Spinner may refer to:

People named Spinner include:

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Spinner (cell culture)

A Spinner is a type of bioreactor which features an impeller, stirrer or similar device to agitate the contents (usually a mixture of cells, medium and products like proteins that can be harvested). The vessels are usually made out of glass or stainless steel with port holes to accommodate sensors, Medium input or gas flow.

Spinner type vessels are used for mammalian or plant cell culture. They are adequate for cell suspensions and attachment dependent cell types.


Spinnerbait

A Spinnerbait refers to any one of a family of fishing lures that get their name from one or more metal blades shaped so as to spin like a propeller when the lure is in motion, creating varying degrees of flash and vibration that mimics small fish or other prey. The two most popular types of spinnerbaits are the 'in-line spinner' and 'safety pin' spinnerbaits, though others such as the 'tail-spinner' also exist. Spinnerbaits are used principally for catching predatory fish such as perch, pike and bass.

Mode of operation

Spinnerbaits attract predatory fish primarily by activating a special sense organ called the lateral line system through the spinning blade. The Lateral line system enables fish to "touch" and ‘feel’ objects at a distance. Most fish have well-developed sense of touch and can feel the slightest change of water flow around it as a series of vibrations which may warn fish of approaching dangers or indicate the location of prey.

Spinnerbaits can also stimulate other senses of fish to mimic prey by creating flashes in the water (sight) and by creating sound waves in the water (hearing).

Mando (singer)

Mando (Greek: Μαντώ), born Adamantia Stamatopoulou (Greek: Αδαμαντία Σταματοπούλου), is a popular Greek singer. She was born in Piraeus on 13 April 1966 and raised in Athens by her jazz pianist father, Nikos Stamatopoulos and a classic soprano opera mother, Mary Apergi.

From a young age she began to develop her talent and interest in music, and was characterized as a "born musician". On 14 March 2010, Alpha TV ranked Mando the 23rd top-certified female artist in the nation's phonographic era (since 1960), totalling five gold records. On 21 April 2013 she participated at the Greek version of Your Face Sounds Familiar which was aired by Antenna TV Greece, where in the last episode (30 June 2013), she placed 4th. She was a special guest star in the semifinal of The Voice of greece where she and one of the participants, Maria Elena Kiriakou, sang together Beyonce's Hit Listen And she has presented her new song Poliploka from her upcoming album.

Early life

At the age of four Mando could easily sing operatic arias, gospel and jazz music. Her parents, astonished by her musical capability, signed her with the National Conservatory for piano and music theory lessons. Meanwhile, she took up vocal training and dance lessons. At the age of ten, Mando began to teach herself how to play the guitar and various percussion instruments. Her dedication and passion quickly led her to compose her own melodies.

Mando (music)

Mando or Manddo (Konkani mānḍô) is a musical form that evolved during the 19th and 20th century among Goan Catholics of Goa, India. It represents the meeting point of Indian and western musical traditions. The music has elements of both Indian and western culture. The males wear formal coats, showing Portuguese influence, while females wear a unique Indian costume (bazu torop or pano baju). The ceremonial torhop-baz worn during the mando dance was of velvet or silk, red, blue or green in colour, embroidered with gold (rarely with silver) threads. A white or blue shawl was worn. The socks had to be white and the slippers ornamented. This was all graced with a fan, which enhanced the lady's mood with a secret charm during the dance. Nowadays mandos are highlighted with their dance respective of their song. The plural of manddo in Konkani is mande.The major theme of mandos is love, the minor ones being historical narratives, grievance against exploitation and social injustice, and political resistance during the Portuguese presence in Goa.With grace in voice charm in costumes the performances are enhanced.

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