Sequoyah (1767–1843), inventor of the Cherokee syllabary.
Sequoia, Sequoya or Sequoyah may also refer to:
Sequoia is an orchestral composition by the American composer Joan Tower. The work was commissioned by the American Composers Orchestra with support from the Jerome Foundation. It was first performed on May 18, 1981 in Alice Tully Hall by the American Composers Orchestra under the conductor Dennis Russell Davies. The piece is dedicated to the concertmistress and first horn player of the orchestra, Jean and Paul Ingraham, respectively.Sequoia was Tower's first major orchestral composition and one of the composer's most performed works.
Sequoia has a duration of roughly 16 minutes and is composed in three continuous movements. The music is abstractly inspired by the genus of redwood coniferous trees called sequoias of the Northern California coastal forests. Tower described her influences in the score program notes, writing:
In Sequoia, that concept is not only very much present in the score but it actually led to the title (which is meant in an abstract rather than a pictorial sense). What fascinated me about sequoias, those giant California redwood trees, was the balancing act nature had achieved in giving them such great height.
Sequoia, (AKA Quoi and Q) is a Marvel Comics character. He is the son of Mantis and the elder member of the Cotati contingent which was transplanted from the Kree home planet Hala to Viet Nam on Earth.
A prophecy read that one day the perfect human female, who would be the Celestial Madonna, would have a union with the perfect male plant of the Cotati race, and from their union would spring the perfect child, who would be the Celestial Messiah; a being that destined to change the universe. A newborn star appeared in the sky above Avengers' Headquarters during the period when Mantis was an active member of the group, proclaimed that the Celestial Madonna's time was at hand. Kang the Conqueror had set up an automatic monitoring device to alert him to this appearance, in hopes of capturing the Madonna and using the child to advance his quest for power, but did not know which of three human females was The Madonna: Mantis, the Scarlet Witch, or Agatha Harkness. Once it was revealed that it was Mantis, she mated with the elder member of the Cotati contingent that had been left on Earth along with a group of the Kree-born Priests of Pama (to protect it from the Star Stalker). Though this Cotati was a tree, this mating was made possible because he took the form of the Avenger known as the Swordsman, who had recently been killed saving her life in battle with Kang. Their baby was named Sequoia, after the noblest of Earth trees.
Night is the period in which the sun is below the horizon.
Night or Nights may also refer to:
Nyx (English /ˈnɪks/;Ancient Greek: Νύξ, "Night";Latin: Nox) is the Greek goddess (or personification) of the night. A shadowy figure, Nyx stood at or near the beginning of creation, and mothered other personified deities such as Hypnos (Sleep) and Thanatos (Death), with Erebus (Darkness). Her appearances are sparse in surviving mythology, but reveal her as a figure of such exceptional power and beauty, that she is feared by Zeus himself.
In Hesiod's Theogony, Nyx is born of Chaos. With Erebus (Darkness), Nyx gives birth to Aether (Brightness) and Hemera (Day). Later, on her own, Nyx gives birth to Moros (Doom, Destiny), Ker (Destruction, Death), Thanatos (Death), Hypnos (Sleep), the Oneiroi (Dreams), Momus (Blame), Oizys (Pain, Distress), the Hesperides, the Moirai (Fates), the Keres, Nemesis (Indignation, Retribution), Apate (Deceit), Philotes (Friendship), Geras (Old Age), and Eris (Strife).
In his description of Tartarus, Hesiod locates there the home of Nyx, and the homes of her children Hypnos and Thanatos. Hesiod says further that Nyx's daughter Hemera (Day) left Tartarus just as Nyx (Night) entered it; continuing cyclicly, when Hemera returned, Nyx left. This mirrors the portrayal of Ratri (night) in the Rigveda, where she works in close cooperation but also tension with her sister Ushas (dawn).
Night (1960) is a work by Elie Wiesel about his experience with his father in the Nazi German concentration camps at Auschwitz and Buchenwald in 1944–45, at the height of the Holocaust toward the end of the Second World War. In just over 100 pages of sparse and fragmented narrative, Wiesel writes about the death of God and his own increasing disgust with humanity, reflected in the inversion of the parent–child relationship as his father declines to a helpless state and Wiesel becomes his resentful teenage caregiver. "If only I could get rid of this dead weight ... Immediately I felt ashamed of myself, ashamed forever." In Night everything is inverted, every value destroyed. "Here there are no fathers, no brothers, no friends," a Kapo tells him. "Everyone lives and dies for himself alone."
Wiesel was 16 when Buchenwald was liberated by the United States Army in April 1945, too late for his father, who died after a beating while Wiesel lay silently on the bunk above for fear of being beaten too. He moved to Paris after the war, and in 1954 completed an 862-page manuscript in Yiddish about his experiences, published in Argentina as the 245-page Un di velt hot geshvign ("And the World Remained Silent"). The novelist François Mauriac helped him find a French publisher. Les Éditions de Minuit published 178 pages as La Nuit in 1958, and in 1960 Hill & Wang in New York published a 116-page translation as Night.