Starship

A starship, starcraft or interstellar spacecraft is a theoretical spacecraft designed for traveling between stars, as opposed to a vehicle designed for orbital spaceflight or interplanetary travel.

The term is mostly found in science fiction, because such craft have never been constructed though some credit the word being first used in the Oahspe: A New Bible bible (1882)

Whilst the Voyager and Pioneer probes have travelled into local interstellar space, the purpose of these unmanned craft was specifically interplanetary and they are not predicted to reach another star system (although Voyager 1 will travel to within 1.7 light years of AC +79 3888 in approximately 40,000 years). Several preliminary designs for starships have been undertaken through exploratory engineering, using feasibility studies with modern technology or technology thought likely to be available in the near future.

Research

To travel between stars in a reasonable time using rocket-like technology requires very high effective exhaust velocity jet, and enormous energy to power this, such as might be provided by fusion power or antimatter.

Starship (band)

Starship is an American rock band established on February 18th, 1985. Although a continuation of Jefferson Starship, its change in musical direction, loss of key Jefferson Starship personnel, and name change sparked a new identity.

History

In June 1984, Paul Kantner, the last remaining founding member of Jefferson Airplane, left Jefferson Starship, and then took legal action over the Jefferson Starship name against his former bandmates. Kantner settled out of court and signed an agreement that neither party would use the names "Jefferson" or "Airplane" unless all members of Jefferson Airplane, Inc. (Bill Thompson, Paul Kantner, Grace Slick, Jorma Kaukonen, Jack Casady) agreed. The band briefly changed its name to "Starship Jefferson" while legal proceedings occurred, before settling on the shortened name "Starship." David Freiberg stayed with the band after the lawsuit and attended the first studio sessions for the next album. He became frustrated with the sessions because all the keyboard work in the studio was being done by Peter Wolf (who had played on the sessions for Nuclear Furniture and briefly joined the band on the road for the follow-up tour) and that was the instrument Freiberg was supposed to be playing. He left the band and the next album was finished with the five remaining members, consisting of Slick, co-lead singer Mickey Thomas, guitarist Craig Chaquico, bassist/keyboardist Pete Sears, and drummer Donny Baldwin. In 1984, Gabriel Katona (who had previously played in Rare Earth and Player) joined the band to play keyboards and saxophone on the road with them through the end of 1986.

Starship (film)

Starship, also known as Lorca and the Outlaws, and 2084 is a 1984 science fiction film directed by Roger Christian from a screenplay by Christian and Matthew Jacobs. The music for the film, which stars John Tarrant, Deep Roy, Donogh Rees and Cassandra Webb, was written by Tony Banks of Genesis.

Plot

On the remote mining planet Ordessa, the management uses killer military police androids to crack down on workers upset with the terrible conditions. Lorca (John Tarrant) and his mother Abbie (Donogh Rees) led the human underground resistance movement until Abbie was killed by androids. Now, Lorca and Suzi (Cassandra Webb) battle Captain Jowitt (Ralph Cotterill) and the brutal bounty hunter Danny (Hugh Keays-Byrne), with the help of the friendly android Grid (Deep Roy).

Cast

Sadness

Sadness (also called heavy-heartedness) is emotional pain associated with, or characterized by feelings of disadvantage, loss, despair, grief, helplessness, disappointment and sorrow. An individual experiencing sadness may become quiet or lethargic, and withdraw themselves from others. Crying is often an indication of sadness.

Sadness is one of the "six basic emotions" described by Paul Ekman, along with happiness, anger, surprise, fear and disgust.

In childhood

Sadness is a common experience in childhood. Acknowledging such emotions can make it much easier for families to address more serious emotional problems, although some families may have a (conscious or unconscious) rule that sadness is "not allowed".Robin Skynner has suggested that this may cause problems, because with sadness "screened-off" we are left a bit shallow and manic.

Sadness is part of the normal process of the child separating from an early symbiosis with the mother and becoming more independent. Every time a child separates just a tiny bit more, he or she will have to cope with a small loss. If the mother cannot allow the minor distress involved, the child may never learn how to deal with sadness by themselves. Pediatrician T. Berry Brazelton argues that too much cheering a child up devalues the emotion of sadness for them; and Selma Fraiberg suggests that it is important to respect a child's right to experience a loss fully and deeply.

Sad (album)

Sad is the fourth Nels Cline Trio album. The album was recorded at New Zone Studio by Wayne Peet.

Track listing

Personnel

Sad (sura)

Sūrat Ṣād (Arabic: سورة ص‎, "The Letter Sad") is the 38th sura of the Qur'an with 88 ayat and 1 sajdah (39:24). Sad (ص) is the name of the eighteenth letter in the Arabic alphabet.

Saad was sent to Muhammad by God while he was coping with rejection from his tribe, the Quraysh, and struggling to keep his own faith. It recounts stories of previous prophets, describes the splendors of heaven, and warns of the monstrosities of hell. The sura dates to the 2nd Meccan Period, meaning it was revealed only five or six years into the development of Islam.

Historical context

Sura 38 substantiates Muhammad's role as Prophet through concrete examples of previous messengers of God and the evils that have befallen the people who did not heed sacred messages. Angelika Neurwirth terms these “retribution legends” (McAuliffe, 105). They “prove that divine justice is at work in history, the unjustly harassed being rewarded with salvation, the transgressors and unbelievers punished by annihilation” (McAuliffe, 106). Through regular reference to biblical characters and a self-assertive tone praising both Muhammad and God, the reader can attribute this sura to the 2nd Meccan Period, according to Noldeke’s chronology . The coherent text builds up to descriptions of both heaven and hell on the Day of Judgment. The wide scope of historical figures—ranging from Old Testament characters such as David, Solomon, and Job, to the devil of Islam, Iblis—were designed to resonate with a wide audience in the face of the disbelief among the Quaryash, Muhammad’s clan; as Ernst poignantly states, Muhammad was likely dealing with “religiously well-informed skeptics” . Like many contemporary passages, Sura 38 attempts to convert the reader to a monotheistic religion honoring Muhammad as Prophet by promising salvation for true believers on the Day of Judgment.