The defense readiness condition (DEFCON) is an alert state used by the United States Armed Forces.
The DEFCON system was developed by the Joint Chiefs of Staff (JCS) and unified and specified combatant commands. It prescribes five graduated levels of readiness (or states of alert) for the U.S. military. It increases in severity from DEFCON 5 (least severe) to DEFCON 1 (most severe) to match varying military situations.
DEFCONs are a subsystem of a series of Alert Conditions, or LERTCONs, which also include Emergency Conditions (EMERGCONs).
http://www.theguardian.com/uk-news/2013/nov/02/nato-war-game-nuclear-disaster
The DEFCON level is controlled primarily by the U.S. President and the U.S. Secretary of Defense through the Chairman of the Joint Chiefs of Staff and the Combatant Commanders, and each DEFCON level defines specific security, activation and response scenarios for the troops in question.
Different branches of the U.S. Armed Forces (i.e. U.S. Army, U.S. Navy, Air Force) and different bases or command groups can be activated at different defense conditions. In general, there is no single DEFCON status for the world or country and it may be set to only include specific geographical areas. According to Air & Space/Smithsonian, as of 2014, the worldwide DEFCON level has never risen higher than DEFCON 3. The DEFCON 2 levels in the Cuban Missile Crisis and 1991 Gulf War were not worldwide.
Defcon, also known as Örli Wörks (Early Works), is the first release by the German industrial music project wumpscut:.
Defcon appeared in two different editions, with two completely different tracklists. Most of the songs that originally appeared on this release were released later on the :wumpscut: compilations, The Mesner Tracks, Preferential Legacy, Blutkind, and Preferential Tribe. Both editions of this tape are extremely limited to 50 copies.
Defcon (Örli Wörks)
Side One
Side Two
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Man or Astro-man? is a surf rock group that formed in Auburn, Alabama, in the early 1990s and came to prominence over the following decade.
Primarily instrumental, Man or Astro-man? blended the surf rock style of the early 1960s like that of Dick Dale and The Spotnicks with the new wave and punk rock sounds of the late 1970s and early 1980s. Man or Astro-man? was known for their anachronistic dedication to science fiction themes, audio samples, obscure electronic devices (such as theremins and tesla coils), and high-energy live performances. Their earlier albums like Is It ... Man or Astroman? and Destroy All Astromen! were known for their traditional surf rock instrumentation and sci-fi sound bite song introductions, but their later albums like EEVIAC... and A Spectrum of Infinite Scale were known for their use of synthesizers, printers (like the Apple ImageWriter II), and their more abstract, experimental sound. Their recordings were often peppered with sound bites from obscure science fiction films and TV shows.
In mathematical finance, the Greeks are the quantities representing the sensitivity of the price of derivatives such as options to a change in underlying parameters on which the value of an instrument or portfolio of financial instruments is dependent. The name is used because the most common of these sensitivities are denoted by Greek letters (as are some other finance measures). Collectively these have also been called the risk sensitivities,risk measures or hedge parameters.
The Greeks are vital tools in risk management. Each Greek measures the sensitivity of the value of a portfolio to a small change in a given underlying parameter, so that component risks may be treated in isolation, and the portfolio rebalanced accordingly to achieve a desired exposure; see for example delta hedging.
The Greeks in the Black–Scholes model are relatively easy to calculate, a desirable property of financial models, and are very useful for derivatives traders, especially those who seek to hedge their portfolios from adverse changes in market conditions. For this reason, those Greeks which are particularly useful for hedging—such as delta, theta, and vega—are well-defined for measuring changes in Price, Time and Volatility. Although rho is a primary input into the Black–Scholes model, the overall impact on the value of an option corresponding to changes in the risk-free interest rate is generally insignificant and therefore higher-order derivatives involving the risk-free interest rate are not common.
Lotna is a Polish war film released in 1959 and directed by Andrzej Wajda.
This highly symbolic movie is both the director's tribute to the long and glorious history of the Polish cavalry, as well as a more ambiguous portrait of the passing of an era. Wajda was the son of a Polish Cavalry officer who was murdered by the Soviets during the Katyn massacre.
The horse Lotna represents the entire Romantic tradition in culture, a tradition that had a huge influence in the course of Polish history and the formation of Polish literature. Lotna is Wajda's meditation on the historical breaking point that was 1939, as well as a reflection on the ending of an entire era for literature and culture in Poland and in Europe as a whole. Writing of the film, Wajda states that it "held great hopes for him, perhaps more than any other." Sadly, Wajda came to think of Lotna "a failure as a film."
The film remains highly controversial, as Wajda includes a mythical scene in which Polish horsemen suicidally charge a unit of German tanks, an event that never actually happened.
Speed is a 1936 Metro-Goldwyn-Mayer action film starring James Stewart in his first starring role, and Wendy Barrie. Although only a low-budget "B" movie, the film was notable for its realistic cinematography by Lester White, incorporating scenes from the Indianapolis 500 race and on-location shooting at the Muroc dry lake bed, used for high-speed racing by "hot rodders" in the 1930s. Advance publicity trumpeted that Stewart drove the specially-prepared "Falcon" to 140 mph (230 km/h).
Auto mechanic Terry Martin (James Stewart), the chief car tester for Emery Motors in Detroit, is working on his own time to perfect a revolutionary design for a new carburetor. Automotive engineer Frank Lawson (Weldon Heyburn) is a rival for the attention of Jane Mitchell (Wendy Barrie), who has just been hired to work in the publicity department. Terry has little formal education and resents inferences that his knowledge of cars is inferior to that of the trained Lawson. He nearly loses his job when he makes a jealous spectacle of himself at a company dinner dance that Jane attends with Frank.