A ballroom is a large room inside a building, the designated purpose of which is holding large formal parties called balls. Traditionally, most balls were held in private residences; many mansions contain one or more ballrooms. In other large houses, a large room such as the main drawing room, long gallery, or hall may double as a ballroom, but a good ballroom should have the right type of flooring, such as hardwood flooring or stone flooring (usually marble).
Ballrooms are generally quite large, and may have ceilings higher than other rooms in the same building. The large amount of space for dancing, as well as the highly formal tone of events have given rise to ballroom dancing. The largest balls are now nearly always held in public buildings, and many hotels have a ballroom. They are also designed large to help the sound of orchestras carry well throughout the whole room.
A special case is the annual Vienna Opera Ball, where, just for one night, the auditorium of the Vienna State Opera is turned into a large ballroom. On the eve of the event, the rows of seats are removed from the stalls, and a new floor, level with the stage, is built.
Ballroom dance is a set of partner dances, which are enjoyed both socially and competitively around the world. Because of its performance and entertainment aspects, ballroom dance is also widely enjoyed on stage, film, and television.
Ballroom dance may refer, at its widest definition, to almost any type of partner dancing as recreation. However, with the emergence of dancesport in modern times, the term has become narrower in scope, and traditionally refers to the five International Standard and five International Latin style dances (see dance categories below). The two styles, while differing in technique, rhythm and costumes, exemplify core elements of ballroom dancing such as control and cohesiveness. Developed in England, the two styles are now regulated by the World Dance Council (WDC) and the world dancesport federation. (Wdsf). In the United States, two additional variations are popular: American Smooth and American Rhythm, which combine elements of both traditional Latin and Ballroom dances.
Spectre or specter usually refers to a ghost or other apparition. It may also refer to an optical illusion called a Brocken spectre.
It may also refer to:
Specter is the first tokusatsu short film created by Konami. The film itself made its appearance in conventions and shows to promote the film of 2005. The movie itself never made international release, but found its way through the internet. During display shows the "Specter" motorbike as well as the "Specter" Turbo Suit was featured. The effects of the film were done by Buildup Co., the same effects company that did the 1998 mecha tokusatsu, Dark Soldier D.
Agent Tetsuya Teresaki is the local Earth Defender enforcer in Japan. After fulfilling his mission he was immediately assigned to deal with the threat of alien invaders trying to steal an alien artifact from a local archaeological research site.
Japan D.O.E. Agent, Tetsuya Terasaki, having just completed a difficult hunt for a fugitive alien, is ordered to investigate a local alien disturbance. Expecting resistance, he has his SPECTER armor sent to him. Arriving at the site, he finds aliens torturing two scientists, trying to extract information from them. He fights off the aliens and powers down to make a report to Command.
Spectre is a 1977 made-for-television movie produced by Gene Roddenberry. It was co-written by Roddenberry and Samuel A. Peeples, and directed by Clive Donner.
William Sebastian (Robert Culp) is a former criminologist who now studies the occult to explain the problem of human evil. He has been cursed on one of his adventures by the demon Asmodeus, leaving him in constant need of medical attention. He summons an old colleague, Dr. "Ham" Hamilton (Gig Young) to his home to help him with a case involving the Cyon family. Dr. Hamilton does not believe in the occult and thinks that Sebastian and his housekeeper Lilith (Majel Barrett) are playing tricks on him when he witnesses unusual events.
As the pair are getting reacquainted, a woman claiming to be Anitra Cyon (Ann Bell) unexpectedly visits and tells Sebastian that his services are no longer required. Sebastian recognizes that this person is not Anitra Cyon, but rather a succubus sent to stop Sebastian from investigating the family. He defeats her using the Apocryphal Book of Tobit. He and Ham depart to the airport where they are flown by Mitri Cyon (John Hurt) to London. While over the Atlantic the engines of the plane fail, something that Sebastian claims is the result of supernatural intervention.