Chicago Seed (newspaper)

Seed was an underground newspaper launched by artist Don Lewis and Earl Segal (aka the Mole), owner of the Molehole, a local poster shop, and published biweekly in Chicago, Illinois from May 1967 to 1974; there were 121 issues published in all. Disagreements between Lewis and Segal led to its purchase by Harry Dewar, a graphic designer and Colin Pearlson, a photographer, who thought it had commercial potential. Lester Dore took over the art direction when Don Lewis moved to New York to work for Screw magazine. Skeets Millard, a young photographer and community organizer who was publishing the Chicago edition of Kaleidoscope, joined the Seed staff in 1969, at a time when all of the original founders were gone and there was no one working on the paper who had been there more than 12 months; Mike Abrahamson was running the paper in Abe Peck's absence.Jim Roslof, Karl Heinz-Meschbach, Paul Zmiewski, Skip Williamson, Jay Lynch, Peter Solt, and other 60s artists contributed to what was called one of the most beautiful underground press publications of its time.

Seed (2007 film)

Seed is a 2007 Canadian horror film written, produced, and directed by Uwe Boll. Filming ran from July 17 to August 11, 2006 in British Columbia, Canada, on a $10 million budget.

Plot

As a boy, a reclusive and antisocial Sufferton resident, Max Seed, was disfigured in a school bus crash that killed everyone else involved in it. In 1973, Seed began torturing and murdering people, filming some of his victims starving to death in his locked basement, and ultimately racking up a bodycount of 666. In 1979, Seed is arrested by Detective Matt Bishop in a siege that claims the lives of five of Bishop's fellow officers. Seed is sentenced to death by electric chair, and incarcerated on an island prison, where he is a model inmate, only acting out when he kills three guards who try to rape him.

On Seed's execution date, the electric chair fails to kill him after two shocks. Not wanting Seed to be released due to a state law that says any convicted criminal who survives three jolts of 15,000 volts each for 45 seconds walks, the prison staff and Bishop declare Seed dead, and bury him in the prison cemetery. A few hours later, Seed digs his way out of his grave and returns to the prison, where he kills the executioner, doctor, and warden before swimming back to the main land. The next day, while investigating the massacre, Bishop realizes Seed was responsible when he discovers the serial killer's empty cemetery plot.

Seed (Mami Kawada album)

Seed is Mami Kawada's debut album which was released on March 29, 2006. This album is under Geneon and was produced by I've Sound. This album also includes her first two singles "Radiance / Chi ni Kaeru: On the Earth", and "Hishoku no Sora" and the collaboration single "Face of Fact (Resolution Ver.)" with KOTOKO. It peaked at the #12 spot in the Oricon charts and charted for 5 weeks.

The album will come in a limited CD+DVD edition (GNCA-1080) and a regular CD only edition (GNCA-1081). The DVD will contain the promotional video for SEED.

Track listing

Lotna

Lotna is a Polish war film released in 1959 and directed by Andrzej Wajda.

Overview

This highly symbolic movie is both the director's tribute to the long and glorious history of the Polish cavalry, as well as a more ambiguous portrait of the passing of an era. Wajda was the son of a Polish Cavalry officer who was murdered by the Soviets during the Katyn massacre.

The horse Lotna represents the entire Romantic tradition in culture, a tradition that had a huge influence in the course of Polish history and the formation of Polish literature. Lotna is Wajda's meditation on the historical breaking point that was 1939, as well as a reflection on the ending of an entire era for literature and culture in Poland and in Europe as a whole. Writing of the film, Wajda states that it "held great hopes for him, perhaps more than any other." Sadly, Wajda came to think of Lotna "a failure as a film."

The film remains highly controversial, as Wajda includes a mythical scene in which Polish horsemen suicidally charge a unit of German tanks, an event that never actually happened.

Ten Speed

Ten Speed may refer to:

Four-velocity

In physics, in particular in special relativity and general relativity, a four-velocity is a four-vector in four-dimensional spacetime that represents the relativistic counterpart of velocity, which is a three-dimensional vector in space.

Physical events correspond to mathematical points in time and space, the set of all of them together forming a mathematical model of physical four-dimensional spacetime. The history of an object traces a curve in spacetime, called its world line. If the object is massive, so that its speed is less than the speed of light, the world line may be parametrized by the proper time of the object. The four-velocity is the rate of change of four-position with respect to the proper time along the curve. The velocity, in contrast, is the rate of change of the position in (three-dimensional) space of the object, as seen by an observer, with respect to the observer's time.

The value of the magnitude of an object's four-velocity, i. e. the quantity obtained by applying the metric tensor g to the four-velocity u, that is ||u||² = u ⋅ u = g_μνu^νu^μ, is always equal to ±c², where c is the speed of light. Whether the plus or minus sign applies depends on the choice of metric signature. For an object at rest its four-velocity is parallel to the direction of the time coordinate with u⁰ = c. A four-velocity is thus the normalized future-directed timelike tangent vector to a world line, and is a contravariant vector. Though it is a vector, addition of two four-velocities does not yield a four-velocity: The space of four-velocities is not itself a vector space.

Paste (story)

"Paste" is a 5,800-word short story by Henry James first published in Frank Leslie’s Popular Monthly in December, 1899. James included the story in his collection, The Soft Side, published by Macmillan the following year. James conceived the story as a clever reversal of Guy de Maupassant's "The Necklace".

Plot summary

After the death of her aunt, the protagonist Charlotte and her cousin, her aunt’s stepson Arthur Prime, find a tin of imitation jewelry which includes a string of pearls. Charlotte is immediately fascinated with the pearls, and wonders if they could be a gift from when her aunt was an actress. Arthur disputes this and is insulted at the thought of some gentleman other than his father giving his stepmother such a gift. Charlotte quickly apologizes and agrees that the pearls could be nothing more than paste. With Arthur’s enthusiastic approval, she keeps the jewelry for the memory of her aunt.

When Charlotte returns to her governess' job, her friend, Mrs. Guy, asks her if she has anything to add color to her dress for an upcoming party. When Charlotte shows Mrs. Guy the jewelry, she too becomes fascinated with the string of pearls, insisting that they are genuine. Mrs. Guy wears the string to the party; and when Charlotte finds out that everyone believed that they were real, she insists that they must be returned to her cousin. Mrs. Guy claims that it was Arthur's foolishness to have given away the necklace, and that Charlotte should have no guilt in keeping it.