Coordinates: 10°46′36.8″N 106°42′02.9″E / 10.776889°N 106.700806°E / 10.776889; 106.700806
Ho Chi Minh City (Vietnamese: Thành phố Hồ Chí Minh; IPA: [tʰan fə ho̞˧˩ t͡ɕɪj˧ mɪ̈n˧]), formerly named and still also referred to as Saigon (Vietnamese: Sài Gòn; IPA: [sâj ɣɔ̂ŋ], French: Saïgon), is the largest city in Vietnam. It was once known as Prey Nokor, an important Khmer seaport prior to annexation by the Vietnamese in the 17th century. Under the name Saigon, it was the capital of the French colony of Cochinchina and later of the independent republic of South Vietnam 1955–75. On 2 July 1976, Saigon merged with the surrounding Gia Định Province and was officially renamed Ho Chi Minh City after revolutionary leader Hồ Chí Minh (although the name Sài Gòn is still unofficially widely used).
The metropolitan area, which consists of the Ho Chi Minh City metropolitan area, Thủ Dầu Một, Biên Hòa, Vũng Tàu and surrounding towns, is populated by more than 9 million people, making it the most populous metropolitan area in Vietnam. The city's population is expected to grow to 13.9 million in 2025.
Saigon is a 1948 film starring Alan Ladd and Veronica Lake in their fourth and final film together. It was distributed by Paramount Pictures and was one of the last films Veronica Lake made under her contract with the studio. Ladd and Lake made four films together; This Gun for Hire and The Glass Key, both in 1942, The Blue Dahlia in 1946 and Saigon. While the earlier films all proved to be big box office successes, Saigon did not do as well financially. Ladd continued to remain one of Paramount's top male stars, while Lake's career was in decline. By the end of 1948 her contract with Paramount had expired and the studio chose not to renew it.
For Ladd, Saigon was one of a series of globe-trotting adventure tales he made, starting with Two Years Before the Mast (1946) and Calcutta (1947).
World War II has ended and Major Larry Briggs (Alan Ladd) finds out that his friend Captain Mike Perry (Douglas Dick) has only two months to live due to a head injury. Larry and Sergeant Pete Rocco (Wally Cassell) are determined to show Mike a good time before he dies. For a $10,000 fee, Larry takes a flying job working for Alex Maris (Morris Carnovsky) a profiteer. Everything is set until Maris' secretary Susan Cleaver (Veronica Lake) shows up to board the aircraft. Mike falls for Susan and Larry convinces her to play along but she has fallen in love with Larry.
Saigon is the sixth novel in the long-running Nick Carter-Killmaster series of spy novels. Carter is a US secret agent, code-named N-3, with the rank of Killmaster. He works for AXE – a secret arm of the US intelligence services.
The book was first published in December 1964 (Number A122F) by Award Books part of the Beacon-Signal division of Universal Publishing and Distributing Corporation (New York, USA), part of the Conde Nast Publications Inc. The novel was written by Michael Avallone and Valerie Moolman. Copyright was registered in the US.
"Little Paris" where love-talk is wire-tapped and each caress can lead to sudden mayhem.
The story is set in August–September 1964. Claire La Farge, widow of a French intelligence officer, lives in a large rice and tea plantation in North Vietnam. One night she receives a coded message in the form of a knotted belt (quipu) from a former associate of her husband. She sends her trusted servant, Saito, to Saigon to place an advert in the personal column of the Times of Vietnam hoping to contact former colleagues of her husband who can decode the message. Raoul Dupre, a former French intelligence officer and businessman in Saigon, reads the ad and makes contact. Agent Nick Carter, in Saigon posing as a WHO medical observer, answers the ad on a hunch and learns of Dupre's involvement. Dupre's daughter, Antoinette (Toni), has become a heroin addict under the influence of Lin Tong – a Chinese communist spy interested in finding out the truth about her father.
Spit may refer to:
S.P.I.T.: Squeegee Punks in Traffic is a Canadian 2001 documentary film by Daniel Cross. The narrative unfolds from the point of view of squeegee kids.
Rotisserie is a style of roasting where meat is skewered on a spit – a long solid rod used to hold food while it is being cooked over a fire in a fireplace or over a campfire, or roasted in an oven. This method is generally used for cooking large joints of meat or entire animals, such as pigs or turkeys. The rotation cooks the meat evenly in its own juices and allows easy access for continuous self-basting.
In medieval and early modern kitchens, the spit was the preferred way of cooking meat in a large household. A servant, preferably a boy, sat near the spit turning the metal rod slowly and cooking the food; he was known as the "spit boy" or "spit jack". Mechanical turnspits ("roasting jacks") were later invented, first powered by dogs on treadmills, and then by steam power and mechanical clockwork mechanisms. The spit could also be powered by a turbine mounted in the chimney with a worm transmission for torque and speed conversion. Spits are now usually driven by electric motors.
[Verse 1:]
On your mark get set go
The rest flow is just S-O S-O
So am I the best I guess so
I rhyme like my ribs and my stomach touchin
Gain pounds on these clowns like a hundred somethin
Behold the prophecy peep
The mold in my philosophy deep
Contemplate crime playing for keep
Elevate and reconstruct got rhymes that erupt
From my brain and then they drain right into a cup
From which I drink then I think deeper in and it'll sink
From a dark hall in my skull and then into ink
That's a old school metaphorical phrase
I shit, shower and shave
Then it's time to get paid get out of the way
I'm like a bat out of hell how I'm hitting these hoes
You swear a nigga just got out of jail
I'm a MC slash stick up kid
Ask Bishop all the shit I did
I ain't playing with'em
[Chorus: x2]
When I spit the room temperature change
I am what many consider a spitter of flames
When I spit the room temperature change
What niggas done did to the game the shit is a shame
[Verse 2:]
We could discuss disgust plus lust and what it does to us
Not only bust cause I must I bust cause I love the rush
Plus checks that I collect to bust techs at suspects
Marksmen in the linen we don't come off as roughnecks
Sick sick sick sick sick shit
The flow is flowing fluid like liquid
Even jamaicans be saying my shit wicked
Ya'll should believe me I shoudln't even have to kicked shit
But look you still lying in your raps and
Always acting like you dying for some action
But we really know you not though
You not no vato loco you a twat bro for sho
I'm a get rich or die tryin like fifty
Even if I gotta do something that tight risky
Pass me the hen bitch I don't like wisky
My gun snap crackle and pop like rice crispy
[Chorus x2]
[Verse 3:]
I flex on your entire set rhyme in nine different dialects
Fire techs aim where your knee and your thigh connects
I contracting like isometric exercise
Let's collide last nigga that tried molecular fried
Beside I can see in your eyes you petrifried
I'm a let you slide without a lyrical hex supply
Let's decide niggas fall short like a midget on a ball court
Coming with that wack rap that store bought