Lizard

Lizards are a widespread group of squamate reptiles, with approximately over 6,000 species, ranging across all continents except Antarctica, as well as most oceanic island chains. The group, traditionally recognized as the suborder Lacertilia, is defined as all extant members of the Lepidosauria (reptiles with overlapping scales) that are neither sphenodonts (i.e., tuatara) nor snakes – they form an evolutionary grade. While the snakes are recognized as falling phylogenetically within the Toxicofera clade from which they evolved, the sphenodonts are the sister group to the squamates, the larger monophyletic group, which includes both the lizards and the snakes.

Biology

Lizards typically have feet and external ears, while snakes lack both of these characteristics. However, because they are defined negatively as excluding snakes, lizards have no unique distinguishing characteristic as a group. Lizards and snakes share a movable quadrate bone, distinguishing them from the sphenodonts, which have more primitive and solid diapsid skulls. Many lizards can detach their tails to escape from predators, an act called autotomy. Vision, including color vision, is particularly well developed in most lizards, and most communicate with body language or bright colors on their bodies, as well as with pheromones. Lizards are the most speciose among extant reptiles, comprising about 60% of all living species.

Lizard (album)

Lizard is the third studio album by the British band King Crimson. It was the second recorded by a transitional line-up of the group that never had the opportunity to perform live, following In the Wake of Poseidon. This is the only album by the band to feature bassist and vocalist Gordon Haskell, apart from his appearance on the song "Cadence and Cascade" from the previous album, and drummer Andy McCulloch as official members of the band.

Background and music

Haskell was previously a classmate of Fripp's at Queen Elizabeth's grammar school in Wimborne near Bournemouth, the pair having subsequently played together in the local band, The League of Gentlemen. Haskell later contributed vocals to the King Crimson track "Cadence and Cascade" on In the Wake of Poseidon, after Greg Lake left the band to join Emerson, Lake & Palmer. In a desperate turn to maintain a personnel in the band, Fripp asked Haskell to become an official member of King Crimson for the recording of Lizard. Another supporting musician on In the Wake of Poseidon, saxophonist/flautist Mel Collins was also asked to become a full-time member of this line-up, as was drummer Andy McCulloch, who replaced Michael Giles. The group was then augmented with session musicians, including another In the Wake of Poseidon alumnus – the noted jazz pianist Keith Tippett – together with Yes vocalist Jon Anderson, and brass/woodwind players Robin Miller, Mark Charig, and Nick Evans.

Lizard (comics)

The Lizard (a.k.a. Curt Connors) is a fictional supervillain appearing in American comic books published by Marvel Comics. He is an enemy of Spider-Man. In 2009, the Lizard was named IGN's 62nd Greatest Comic Villain of All Time.

In the stories, Dr. Connors was a genetic biologist who researched the ability of certain reptiles to regrow missing limbs, partially to find a way to regenerate his right arm. After a test on himself, he transforms into a violent lizard monster. Though able to revert to his human form, he suffers occasional fits of his alter ego breaking free.

Curt Connors was played by Dylan Baker in Spider-Man 2 and Spider-Man 3. Rhys Ifans played Dr. Curtis Connors and his Lizard alter ego as the main antagonist in the 2012 film The Amazing Spider-Man.

Publication history

The Lizard first appeared in The Amazing Spider-Man #6 (November 1963), and was created by Stan Lee and Steve Ditko.

Fictional character biography

Origin

Curtis "Curt" Connors was born in Coral Gables, Florida. He was a gifted surgeon who enlisted in the U.S. Army. He performed emergency battlefield surgery on wounded GIs. However his right arm was terribly injured in a wartime blast, resulting in its amputation.

Spam

Spam or SPAM commonly refers to:

Spam or SPAM may also refer to:

Art and entertainment

Other uses

UHF – Original Motion Picture Soundtrack and Other Stuff

UHF – Original Motion Picture Soundtrack and Other Stuff is the sixth studio album by "Weird Al" Yankovic, released on July 18, 1989. The album is the final of Yankovic's to be produced by former The McCoys guitarist Rick Derringer. Recorded between December 1988 and May 1989, the album served as the official soundtrack to 1989 film of the same name, although the original score by John Du Prez is omitted. The album's lead single was the titular "UHF", although it was not a hit and did not chart.

The music on UHF is built around pastiches of rock, rap, and pop music of the late-1980s, featuring parodies of songs by Dire Straits, Tone Lōc, Fine Young Cannibals, and R.E.M.. The album also features many "style parodies," or musical imitations of existing artists. These style parodies include imitations of specific artists like Harry Chapin, as well as various musical genres like blues. The album also features many music cuts from the film as well as some of the commercials, like "Spatula City", and other parody bits, like "Gandhi II".

Spamming

Electronic spamming is the use of electronic messaging systems to send unsolicited messages (spam), especially advertising, as well as sending messages repeatedly on the same site. While the most widely recognized form of spam is email spam, the term is applied to similar abuses in other media: instant messaging spam, Usenet newsgroup spam, Web search engine spam, spam in blogs, wiki spam, online classified ads spam, mobile phone messaging spam, Internet forum spam, junk fax transmissions, social spam, television advertising and file sharing spam. It is named after Spam, a luncheon meat, by way of a Monty Python sketch in which Spam is included in every dish. The food is stereotypically disliked/unwanted, so the word came to be transferred by analogy.

Spamming remains economically viable because advertisers have no operating costs beyond the management of their mailing lists, and it is difficult to hold senders accountable for their mass mailings. Because the barrier to entry is so low, spammers are numerous, and the volume of unsolicited mail has become very high. In the year 2011, the estimated figure for spam messages is around seven trillion. The costs, such as lost productivity and fraud, are borne by the public and by Internet service providers, which have been forced to add extra capacity to cope with the deluge. Spamming has been the subject of legislation in many jurisdictions.