Ultraviolence or Ultra-violence may refer to:
"Ultraviolence" is a song recorded by American singer and songwriter Lana Del Rey for her third studio album, Ultraviolence (2014). It was co-written by Del Rey, and Daniel Heath, and produced by Dan Auerbach. The song was released on June 4, 2014, by Polydor and Interscope Records, as the third single from Ultraviolence. A music video, directed by Francesco Carrozzini, was released on July 30, 2014.
According to Brenna Ehrlich of MTV News, "Ultraviolence" tells the story of a "typical Lana Del Rey romantic relationship: broken, failed and painful." The song contains a reference of The Crystals’ 1962 single "He Hit Me (It Felt Like a Kiss)" in its chorus. Kevin Rutherford of Radio.com remarked that "Ultraviolence" maintained the theme of songs previously released from the album, it "ups the lilting, low-tempo, strings-heavy form" Del Rey had established in her earlier work. Sal Cinquemani of Slant Magazine described "Ultraviolence" as a "laconic, string-laden torch song". In the line "I can hear sirens sirens, he hit me and it felt like a kiss," Del Rey references the 1962 The Crystals song "He Hit Me (and It Felt like a Kiss)", and, according to Harriet Gibson of The Guardian, "appear[s] to romanticise brutality". A writer for the Music Times commented that the "violins, lightly thumping drums and Del Rey's angelic singing" gave the song a "church-y" feel, pointing out that the track presented her "title sound".
Ultraviolence is an industrial/techno band formed in London in 1991 and headed by 'the Quentin Tarantino of techno' Johnny Violent (b. Jonathan Casey). To date, they have released five studio albums, including a ten-year retrospective, and six EPs/singles. The group have produced a number of club classics which include the tracks Hardcore Motherfucker and Psycho Drama and have been recognised as being at the 'forefront of the UK Industrial-Cyber scene'. The Ultraviolence sound incorporates elements from various styles including hardcore techno/gabber, breakbeat hardcore, industrial techno, power noise, metal and rap.
A substantial body of the Ultraviolence releases received positive critical reception since the first album Life of Destructor gaining '5Ks' from Kerrang magazine. In 2004 Ultraviolence released a retrospective two CD album titled Blown Away 1994-2004.'
Johnny Violent has worked with several female vocal artists on different releases, but as of 2005, singer and angle grinding stage performer Mel Allezbleu has become a permanent member of the band.
In mathematical finance, the Greeks are the quantities representing the sensitivity of the price of derivatives such as options to a change in underlying parameters on which the value of an instrument or portfolio of financial instruments is dependent. The name is used because the most common of these sensitivities are denoted by Greek letters (as are some other finance measures). Collectively these have also been called the risk sensitivities,risk measures or hedge parameters.
The Greeks are vital tools in risk management. Each Greek measures the sensitivity of the value of a portfolio to a small change in a given underlying parameter, so that component risks may be treated in isolation, and the portfolio rebalanced accordingly to achieve a desired exposure; see for example delta hedging.
The Greeks in the Black–Scholes model are relatively easy to calculate, a desirable property of financial models, and are very useful for derivatives traders, especially those who seek to hedge their portfolios from adverse changes in market conditions. For this reason, those Greeks which are particularly useful for hedging—such as delta, theta, and vega—are well-defined for measuring changes in Price, Time and Volatility. Although rho is a primary input into the Black–Scholes model, the overall impact on the value of an option corresponding to changes in the risk-free interest rate is generally insignificant and therefore higher-order derivatives involving the risk-free interest rate are not common.
Lotna is a Polish war film released in 1959 and directed by Andrzej Wajda.
This highly symbolic movie is both the director's tribute to the long and glorious history of the Polish cavalry, as well as a more ambiguous portrait of the passing of an era. Wajda was the son of a Polish Cavalry officer who was murdered by the Soviets during the Katyn massacre.
The horse Lotna represents the entire Romantic tradition in culture, a tradition that had a huge influence in the course of Polish history and the formation of Polish literature. Lotna is Wajda's meditation on the historical breaking point that was 1939, as well as a reflection on the ending of an entire era for literature and culture in Poland and in Europe as a whole. Writing of the film, Wajda states that it "held great hopes for him, perhaps more than any other." Sadly, Wajda came to think of Lotna "a failure as a film."
The film remains highly controversial, as Wajda includes a mythical scene in which Polish horsemen suicidally charge a unit of German tanks, an event that never actually happened.
Speed (Korean: 스피드; commonly stylized as SPEED) is a South Korean boy group formed by MBK Entertainment (formerly known as Core Contents Media) in 2012. The group was also formerly known as the "Male Unit" of Coed School until their agency announced that they were an independent group in 2013.
Speed was originally a six-member group composed of Kwanghaeng, Noori, Jungwoo, Taewoon, Sungmin, and Jongkook. In January 2012, they released their first song "Lovey-Dovey Plus." A few days after their first song release, Sejun joined the group. Following Kwanghaeng and Noori's withdrawal from the group in September 2012, Yuhwan and Taeha were added in October 2012. Speed officially debuted as a seven-member group with the release of their first single "It's Over" in January 2013. In March 2015, leader Taewoon left Speed to pursue a solo career. Yuhwan replaced Taewoon as Speed's leader and a new member, KI-O, was added in May 2015.