The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives a musical expression to a season of the year. They were written about 1723 and were published in 1725 in Amsterdam, together with eight additional violin concerti, as Il cimento dell'armonia e dell'inventione ("The Contest Between Harmony and Invention").
The Four Seasons is the best known of Vivaldi's works. Unusually for the time, Vivaldi published the concerti with accompanying poems (possibly written by Vivaldi himself) that elucidated what it was about those seasons that his music was intended to evoke. It provides one of the earliest and most-detailed examples of what was later called program music—music with a narrative element.
Vivaldi took great pains to relate his music to the texts of the poems, translating the poetic lines themselves directly into the music on the page. In the middle section of the Spring concerto, where the goatherd sleeps, his barking dog can be marked in the viola section. Other natural occurrences are similarly evoked. Vivaldi separated each concerto into three movements, fast-slow-fast, and likewise each linked sonnet into three sections. His arrangement is as follows:
Spring is the Australian arm of FremantleMedia Australia and was formed in 2011.
Spring (Vesna), Op. 20, is a single-movement cantata for baritone, chorus and orchestra, written by Sergei Rachmaninoff in 1902.
The work was finished after the famous Second Piano Concerto. Rachmaninoff intended to revise the cantata's orchestration but never did so.
The work is based on a poem by Nikolay Nekrasov and describes the return of the Zelyoniy shum, or "green rustle". The poem tells of a husband who, fraught with murderous thoughts towards his unfaithful wife during the winter season, is ultimately freed from his frustration and choler by the return of spring.
-hou and hou is a place-name element found commonly in the Norman toponymy of the Channel Islands and continental Normandy.
Its etymology and meaning are disputed, but most specialists think it comes from Saxon or Anglo-Saxon hōh "heel", sometimes hō, then "heel-shaped promontory", "rocky steep slope", "steep shore". This toponymic appellative appears as a final -hou or associated with the Romance definite article le Hou. It can be found everywhere in Normandy, but more in the western part of it.
The English toponymy uses this Saxon or Anglo-Saxon element the same way, but its result is phonetically -hoo or -hoe, sometimes -(h)ow or -ho e. g. : Northoo (Suffolk); Poddinghoo (Worcestershire); Millhoo (Essex); Fingringhoe (Essex); Rainow (Cheshire); Soho (London); etc. As an independent element it is Hoe, Hoo, Hooe, Ho or the Hoe, e.g. the Hoe at Plymouth (Dorset) above the harbour.
In Normandy, it may have sometimes mixed up with Old Norse hólmr, meaning a small island, and often found anglicised elsewhere as "holm". It can still be found in modern Scandinavian languages, e.g. Stockholm. The normal evolution of hólmr in Normandy is -homme, -houme, even -onne at the end of a toponym and le Homme, le Houlme, le Hom with the article.
Holm is a surname which originated in Scandinavia and Britain. Holm is a derived from the Old Norse word holmr meaning a small island.
Holm may refer to:
This page is a set index; for other uses of the term, see Holm (disambiguation)
There are numerous islands containing the word Holm, especially in Scotland. In many cases the name is derived from the Old Norse holmr, meaning "a small and rounded islet". These include: