"Hush" is a song written by American composer and musician Joe South, for recording artist Billy Joe Royal, whose single peaked at number 52 on the Billboard Hot 100 on 28 October – 11 November 1967. The chorus begins "Hush, hush, I thought I heard her calling my name", which is a takeoff from the traditional gospel song lyrics "Hush, hush, somebody's calling my name". Kris Ife covered "Hush" in 1967. Australian performer Russell Morris recorded a version in 1967 with Somebody's Image, and a heavier version with his band The Rubes in 1980. The hook of the song "na-nana-na-nana-na-nana-na" has similarity with the bridge section of The Beatles song "A Day in the Life". The Deep Purple version has a slower section also matching the timing with The Beatles song.
The song was subsequently recorded by British hard rock band Deep Purple for their 1968 debut album Shades of Deep Purple. The track became the group's first hit single peaking at number 4 on the Hot 100 on 21–28 September 1968 and number 2 in Canada while going largely unnoticed in the United Kingdom. A live, US-televised version of "Hush" appeared as a bonus track on the 2000 CD-reissue of the Shades of Deep Purple album.
Une Année is the first full-length studio album by South Korean girl group Apink. It was released on May 9, 2012, and marked the final release for member Yookyung. The title track, "Hush", was used to promote the album.
Two of the songs from the album, "I Got You" and "Sky High", were a collaboration with Joker. The group also worked with Shinsadong Tiger, Super Changddai, and Kim Geonwoo.
The first single from the album, "April 19th", was released digitally on April 19, 2012.
The album's title track, "Hush", was released on May 9, 2012. The song's music video was released on May 8, and a dance practice music video was released on May 14. A Japanese version of "Hush" was later included as a B-side on Apink's Japanese single, "Mr. Chu". The promotions for "Hush" started in May 10, 2012, on Mnet's M! Countdown.
The third single, "Bubibu", was released digitally on July 6, 2012. The single was chosen through an online poll that the group ran through Mnet's website where they asked fans to choose the track for their follow-up promotions. The single version is a remix of the album version. The fourth single, "Cat", was released three days after the third single "Bubibu".
"Hush" is a song written by American singer Emily Osment and Canadian singer Josh Ramsay. They decided to collaborate when Osment went on a trip to Canada to film a movie, and met Ramsay. They immediately hit it off, and decided to write a song together. It officially premiered on Much Music on April 26, 2011. The song was sent to Canadian radio on May 10, 2011, and released to Canada's iTunes Store on the same day. Osment confirmed on her official Twitter that there will be a music video for the song to be released in September.
Specter is the first tokusatsu short film created by Konami. The film itself made its appearance in conventions and shows to promote the film of 2005. The movie itself never made international release, but found its way through the internet. During display shows the "Specter" motorbike as well as the "Specter" Turbo Suit was featured. The effects of the film were done by Buildup Co., the same effects company that did the 1998 mecha tokusatsu, Dark Soldier D.
Agent Tetsuya Teresaki is the local Earth Defender enforcer in Japan. After fulfilling his mission he was immediately assigned to deal with the threat of alien invaders trying to steal an alien artifact from a local archaeological research site.
Japan D.O.E. Agent, Tetsuya Terasaki, having just completed a difficult hunt for a fugitive alien, is ordered to investigate a local alien disturbance. Expecting resistance, he has his SPECTER armor sent to him. Arriving at the site, he finds aliens torturing two scientists, trying to extract information from them. He fights off the aliens and powers down to make a report to Command.
The Pokémon (ポケモン, Pokemon) franchise has 721 (as of the release of Pokémon Omega Ruby and Alpha Sapphire) distinctive fictional species classified as the titular Pokémon. This is a selected listing of 50 of the Pokémon species, originally found in the Red and Green versions, arranged as they are in the main game series' National Pokédex.
Meowth (ニャース, Nyāsu, Nyarth), known as the Scratch Cat Pokémon, has a distinctly feline appearance, resembling a small housecat. It has cream-colored fur, which turns brown at its paws and tail tip. Its oval-shaped head features prominent whiskers, black-and-brown ears, and a koban, a gold oval coin (also known as "charm") embedded in its forehead. Meowth are valued for their ability to collect coins using their signature move, "Pay Day", as it is the only Pokémon that learns it. Meowth's coloration, its love of coins, and its charm indicate that Meowth is based on the Japanese Maneki Neko, a cat-shaped figurine that is said to bring good luck and money to its owner. Aspects of Meowth were drawn from a Japanese myth dealing with the true value of money, in which a cat has money on its head but does not realize it.
The Spectre is one aspect of the fourfold nature of the human psyche along with Humanity, Emanation and Shadow that William Blake used to explore his spiritual mythology throughout his poetry and art. As one of Blake's elements of the psyche, Spectre takes on symbolic meaning when referred to throughout his poems. According to professor Joseph Hogan, "Spectre functions to define individuals from others [...] When it is separated [from Emanation], it is reason, trying to define everything in terms of unchanging essences." Thus, according to Samuel Foster Damon, Spectre epitomizes "Reason separated from humanity" and "Self-centered selfhood" or, as Alexander S. Gourlay puts it, Spectre is "characterized by self-defensive rationalization".
Spectre appears in several of Blake's works, including Jerusalem, Milton: a poem and The Four Zoas. Because of its widespread presence in Blake's more mythological works, scholars have reflected on Spectre through multiple critical approaches including Jungian archetypal analysis, as a means of mapping Blake's mythology within intellectual history and within his own biographical experience.