Erasure | |
---|---|
![]() Erasure, Live at Delamere Forest, 1 July 2011 |
|
Background information | |
Origin | London, England |
Genres | New Wave, synthpop |
Years active | 1985 – present |
Labels | Mute, Sire (North America) |
Associated acts | Andy Bell Yazoo The Assembly Depeche Mode |
Website | https://erasureinfo.com |
Members | |
Vince Clarke Andy Bell |
Erasure are an English synthpop duo, consisting of songwriter and keyboardist Vince Clarke and singer Andy Bell. Erasure entered the music scene in 1985 with their debut single "Who Needs Love Like That". Following the release of their fourth single "Sometimes", the duo established itself on the UK Singles Chart and became one of the most successful artists of the mid-to-late 1980s and early 1990s.
From 1986 to 1997, Erasure achieved 24 consecutive Top 20 hits in the UK, while only having 3 Top 20 hits in the US (on the Billboard Hot 100): "A Little Respect", "Chains of Love" and "Always". By 2009, 34 of their 45 singles & EPs (of which 8 out of the 45 were not chart eligible in the UK) had made the UK Top 40, with 17 climbing into the Top 10.
Labelled "the definitive synthpop superstars",[1] the duo are most popular in their native UK and mainland Europe (especially Germany, Denmark and Sweden) and also in South America (especially in Argentina, Chile and Peru). To date, Erasure have sold over 25 million albums worldwide.[2]
The band is also popular within the LGBT community for which the openly gay singer Andy Bell has become a gay icon.[3]
Contents |
Vince Clarke was a founding member of Depeche Mode and sole writer of their first three singles (including the breakthrough Top 10 hit "Just Can't Get Enough"). After leaving the band in late 1981, Clarke forged an equally successful career with the duo Yazoo (known as Yaz in the U.S.).
After two hit albums in as many years (1982–1983), he split with Yazoo partner Alison Moyet and briefly formed The Assembly with producer Eric Radcliffe. The project spawned a UK number four hit single, "Never Never," featuring Feargal Sharkey on vocals. Clarke then released another single with vocalist Paul Quinn, "One Day." It flopped, leading Clarke to place an advertisement in Melody Maker looking for a vocalist for a new musical project. He selected Peterborough-born Andy Bell.
The origins of the band's name are unclear. One possible explanation is that in 1985, a Mute Records technician is believed to have accidentally written "erasure" on a demo tape for "Who Needs Love Like That" submitted by Clarke and Bell. At the time, the duo still hadn't chosen a name for themselves, and when they rescued the tape, they decided upon Erasure.
Erasure's first three singles were commercial failures in the UK, although the third, "Oh L'amour", charted well in Australia and a few European countries (especially in France, where it still remains Erasure's only hit to date). Their debut album, Wonderland, was mostly recorded in 1985 and released in June 1986. Although it only made the UK Top 75, it made a sizeable impact in Germany, making the Top 20.
It was with the release of their fourth single, "Sometimes", that Erasure finally received recognition in the UK in late 1986. The song peaked at number two and spent many weeks in the UK Top 40, marking the beginning of a long string of major hits for the duo.
The single's parent album, The Circus, was released in March 1987 and reached number six and turned platinum in the UK with three additional hit singles: "It Doesn't Have To Be", "Victim of Love" and "The Circus". The album remained on the charts for over a year.
Erasure's third album, The Innocents, was released in April 1988. Preceded by the Top 10 single "Ship of Fools", the album hit number one in the UK on its initial release and returned to the summit a year later, eventually going triple platinum. It also turned platinum in the U.S., generating two Top 20 hits in "Chains of Love" and "A Little Respect".
Bell has said being so open about his sexuality meant they only remained an underground dance act in the US telling Spin magazine, "If I'd never said I was gay I think Erasure would've taken off years ago in America." Clarke explained to Kirk of Melody Maker magazine, "It came back to us that people in the record company in New York were saying it was really bad that Andy was making it plain he was gay because they were worried 'it would affect our sales.'"
Bell told Pink News in October 2011, "Vince said he guessed I was gay because of all the boys I brought into the studio when we were recording. I think I just wanted to show off. Anyway, as a result of me being open we were kind of pigeonholed, especially in America. Would I rather have stayed in the closet and sold twice as many albums though? No, I couldn’t have done that. I wanted to take a stand."[4]
In the UK they remained a mainstream pop act. The Innocents was the first of five consecutive number one albums for Erasure in the UK, including the greatest hits compilation Pop! The First 20 Hits. In November 1988, the Crackers International EP, led by the song "Stop!", hit number two in the UK singles chart. The albums Wild! (1989) and Chorus (1991) both contained four Top 20 singles and were major sellers.
Crackers International was bettered in 1992 by another EP, Abba-esque, covering four ABBA hits, which became Erasure's first (and to date only) number one in the UK Singles Chart. It featured a memorable video of the duo dressed in ABBA outfits, and was one of the principal drivers of the ABBA revival scene in the 1990s.
Also in 1990, Erasure contributed the song "Too Darn Hot" to the Cole Porter tribute album "Red Hot + Blue" produced by the Red Hot Organization. Later that year, a singles compilation, Pop! - the First 20 Hits, also hit number one and went triple platinum, featuring all the band's singles released from 1985 to 1992.
In 1994, Erasure released I Say I Say I Say, their fifth consecutive number one in the UK Albums Chart. Its first single, "Always", became the band's third Top 20 hit in the United States and became their final UK Top 5 hit until 2005.
The October 1995 release of the album Erasure marked a determined shift away from Erasure's signature three-minute synthpop to a more introspective and experimental sound. Nevertheless, it made the UK Top 15 and spawned two UK Top 20 singles, "Stay With Me" and "Fingers & Thumbs".
In spite of a return to three-minute pop songs, the 1997 album Cowboy did not restore the success of their 1986–1994 era. Cowboy enjoyed a short-lived success, peaking at number ten in the UK but lasting only two weeks in the UK Top 40.
In October 2000, Erasure released their ninth studio album Loveboat, co-produced with Flood, though only peaking at a lowly number 45. Only one single was released, "Freedom", which made a brief entry into the UK Top 30.
The 2003 release Other People's Songs was a collection of cover versions. Its first single, a cover of Peter Gabriel's song "Solsbury Hill", reached the UK Top 10. The second single from the album was a cover of Steve Harley's Make Me Smile (Come Up and See Me) – it made No. 14 in the charts and Erasure were invited to perform on Top of the Pops for the first time since March 1997.[5]
Erasure's 2005 album Nightbird's first single, "Breathe", reached number four in the UK charts (their first Top 5 hit in more than a decade) and achieved the number one position on the U.S. Dance Chart, eighteen years after their first chart-topper.
The next single, "Don't Say You Love Me", which made the UK Top 15, enabled purchasers to configure their own remixes of the single through the band's website, with each variant of the song limited to a single download.[6]
Union Street was a 2006 side-project which featured a collection of previously released album tracks that the band reinterpreted in an acoustic/country & western style. The album was named after the recording studio in Brooklyn where it was recorded.[citation needed]
The duo then released a more 'dance-oriented' album than some of their more recent work. Titled Light at the End of the World, the album was produced by Gareth Jones and was released on 21 May 2007 in the UK, and in North America the following day.
The album was preceded by its first single "I Could Fall in Love with You", which marginally missed the UK Top 20. A second single, "Sunday Girl", was released in June.[7] and made No. 33 in the charts.
Total Pop! - the First 40 Hits, a collection of Erasure's first 40 hits plus a new remix of "Always" by Jeremy Wheatley, was released on 23 February 2009.[9] The compilation fractionally missed the UK Top 20, reaching number 21.
On 10 August 2009, Erasure released a six-track EP of classic remixes entitled Erasure.Club.[10]
To celebrate 21 years since its release, the album The Innocents was remastered and re-released on 26 October 2009.[11]
In May 2009 came the news[12] that the band are back working on a new Erasure album. Andy Bell released his second studio album, Non-Stop, on 7 June 2010.
In February and March 2010, the song "Always" enjoyed an unexpected peak of popularity among flash-game players for its prominent role as the soundtrack of the Adult Swim game Robot Unicorn Attack.
Vince Clarke has stated in radio interviews that the band want to complete the concept album of nursery rhymes that they have been working on for some time.[13] However, Erasure for the past two years have been writing and preparing work on their next album of original material, and have finally announced that they will be beginning recording and production in December 2010.
On 6 and 16 December 2010, Erasure's official website announced a brand new studio album planned for release in summer 2011 to be produced by Frankmusik. Also, a world tour was announced (including the Ultra Music Festival in Miami, Florida in March 2011 and the Total Pop! Forest Tour of the UK in June and July 2011) with current dates including stops in Europe and South America.
Erasure played a 27-date US and Canada tour, as well as at Estadio Monumental in Lima, Peru on 18 August. The Tomorrow's World Tour began on 31 August 2011 in Tampa, continuing through September, and finished in Seattle on 6 October 2011. The UK and European leg of the Tomorrow's World tour began on 12 October 2011 in Leicester, UK, continuing through to 14 November 2011 in Dresden, Germany.
On 20 June 2011, it was confirmed via their official website that the new studio album is called Tomorrow's World. This album was released on 3 October 2011 (11 October 2011 in the USA). The first single from the album was "When I Start To (Break It All Down)" and debuted on the UK singles chart at number 172 on 2 October 2011. The second single from Tomorrow's World was "Be with You". The third and final single from the album was "Fill Us With Fire" which was released 12 March 2012.
![]() |
Wikimedia Commons has media related to: Erasure |
Erasure is a form of found poetry or found art created by erasing words from an existing text in prose or verse and framing the result on the page as a poem. The results can be allowed to stand in situ or they can be arranged into lines and/or stanzas. Erasure is a way to give an existing piece of writing a new set of meanings, questions, or suggestions. It lessens the trace of authorship but requires purposeful decision making. What does one want done to the original text? Does a gesture celebrate, denigrate, subvert, or efface the source completely? One can erase intuitively by focusing on musical and thematic elements or systematically by following a specific process regardless of the outcome.
Here is a nonce example using text from the November 2003 version of the English Wikipedia Main Page:
Several contemporary writer/artists have adopted this form to achieve a range of cognitive or symbolic effects.
Doris Cross appears to have been among the earliest to utilize this technique, beginning in 1965 with her "Dictionary Columns" book art. d.a. levy also worked in this mode at about the same time.
In mathematical logic, a logical system has the erasure property if and only if no subset of the propositions can be added to another subset of the propositions to refute a consequence.
For instance, if proposition A means "the store is open from 8:00 to 22:00" and proposition B means "except Tuesdays", the system AB does not have erasure.
Staré is a village and municipality in Michalovce District in the Kosice Region of eastern Slovakia.
In historical records the village was first mentioned in 1221.
The village lies at an altitude of 107 metres and covers an area of 6.234 km². The municipality has a population of about 700 people. The name was taken from grof Staray.
Coordinates: 48°52′N 21°52′E / 48.867°N 21.867°E
The growth–share matrix (aka the product portfolio, BCG-matrix, Boston matrix, Boston Consulting Group analysis, portfolio diagram) is a chart that was created by Bruce D. Henderson for the Boston Consulting Group in 1970 to help corporations to analyze their business units, that is, their product lines. This helps the company allocate resources and is used as an analytical tool in brand marketing, product management, strategic management, and portfolio analysis. Analysis of market performance by firms using its principles has recently called its usefulness into question.
To use the chart, analysts plot a scatter graph to rank the business units (or products) on the basis of their relative market shares and growth rates.
"Star" is a song by Erasure, released in 1990 as the fourth European (and third American) single from the group's fourth studio album Wild!.
A straightforward dance music track with disco elements, "Star" was written by Erasure members Vince Clarke and Andy Bell, its lyrical content clearly referencing nuclear war; Erasure's own form of protest song. When released as a single, the track was remixed slightly for radio, bringing acoustic guitar elements and various background vocal parts forward in the mix.
The last single released from Wild!, "Star" became Erasure's twelfth consecutive Top 20 hit on the UK singles chart, peaking at number eleven, and in Germany it peaked at number twenty-three. In the United States, "Star" did not enter the Billboard Hot 100, although it became a popular club hit, climbing to number four on the U.S. Hot Dance Music/Club Play chart.
We go waiting for the stars
To come showering down
From Moscow to Mars
Universe falling down
You got to look real hard
There's a fiery star hidden out there somewhere
Not the satellite of love but a laser
Shooting out it's shiny tongue there
God is love, God is war
TV preacher tell me more
Brother Genie am I pure?
Pure as pure as Heaven
Sent you money sent you flowers
Could I worship you for hours?
In whose hands are we anyway?
We go waiting for the stars
To come showering down
From Moscow to Mars
Universe falling down
You got to look real hard
Is it in your heart? Yeah, it's in there somewhere
The power wrapped in your palm, show it to me
Hit them with your wrath and thunder
What's your pleasure? Tell it to me
How did you know? Show your beauty
In you somewhere, somewhere in me
Pure as pure as Heaven
Sent you money, sent you flowers
Could I worship you for hours?
In whose hands are we anyway?
Yeeha
Rolling along through a rose colored glow
The city looks pretty in pink
Armageddon is here
Did you ever have a lover
Leave you for another
And take take your love and kisses for granted?
Never to discover
War is not the answer
Leave you only disenchanted
God is love, god is war
TV preacher tell me more
Fathers help me am I pure?
Pure as pure as Heaven
Sent you money, sent you flowers
Could I worship you for hours?
In whose hands are we anyway?
We go waiting for the stars
To come showering down
From Moscow to Mars
Universe falling down
We go waiting for the stars
To come showering down
From Moscow to Mars
Universe falling down
We go waiting for the stars
To come showering down
From Moscow to Mars