![]() |
This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (April 2010) |
Stacey Q | |
---|---|
Birth name | Stacey Lynn Swain |
Also known as | Stacy Q Stacey Swain Shy Girl |
Born | Fullerton, California, U.S. |
November 30, 1958
Genres | Pop Hi-NRG Freestyle Rock |
Occupations | Singer Dancer Songwriter Record producer Television actor |
Instruments | Vocalization |
Years active | 1981–present |
Labels | EMI America Atlantic Records Thump Records |
Associated acts | Q SSQ |
Stacey Q (born Stacey Lynn Swain) is a pop singer, dancer and actress. She is best known for her 1986 hit single "Two of Hearts".
Contents |
Stacey Swain was born on November 30, 1958 in Fullerton, California.[1][2][3] She is the youngest of three children.[4] Her mother, Joyce Swain, was a dog breeder whose Cardigan Welsh Corgis have appeared in various Hollywood films and television series.[5] Swain once stated in a 1989 interview that she had asked for dance lessons as early as age three, but her mother "made me wait until I was five".[6] By 1963, Swain was studying classical ballet and aspired to become a ballerina. In 1969, at age ten, Swain became the youngest member of the Dance Theater of Orange County, a local company that performed at benefit shows in Anaheim.[5][7] She spent a total of eleven years studying ballet and flamenco dancing.[4]
In 1970 Swain became an entertainer at Disneyland while completing dance training at the Wilshire Theater of Arts in Los Angeles.[1] For three years, Swain participated in the Fantasy on Parade, an annual event scheduled every Christmas at the theme park. She performed in costume as the "Dutch Puppet", a name she used as a publishing alias during her early recording career.[1][5] After graduating from Anaheim High School in 1976, Swain auditioned for and won a position in the Ringling Brothers and Barnum & Bailey Circus, where she performed her first year as a showgirl and her second year as an elephant rider.[1][4] Her first singing project began on Los Angeles radio, where she would introduce and announce programs impersonating members of The Go-Go's.[5]
Swain was introduced to the recording industry by her then-boyfriend, a local musician.[3] Her recording career began in 1981, when she met producer, future manager and longtime collaborator Jon St. James.[4][8] St. James had also been a "sound-alike" announcer for Los Angeles radio and was proprietor of Fullerton's Casbah Recording Studio, which had hosted Berlin and Social Distortion.[8]
“ | Jon was a big fan of synth bands like Kraftwerk and M; when he met Stacey Swain in 1981, he knew right away that this impossibly stylish former Ringling Bros. elephant girl and veteran of the Disney Main Street parade possessed star qualities perfectly compatible with electronic music, a genre Stacey also adored. She was enamored with the obscure Japanese band The Plastics and The B-52's, and simply could not get over David Bowie. As a student of style, Swain could literally turn rags into a fashion statement. On one occasion she went to the renaissance fair in Agoura dressed simply in two large pieces of soft leather she bought from a shop in Anaheim.[8] | ” |
In 1981 Swain and St. James formed the synthpop outfit Q[4][9] composed of St. James on guitars, Dan Van Patten and John Van Tongeren on vocoder and synthesizer, and Swain as assistant producer (Van Patten and Keith Walsh had previously collaborated on Berlin's single The Metro).[8] When the band was recording basic tracks for The Q EP, St. James realized someone was needed to provide vocals for the first track, "Sushi." Swain, who had previously recorded demos at St. James's studio, was asked to sing the lyrics, and her vocals were featured on the final record.[6][9] Swain became the band's lead singer based on that performance, even though she still considers herself a dancer rather than a singer.[10]
Although The Q EP was played almost exclusively on college radio, it was successful enough for St. James and Swain to continue on other projects.[4][8] In 1982 Q reformed with two additional members, drummer Karl Moet and synth player Rich West. After the reformation, St. James was forced to change the name of Q because of copyright problems (famed producer Quincy Jones reportedly had "established use of the 'Q' moniker").[8] Swain explained in a 2006 radio interview that the band was renamed SSQ after Jon St. James "was fishing in a lake 'no bigger than a bathtub' and made a joke that the boat was the 'S.S. Q,'" referring to the current band Q. St. James had another reason for the name: "SS" stood for "Stacey Swain", who had become the most recognized of the band's members.[9]
SSQ first released their debut album Playback in 1983 under Enigma Records.[4] The video for the "Synthicide" single premiered on West Coast television and brought greater notice for the five-member band. Skip Hahn officially replaced John Van Tongeren just before the release of Playback.
In 1985 Swain signed a recording contract with On the Spot Records, an independent label. Her first solo single, "Shy Girl", was released the same year, while her first solo album, Stacey Q, was distributed in cassette format to limited release (the album contained an early version of "Two of Hearts", which originated with another artist, Sue Gatlin).[9] As a solo artist, Swain adopted the name "Stacey Q" in reference to the original Q project.
“ | In 1981, Q (the original project) was Jon, Dan and myself hence Jon Q, Dan Q and Stacey Q. Q, the original name of the project, references James Bond and the scientist responsible for all his high-tech gadgets.[10] | ” |
"Shy Girl" and other singles sold approximately one hundred thousand copies, enough to attract the attention of the major record labels. Atlantic Records signed Stacey Q in 1986 as a solo artist, with Jon St. James as manager and the other members of SSQ as backup musicians. Better Than Heaven, her debut record for Atlantic, was recorded in three weeks, with tracks co-written by Berlin ("Better Than Heaven"), Jon Anderson of Yes ("He Doesn't Understand") and Willie Wilcox of Utopia ("We Connect").[4]
Swain's most successful period as a recording artist began in 1986. "Two of Hearts", the first single off Better Than Heaven, became a best-selling effort, reaching #3 on the Billboard Hot 100 chart.[2][4] "Two of Hearts" could have hit the #1 spot, but Swain was signed to Atlantic and On the Spot Records at the same time, and both labels released and promoted the single simultaneously, therefore competing with one another.[2] The follow-up single, "We Connect", was released in 1987 and became a Top 40 hit.[7]
"Two of Hearts" received heavy radio airplay during the later half of 1986, and the promotional video for the single premiered at the same time on MTV. By the end of the year Swain had performed live on several talk shows and appeared as a panel member on The Gong Show and The New Hollywood Squares.[4] As Better Than Heaven hit #59 on the charts and eventually hit Gold status, Swain became an international star, and even a teen idol. At the height of the success of "Two of Hearts", she was approached by "Weird Al" Yankovic for permission to record a parody single, "Two Pop-Tarts".[2] The parody was never released.
“ | Royalties at the record company level were held up because of the 'Two of Hearts' songwriters, so we nicely advised our friend Al, 'Don't bother'.[10] | ” |
Following the release of Better Than Heaven, Swain embarked on a national club tour and European club tour, performing live in several countries.[1] One of the millions of fans to see her in concert happened to be a writer for the NBC television network. That fall Swain auditioned for and won an acting role specifically written for her on the television series The Facts of Life.[4]
Stacey Q's first appearance on The Facts of Life was an episode titled "Off-Broadway Baby", where she performed "Two of Hearts" in character as Cinnamon, an aspiring singer competing for the same role as Tootie in a Broadway musical. Her second and final appearance on the series was an episode titled "A Star Is Torn", where she performed "We Connect" as Cinnamon. That episode also featured George Burnett, a recurring character played by a young and then-unknown George Clooney.[2][7] By the episode finale, George and Cinnamon officially start dating, and George announces his decision to become a roadie for Cinnamon's concert tour.[2] The ending was written to explain Clooney's departure from the series and provide the possibility of a spin-off sitcom starring Clooney and Swain. When Swain's managers voiced their opposition, however, NBC canceled all plans for a spin-off series.[2]
Swain released her second album, Hard Machine, in 1988. The singer changed her image for Hard Machine, dying her hair from blond to red (she is a natural brunette)[1] and adopting a wardrobe influenced by punk artists. Hard Machine also employed other producers besides Jon St. James, resulting in a different, more symbolic musical direction. The final track, "Another Chance", was written almost entirely by Swain herself,[11] who considers it one of the greatest songs she has ever recorded.
Hard Machine was not nearly as successful as Better Than Heaven, however the single "Don't Make A Fool Of Yourself" hit #66 on the Billboard Hot 100, and a remixed version by Shep Pettibone was a top five hit on the Hot Dance chart. "Don't Make A Fool Of Yourself" was featured in an episode of Full House where Swain briefly appeared as herself ("D.J. Tanner's Day Off"). "The River" and "Another Chance" were featured in the cult action film One Man Force, which Swain had a special appearance in.[1][2]
Nights Like This, Swain's last record under Atlantic, was released in 1989. The singer changed her image again for Nights Like This, this time adopting short blond hair and going for more of an underground appearance. Nights Like This was recorded with backing vocals by The Weather Girls, and the album's second single, "Heartbeat", featured backing vocals by Timothy B. Schmit of The Eagles. Like Hard Machine, Nights Like This also experimented instrumentally, including songs using Kawai keyboards.[3] The members of SSQ had largely stopped working with Swain after the release of Hard Machine.
Hard Machine and Nights Like This were considered stronger albums than their predecessors, but were virtually unheard compared to Better Than Heaven and earlier singles.[citation needed] After the release of Nights Like This, Swain began another national tour performing at clubs across the United States.[1] She continued her acting career in an episode of Mama's Family where she played a member of an all-girl band, "The Bonecrushers" ("Bubba's House Band").
In 1990 Swain left Atlantic Records, two years following the departure of her SSQ bandmates. In 1992 she and producer Jon St. James began production on Stacey Q's Greatest Hits, a digitally remastered collection of some of her singles.[4] The following year her first single of the new decade, "Too Hot For Love", was released by Thump Records. The single was structured toward an early-1990s dance sound and featured sexually suggestive lyrics, representing another change in direction for the singer.
Stacey Q's Greatest Hits was released in 1995. Many fans agreed the album was the definitive compilation of Swain's career, since it contained tracks from Q and SSQ that had never been released on compact disc (including "The Model", which was recorded for the soundtrack of the 1986 film Crystal Heart).[1][2] However, most of the tracks were either slightly remixed or re-edited entirely from their original versions in an attempt to modernize them,[4] and no songs were included from Hard Machine or Nights Like This. Because the artist was so associated with "Two of Hearts" and 1980s dance-pop, some critics had written her off as another one-hit wonder of the 1980s.[citation needed]
After deciding on a different direction for her future releases, Swain traveled to Tibet, where she was introduced to the monastic dance and song of the Far East.[4] For a time she lived in Nepal, where she studied at monasteries with Buddhist lamas and was trained in the ancient art of cham dance.[7] Swain's experience abroad resulted in the 1997 album Boomerang, a reflection of her conversion to Buddhism and her first new album in almost a decade. Though Boomerang didn't prove to be the comeback album some fans had hoped for, the follow-up single "Tenderness", a Janis Ian cover, hit #5 on the Jamaican charts.[7]
In the years following the release of Boomerang, Swain became a vocalist on records by various house musicians in the United States and Europe. She returned to acting with an appearance in the gay-themed art film Citizens of Perpetual Indulgence[2][12] and a "special non-sexual appearance" in the gay porn film Playing the Odds.[2] She later appeared with director Geoffrey Karen Dior on the compilation album Porn to Rock and Dior's 2001 album S E X[3], and also recorded an unreleased remix album including new versions of "Two of Hearts" and songs from Boomerang.[12] In 2000 she returned to theater in "The Life of Padmasambhava", a musical dramatization of one of the most revered characters in Buddhism, produced by the San Francisco-based Namsay Dorje Theater Company.[7] Swain played the lead female character, Yeshe Tsogyal, in a multicultural cast of actors and musicians.
In 2002 Swain appeared on the short-lived VH1 version of Never Mind the Buzzcocks as a guest star on the show's "Identity Parade" round. Her vocals were featured on "Hear The Feeling", a 2003 single by DJ Simply Jeff (credited as "Divine Frequency featuring Stacey Q") used for the soundtrack of a documentary on raves.[7] In 2004 Swain became a voice actor by providing the voice of "Karin Kikuhara" on the English-language version of Stratos 4, a Japanese anime series.[7] Later she appeared as one of the female singers on the debut album of the Echo Junkies, a duo formed in 2004 by Jon St. James and Skip Hahn.[7]
"Two of Hearts" has been featured on the soundtracks of three recent motion pictures: Little Nicky, Party Monster and the Andy Samberg comedy Hot Rod.[1][2]
In 2008 Swain provided guest vocals on Liquid, the debut album of the Australian-American rock duo Hydra Productions. The album featured appearances by other dance-pop artists of the 1980s, including Tiffany and Gioia Bruno of Exposé. In November of that year she performed "Two of Hearts" on CBS's The Early Show as part of the show's 1980s flashback segment.
Stacey Q's "Two of Hearts" appeared as the "Lipsynch for Your Life" elimination, between Morgan McMichaels and Sonique, challenge on the February 22, 2010 episode of RuPaul's Drag Race. She appeared as a student on the second season finale of RuPaul's Drag U on August 29, 2011.
Year | Album | U.S. | U.S. R&B | AUS | Record Label |
---|---|---|---|---|---|
1982 | The Q EP (as Q) | - | - | - | MAO Records |
1983 | Playback (as SSQ) | - | - | - | Enigma Records / EMI America |
1985 | Stacey Q | - | - | - | On the Spot |
1986 | Better Than Heaven | 59 | 46 | 36 | Atlantic Records |
1988 | Hard Machine | 115 | - | - | Atlantic |
1989 | Nights Like This | - | - | - | Atlantic |
1995 | Stacey Q's Greatest Hits | - | - | - | Thump |
1997 | Boomerang | - | - | - | Eno |
2010 | Color Me Cinnamon | - | - | - | Hydra Productions |
Year | Single | U.S. | U.S. R&B | U.S. Dance | Various | Album |
---|---|---|---|---|---|---|
1982 | "Playback" / "Music's Gone" (as Q) | - | - | - | - | The Q EP |
1983 | "Synthicide" (as SSQ) 1 | - | - | 47 | - | Playback |
"Big Electronic Beat" (as SSQ) 1 | - | - | 47 | - | ||
1984 | "Screaming in My Pillow" (as SSQ) | - | - | - | - | |
1986 | "Two of Hearts" | 3 | 56 | 4 | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Better Than Heaven |
1987 | "We Connect" | 35 | - | 14 | ![]() |
|
"Insecurity" | - | - | 1 | ![]() |
||
"Music out of Bounds" | - | - | 19 | - | ||
"Shy Girl" 2 | 89 | - | - | - | Stacey Q | |
1988 | "Favorite Things" | - | - | - | - | Hard Machine |
"I Love You" | - | - | 49 | - | ||
"Don't Make a Fool of Yourself" | 66 | - | 4 | ![]() |
||
1989 | "Give You All My Love" | - | - | 16 | - | Nights Like This |
"Heartbeat" | - | - | - | - | ||
1993 | "Too Hot for Love" | - | - | - | - | Stacey Q's Greatest Hits |
1997 | "Tenderness" | - | - | - | - | Boomerang |
2009 | "Trip" | - | - | - | - | Color Me Cinnamon |
2010 | "Pandora's Box" | - | - | - | - | Color Me Cinnamon |
Year | Title | Director |
---|---|---|
1986 | "Two of Hearts" | Peter Lippman |
1987 | "We Connect" | Greg Gold |
"Insecurity" | Visionwear | |
1988 | "I Love You" | Rupert |
"Don't Make a Fool of Yourself" | Tony Van De Nend | |
1989 | "Give You All My Love" | Jane Simpson |
|
Stacey Q is the first extended play by American singer Stacey Q, released in 1985 by On the Spot Records. It was only released in cassette format limited to 500 copies. Produced by Jon St. James, the EP features an early version of her hit song "Two of Hearts", which would later peak at number 3 on the Billboard Hot 100 and become one of the highest-selling singles of 1986. Other songs on the EP include "Dancing Nowhere" from her debut album Better Than Heaven (1986) or "Dancing in the Dark", a cover version of Kim Wilde's song. "Shy Girl" was released as a single.
After the release of the album Playback (1983) with the band SSQ, Swain began working with Jon St. James on her solo material. St. James brought the song "Two of Hearts" and wanted her to record it. The song was originally intended for Sue Gatlin who co-wrote it with John Mitchell and Tim Greene. At first, Swain refused to record a song written by someone else, but later she changed her mind and decided to record it. After being signed by Atlantic Records, "Two of Hearts" was included on her debut album Better Than Heaven (1986).
"Like This" may refer to:
Veteran is the third studio album of American R&B artist Marques Houston, a former member of the R&B group Immature/IMx. The album was released in the U.S. on March 20, 2007 and is available as a standard version, as well as a Circuit City Exclusive version (which includes a bonus DVD) and a Target Exclusive version (which includes a bonus track). Veteran sold almost 70,000 units in its first week.
Houston describes Veteran as "a reflection of who I am as an artist and as a man. There's a lot that I've been through as far as relationships and just experiencing life. I'm only 25, but I’m a veteran because I've been in the industry since I was 8, and I've watched the changes." The album release date was pushed back to give Houston time to cope with the death of his grandmother.
In the United States, Veteran debuted (and peaked) at number 5 on the Billboard 200 and debuted at number 1 on Billboard's Top R&B/Hip-Hop Albums, marking this release as Houston's first number one solo album.
"Like This" is a song by American recording artist Kelly Rowland, featuring vocals by rapper Eve. Written by Sean Garrett, Jamal Jones, Elvis "BlacElvis" Williams, and Jason Perry along with Rowland and Eve, it was produced by Polow da Don for her second solo album Ms. Kelly (2007), featuring additional production from S-Dot, Garrett, Perry, and Williams. "Like This" is an contemporary R&B song, which incorporates elements of Dirty South and go-go music, with its lyrics referring to a woman growing out of a past relationship.
Recorded late into the production of the album, "Like This" was released as the album's lead single to US radios in March 2007. The song received generally positive critical reviews. Upon its release, the song became Rowland's highest-charting solo success since her 2002 single "Stole", reaching the top ten in Ireland and the United Kingdom, as well as the top 20 in Australia and New Zealand and number 30 on the US Billboard Hot 100 chart. In addition, it became Rowland's first single to peak at the top position on the Billboard Hot Dance Club Play chart. An accompanying music video was directed by Mike Ruiz and filmed in the Hollywood Hills in mid-March 2007.
Nights Like This is the third studio album by American singer Stacey Q, released on June 8, 1989 by Atlantic Records. It was her last album to be released on the Atlantic label before she went on a hiatus from making music until the release of her album Boomerang (1997). After the moderate commercial success of her album Hard Machine (1988), Swain decided to pursue a new musical direction. She again worked with Jon St. James but also invited other producers, such as Clivillés & Cole, Robert Gordon or Bruce Gaitsch, to achieve a different sound. Nights Like This is predominantly influenced by freestyle and house music, making it a musical departure from her previous work. The album is, like her album Hard Machine, dedicated to her friend and hair stylist, Danny Medellin, who died in 1988.
Upon its release, Nights Like This received generally positive reviews from music critics, but was a commercial failure. It became her first album not to reach the Billboard 200.
Two singles were released from the album. The lead single, "Give You All My Love", peaked at number sixteen on the Billboard Hot Dance Club Songs and number eight on the Singles Sales chart. Accompanying music videos were released for both, the album version and the Crossover House Mix of the song. "Heartbeat" was released as the second single and it became a minor adult contemporary format radio hit.
Icona Pop (English /aɪˈkɒnə pɒp/) are a Swedish electropop duo that formed in 2009, with electro house, punk and indie pop music influences. The two members Caroline Hjelt and Aino Jawo, who grew up in Stockholm, create music "which you can both laugh and cry to at the same time". They signed to TEN Music Group in 2009. Their biggest hit to date has been "I Love It".
The duo received international attention following their debut single "Manners", which was released by Neon Gold on French label Kitsuné, and the extended play album Nights Like This on English Mercury Records. Since September 2012, the duo have been based in Los Angeles and New York City in the United States.
Caroline Hjelt (born 8 November 1987) and Aino Jawo (born 7 July 1986, of a Finnish mother and Gambian father) attended the same music school in Stockholm, but met by chance at a party in February 2009 and formed the duo. Four weeks later, they had written songs for their very first performance as a duo. Two years later, the duo described their music as "classical pop melodies with drums and synths". Both Hjelt and Jawo are feminists and wanted to fight for gender equality in the music industry.
I have a question
Can I takeover our creation of love
Gimme your attention
And give me all of your trust
Let me show you all of me
And additions to me
Rhythm's the strength to our love
So follow baby carefully and I'll be
Everything you want in me and you'll see
What we've been waiting for
Please touch me like this (baby, do it like this)
Please hold me like this (hold me)
Please love me like this (it makes me feel so good)
I need you like this
If we goin' start touching each other
We goin' do it like this
I'll tell you where to kiss
And you'll begin to kiss
Baby I know how I feel
So just follow my lead
Don’t be afraid, you're at the wheel
And I just wanna ride and enjoy it with you
'Cause I know that you'll enjoy everything I do
Relax and I'll show you
You plan to be with me
Baby it's alright
Just do right
Let's just be clear on some thing
This is all for you
But there are rules
If you wanna celebrate me
And if you wanna keep me pleased
This is how my love has got to be