Lloyd Parks

Lloyd Parks (born 26 May 1948) is a Jamaican reggae vocalist and bass player who has recorded and performed as a solo artist as well as part of Skin, Flesh & Bone, The Revolutionaries, The Professionals, and We the People Band.

Biography

Born in Kingston, Jamaica, Parks' interest in music was fuelled by his uncle Dourie Bryan, who played in a calypso band, and Parks became the band's singer. In the late 1960s, he performed with the Invincibles band (whose members also included Ansell Collins, Sly Dunbar and Ranchie McLean) before teaming up with Wentworth Vernal in The Termites. In 1967, they recorded their first single, "Have Mercy Mr. Percy", and then an album Do the Rocksteady for Coxsone Dodd's Studio One label. After recording "Rub Up Push Up" for the Dampa label, Parks and Vernal split up. Parks then briefly joined The Techniques as a replacement for Pat Kelly, recording tracks such as "Say You Love Me", before embarking on a solo career and later starting his own label, Parks. His second single was the classic "Slaving", a moving song about the struggles of a working man. As a solo artist, he recorded a number of songs for Prince Tony Robinson, including "Trenchtown Girl" and "You Don't Care". Some of his best known solo hits include "Officially", "Mafia" (both 1974), "Girl In The Morning" and "Baby Hang Up The Phone" (both 1975).

Lloyd Parks (R&B singer)

Lloyd Parks is an American R&B/soul singer born in Philadelphia, Pennsylvania. He is an original member of the Grammy-Nominated Philadelphia International Records group Harold Melvin & The Blue Notes. Lloyd is noted for his high tenor and falsetto vocal leads and harmonies. He is also a founding member of The Epsilons who backed Arthur Conley on his Atco Records hit single Sweet Soul Music. He is also the sole surviving original Blue Note.

Early career

Parks started his career in music in the mid-1960s performing with various local Philadelphia vocal groups including the Emanons who hit with "One Heart" on "Phila Of Soul" Records. He later merged with friends Gene McFadden and John Whitehead to form the Epsilons. The group was managed by Soul Singer Otis Redding and were soon signed to the Stax Records label. They toured for two years with Redding and backed label mate Arthur Conley on his 1967 recording "Sweet Soul Music." The single reached No.2 on both the Billboard Hot 100 and Billboard R&B charts. The following year the Epsilons a quintet that included Allen Beatty and James Knight released "The Echo." The group disbanded following the tragic death of their mentor Otis Redding. Parks joined another local act The Broadway Express while McFadden and Whitehead reformed The Epsilons as the group Talk of The Town.

Stalag 17

Stalag 17 is a 1953 war film which tells the story of a group of American airmen held in a German World War II prisoner of war camp, who come to suspect that one of their number is an informant. It was adapted from a Broadway play.

Produced and directed by Billy Wilder, it starred William Holden, Don Taylor, Robert Strauss, Neville Brand, Harvey Lembeck, Peter Graves and Otto Preminger in the role of the camp's commandant. Strauss and Lembeck both appeared in the original Broadway production.

The film was adapted by Wilder and Edwin Blum from the Broadway play by Donald Bevan and Edmund Trzcinski which was based on their experiences as prisoners in Stalag 17B in Austria. (Trzcinski appears in the film as a prisoner.) The play was directed by José Ferrer and was the Broadway debut of John Ericson as Sefton. First presented at the Edwin Burke Memorial Theater of The Lambs, a theatrical club, on March 11, 1951 (staged by the authors). It began its Broadway run in May 1951 and continued for 472 performances. The character Sefton was loosely based on Joe Palazzo, a flier in Trzcinski's prisoner-of-war barracks.

Stalag 17 (band)

Stalag 17 were an anarcho-punk band from Belfast, Northern Ireland that existed from 1980 to 1987.

History

Formed in Belfast by the members of three other punk bands, The Stillborns, Maimed and Paranoid, the band began writing their own material and covering contemporary punk bands such as The Mekons. After several gigs in and around Belfast the band recorded their first demo and began playing in the Belfast Anarchy Centre, supporting other anarcho-punk bands The Poison Girls and Crass. In the early 80's line-up changes and hostility from National Front activists plagued the band.

It wasn't until 1983 that established punk venues began to be formed around Belfast, notably the Manhattan near Belfast city centre as well as The Labour club. This allowed a punk scene to become developed within the city, with Stalag 17 playing alongside bands such as Toxic Waste. Members of the band got involved with Belfast Anarchist bookshop Just Books and began to establish associations with stalwarts of the anarcho-punk scene that began to tour Belfast such as Conflict, The Subhumans and DIRT. Conflict offered Stalag 17 a place on the Mortarhate compilation We Don't Want Your Fucking War, and the interest created by that compilation led to a split 12" with Toxic Waste, The Truth Will Be Heard.