2014 BRIT Awards. A mashup of the song with Rudimental and Ella Eyre's "Waiting All Night" was performed live by Rudimental, Eyre and Bastille at the aforementioned ceremony.

Composition

The song is written as an upbeat rock song that combines indie rock and synthpop.

According to the sheet music on Musicnotes.com, the song has a tempo of 128 beats a minute and is written in the key of A major with a chord progression of D-A-F#m-E.