Cold Eyes (Hangul: 감시자들; RR: Gamsijadeul; lit. "Stakeout" or "Surveillance") is a 2013 South Korean film starring Sol Kyung-gu, Jung Woo-sung, Han Hyo-joo, Jin Kyung and Lee Junho. A remake of 2007 Hong Kong film Eye in the Sky, the film is about detectives from the surveillance team of a special crime unit who work together to take down a bank robbing organization.
It made its North American premiere at the 2013 Toronto International Film Festival, and also screened at the 2013 Busan International Film Festival prior to its South Korean release.
A girl named Ha Yoon-joo joins a police division where the members are largely unarmed and don't wear uniforms. Led by a man named Hwang, the division avoids arresting criminals and focuses exclusively on following them around to gather information. One day a bank is robbed and only one of the seven criminals is caught on camera. In response, Hwang, Ha, and six other officers spend several weeks wandering around the city streets, tagging after people who match the criminal's physical description. When they finally find him, they put cameras outside his apartment.
Surveillance (/sərˈveɪ.əns/ or /sərˈveɪləns/) is the monitoring of the behavior, activities, or other changing information, usually of people for the purpose of influencing, managing, directing, or protecting them. This can include observation from a distance by means of electronic equipment (such as CCTV cameras), or interception of electronically transmitted information (such as Internet traffic or phone calls); and it can include simple, relatively no- or low-technology methods such as human intelligence agents and postal interception. The word surveillance comes from a French phrase for "watching over" ("sur" means "from above" and "veiller" means "to watch"), and is in contrast to more recent developments such as sousveillance.
Surveillance is used by governments for intelligence gathering, the prevention of crime, the protection of a process, person, group or object, or for the investigation of crime. It is also used by criminal organizations to plan and commit crimes such as robbery and kidnapping, by businesses to gather intelligence, and by private investigators.
A stakeout is the hidden surveillance of a location or person for the purpose of gathering evidence
Stakeout or Stake Out may also refer to:
Stakeout is the name of two fictional characters from the Transformers. They are both heroic Autobots.
Stakeout is the young leader of the Rescue Patrol.
Stakeout first appeared in episode #1 of the Transformers: Victory series, called "Star Saber, Hero of the Universe." Stakeout's vehicle mode was drawn as a mostly white police car, even though the toy representing him was identical to the American version. This was corrected in Transformers Zone. He is good friends with the human boy Jan Minakaze and has a girlfriend named Clipper on his home planet of Micro.
In episode #23, "Fight to the Death!! Antarctic Battle", the Breast Force drains energy from the Antarctic, melting the polar ice. The Multiforce aid people trapped in a flood in South America when Star Saber orders them to meet him at a United Nations research base in the Antarctic. Wing and Mach arrive first and are confronted by Liokaiser. Waver tows in the rest of Multiforce by sea and despite forming Landcross they are outclassed by Liokaiser’s ability to turn invisible. Star Saber and Galaxy Shuttle arrive to help in the fight as Jan, Stakeout and Seawatch help evacuate the human scientists from the U.N. base. Liokaiser continues to best the Autobots in battle thanks to his ability to turn invisible, but as the Decepticon gestalt is about to finish off Victory Saber, Deathsaurus steps in and insists that he have a hand in the demise of his enemy. Star Saber takes the opportunity to take the battle to the air, matching Deathsaurus’ deadly wings with his skill. Galaxy Shuttle takes out the Decepticon energy collector with an energy blast and the Decepticons retreat in the Thunder Arrow. The humans scientists thank the Autobots for their help.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.