Jude, also known as Judas Thaddaeus, was one of the Twelve Apostles of Jesus. He is generally identified with Thaddeus, and is also variously called Jude of James, Jude Thaddaeus, Judas Thaddaeus or Lebbaeus. He is sometimes identified with Jude, the brother of Jesus, but is clearly distinguished from Judas Iscariot, the apostle who betrayed Jesus prior to his crucifixion. Judas Thaddeaus became known as Jude after early translators of the New Testament from Greek into English sought to distinguish him from Judas Iscariot and subsequently abbreviated his forename. Most versions of the New Testament in languages other than English and French refer to Judas and Jude by the same name.
The Armenian Apostolic Church honors Thaddeus along with Saint Bartholomew as its patron saints. In the Roman Catholic Church, he is the patron saint of desperate cases and lost causes.
Saint Jude's attribute is a club. He is also often shown in icons with a flame around his head. This represents his presence at Pentecost, when he received the Holy Spirit with the other apostles. Another common attribute is Jude holding an image of Jesus Christ, in the Image of Edessa. In some instances, he may be shown with a scroll or a book (the Epistle of Jude) or holding a carpenter's rule.
How Big, How Blue, How Beautiful is the third studio album by English indie rock band Florence and the Machine, released on 29 May 2015 by Island Records. After returning from her year-long hiatus from music, frontwoman Florence Welch returned to configure How Big, How Blue, How Beautiful, recording material that dealt with personal conflicts and struggles. In comparison to their last two efforts, the album is much more refined and stripped-down instrumentally, and incorporates a mixture of musical influences such as folk, blues and gospel.
Upon release, How Big, How Blue, How Beautiful was met with generally positive reviews from music critics, who commended the album for its cohesion, production and Welch's vocal delivery. As a critical success, it appeared on several year-end critics' lists in late 2015. The album debuted at number one on the UK Albums Chart with 68,788 copies sold in its first week, becoming the band's third consecutive number-one album, while topping the charts in several other markets. Four singles have been released from the album—"What Kind of Man", "Ship to Wreck", "Queen of Peace" and "Delilah". How Big, How Blue, How Beautiful has earned the band five Grammy Award nominations, in addition to being shortlisted for the 2015 Mercury Prize.
St. Jude India ChildCare Centres (St. Judes for short) is a not-for-profit organization in India that provides free of charge shelter and holistic care to children who are undergoing cancer treatment at Tata Memorial Hospital and many other treating hospitals and their families. It is a section 8 company supported by individuals, corporate houses and Charity Trusts. Founded in 2006 by Nihal and Shyama Kaviratne, St. Judes has 18 centres located in Mumbai, Kolkata, Delhi, Jaipur and Hyderabad. The holistic care includes an infection free environment conducive to the child’s recovery, educational and recreational services for the children and their parents and counselling services throughout the duration of their treatment. Those children who come back for maintenance and follow up can once again stay at one of the centres.
Parents bring their cancer-affected children from distant villages and towns in India all the way to large cities where they can get medical treatment at minimum or zero cost. During the treatment there are intermittent periods of rest when the child recuperating under chemotherapy treatment must be protected against opportunistic secondary infections resulting from unhygienic conditions and poor quality food. The unavailability of hygienic shelter and nutritious food often forces the parents to abandon treatment. By providing to the child and the parents an infection free accommodation and the necessary nutritional support, St. Judes makes the crucial, tried and tested intervention leading to the child’s recovery and a noticeable increase in the survival rates of child patients of cancer.
India? is the third studio album by the band Suns of Arqa, recorded and released in 1984 by Rocksteady Records. The album was produced by Suns of Arqa founder Michael Wadada. It is their fourth album overall when including their 1983 live album with Prince Far I, and this is indicated subtly on the spine with the letters "Vol IV". The spine also reads "Such big ears, but still you can't see".
'India?' is a radical departure from the style of the previous two albums Revenge of the Mozabites and Wadada Magic. As the title suggests, this album has a strong Indian feel to its arrangements and instrumentation. It has not been released on CD, however three of the five tracks have found their way onto other Suns of Arqa CD releases.
Track A1 'Give Love' which features Ras Michael appears on the 1991 compilation CD 'Land of a Thousand Churches', and tracks A3/B2 (Kalashree/Vairabi) both appear on the 1992 CD Kokoromochi.
The sleevenotes for this LP include thank-yous to Adrian Sherwood, Style Scott, Gadgi, Martin Hannett, Chris Nagle and Kevin Metcalf.
India (Syriac: Beth Hindaye) was an ecclesiastical province of the Church of the East, from the seventh to the sixteenth century. The Malabar Coast of India had long been home to a thriving East Syrian (Nestorian) Christian community, known as the St. Thomas Christians. The community traces its origins to the evangelical activity of Thomas the Apostle in the 1st century. The Indian Christian community were initially part of the metropolitan province of Fars, but were detached from that province in the 7th century, and again in the 8th, and given their own metropolitan bishop.
Due to the distance between India and the seat of the Patriarch of the Church of the East, communication with the church's heartland was often spotty, and the province was frequently without a bishop. As such, the Indian church was largely autonomous in operation, though the authority of the Patriarch was always respected. In the 16th century, the Portuguese arrived in India and tried to bring the community under the authority of the Latin Rite of the Catholic Church. The Portuguese ascendancy was formalised at the Synod of Diamper in 1599, which effectively abolished the historic Nestorian metropolitan province of India. Angamaly, the former seat of the Nestorian metropolitans, was downgraded to a suffragan diocese of the Latin Archdiocese of Goa.
India is the first studio album by Spanish singer Vega, released on November 7, 2003 on Vale Music Spain.
This album represents her success after having sold more than 200.000 copies of her first single "Quiero Ser Tú" (Spanish for "I Want to Be You"), which was a task to be accomplished before being entitled to a recording contract. The album itself sold more than 110.000 copies in Spain alone.
The country, India, has always been an inspiration to Vega, and that is why she decided to name her album after it. All but two songs on the album, "That's Life" (Frank Sinatra cover) and "Believe" (K's Choice cover), were written by Vega. The eighth track, "Olor A Azahar", is dedicated to the city she was born in.
The first single from India was "Grita!", which became the best-selling single of 2003 in Spain. After the success of the first single, "La Verdad (ft. Elena Gadel)" and "Directo Al Sol" followed. Elena Gadel, a member of the girl-group Lunae, whom Vega had met during the time they were part of Operación Triunfo, also helped with the background vocals for "Grita!".
You spend too much time sat in your bedroom, on your PC
Are you sure you couldn’t have found the time,
Swallowed your pride and admitted your jealousy
Next week you’ll trying again to put one of your city’s many front men
If you do not have the internet, would you be into them
I very much doubt so how would they know so
What took you so long, was there a queue at the post office
What took you so long, was there a dirty double-decker stagecoach,
You just happened to missed
Sometimes I’m bad, sometimes I’m rotten, sometimes I say things I probably,
should have forgotten about people or things
Do you know who I am, I’m like a Morrissey with some strings
What took you so long, was there a queue at the post office
What took you so long, was there a dirty double-decker stagecoach,
you just happened to miss
You’re always bad, you’re always rotten and you always say things that,
you should forgotten or have you had enough
Of your stereotypical bit of the rough
And then we all go
What took you so long, was there a queue at the post office
What took you so long, was there a dirty double-decker stagecoach,
you just happened to miss.