"Stagger Lee", also known as "Stagolee" and other variants, is a popular American folk song about the murder of Billy Lyons by "Stag" Lee Shelton in St. Louis, Missouri at Christmas, 1895. The song was first published in 1911, and was first recorded in 1923 by Fred Waring's Pennsylvanians. A version by Lloyd Price reached #1 on the Billboard Hot 100 in 1959.
The historical "Stagger Lee" was Lee Shelton, an African-American pimp living in St. Louis, Missouri in the late 19th century. He was nicknamed "Stag Lee" or "Stack Lee", with a variety of explanations being given for the moniker: he was given the nickname because he 'went "stag"', meaning he was without friends; he took the nickname from a well-known riverboat captain called "Stack Lee"; or, according to John and Alan Lomax, he took the name from a riverboat owned by the Lee family of Memphis called the Stack Lee, which was known for its on-board prostitution. He was well known locally as one of the "Macks", a group of pimps who demanded attention through their flashy clothing and appearance. In addition to these activities, he was the captain of a black "Four Hundred Club", a social club with a dubious reputation.
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The Meters are an American funk band based in New Orleans, Louisiana. The Meters performed and recorded their own music from the late 1960s until 1977. The band played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, and Dr. John. The Meters acted as the house band for Allen Toussaint's New Orleans soul classics of the 1960s and are responsible for bringing New Orleans second line grooves into popular music.
While The Meters rarely enjoyed significant mainstream success, they are considered, along with artists like James Brown, one of the progenitors of funk music and their work is influential on many other bands, both their contemporaries and modern musicians working in the funk idiom.
The Meters' sound is defined by an earthy combination of tight melodic grooves and highly syncopated New Orleans "second-line" rhythms under highly charged guitar and keyboard riffing. Their songs "Cissy Strut" and "Look-Ka Py Py" are considered funk classics.
The Meters is the debut studio album by the American funk group The Meters. It was released in May 1969 and is the first of eight albums by the band. The band's early works were developed through improvisation. Band members had spent most of the 1960s performing together in nightclubs of New Orleans. They had a fluid musical style that included elements of R&B, rock and jazz.
A review by AllMusic noted the album's simplicity and nuance and called it "impressive". Tamara Davidson of Revive Music had a positive review and stated "the album is filled with infectious grooves, filthy bass lines, and revolutionary drum rhythms." According to Brian Knight of The Vermont Review, the album "set the pace for both the Meters and the entire New Orleans funk sound."
All songs written and composed by Art Neville, Ziggy Modeliste, Leo Nocentelli and George Porter, Jr., except as noted.
Credits adapted from AllMusic.