Spamming

Electronic spamming is the use of electronic messaging systems to send unsolicited messages (spam), especially advertising, as well as sending messages repeatedly on the same site. While the most widely recognized form of spam is email spam, the term is applied to similar abuses in other media: instant messaging spam, Usenet newsgroup spam, Web search engine spam, spam in blogs, wiki spam, online classified ads spam, mobile phone messaging spam, Internet forum spam, junk fax transmissions, social spam, television advertising and file sharing spam. It is named after Spam, a luncheon meat, by way of a Monty Python sketch in which Spam is included in every dish. The food is stereotypically disliked/unwanted, so the word came to be transferred by analogy.

Spamming remains economically viable because advertisers have no operating costs beyond the management of their mailing lists, and it is difficult to hold senders accountable for their mass mailings. Because the barrier to entry is so low, spammers are numerous, and the volume of unsolicited mail has become very high. In the year 2011, the estimated figure for spam messages is around seven trillion. The costs, such as lost productivity and fraud, are borne by the public and by Internet service providers, which have been forced to add extra capacity to cope with the deluge. Spamming has been the subject of legislation in many jurisdictions.

Electronic

Electronic may refer to:

Entertainment

See also

Electronic music

Electronic music is music that employs electronic musical instruments and electronic music technology in its production, an electronic musician being a musician who composes and/or performs such music. In general a distinction can be made between sound produced using electromechanical means and that produced using electronic technology. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, and the electric guitar. Purely electronic sound production can be achieved using devices such as the theremin, sound synthesizer, and computer.

The first electronic devices for performing music were developed at the end of the 19th century, and shortly afterward Italian Futurists explored sounds that had previously not been considered musical. During the 1920s and 1930s, electronic instruments were introduced and the first compositions for electronic instruments were composed. By the 1940s, magnetic audio tape allowed musicians to tape sounds and then modify them by changing the tape speed or direction, leading to the development of electroacoustic tape music in the 1940s, in Egypt and France. Musique concrète, created in Paris in 1948, was based on editing together recorded fragments of natural and industrial sounds. Music produced solely from electronic generators was first produced in Germany in 1953. Electronic music was also created in Japan and the United States beginning in the 1950s. An important new development was the advent of computers for the purpose of composing music. Algorithmic composition was first demonstrated in Australia in 1951.

Electronic (album)

Electronic is the self-titled debut album by British supergroup Electronic, formed by Bernard Sumner and Johnny Marr. It was first released in May 1991 (see 1991 in music) on the Factory label, and reissued in remastered form in 1994 by Parlophone after Factory collapsed.

The album was a commercial success, reaching number 2 in the United Kingdom and selling over a million copies worldwide. By the year 2000 Electronic had sold 240,000 copies in the USA.

Recording

The bulk of Electronic was written in 1990, with sessions beginning that January at Johnny Marr's home studio in Manchester. "Gangster" dated from an aborted solo album Bernard Sumner began work on in the mid-eighties, while "Reality" was written around 1988 when he and Marr first began working together. "The Patience of a Saint" also predated the album, having been written with Pet Shop Boys soon after their collaboration with their singer Neil Tennant on "Getting Away with It" in 1989.

Several other songs were also completed by August 1990 (namely "Idiot Country", "Tighten Up", "Soviet", "Get the Message" and "Try All You Want") as they were performed live at Dodger Stadium in Los Angeles when Electronic supported Depeche Mode (although "Try All You Want" was played as an instrumental and several songs had working titles).

Spam

Spam or SPAM commonly refers to:

Spam or SPAM may also refer to:

Art and entertainment

Other uses

UHF – Original Motion Picture Soundtrack and Other Stuff

UHF – Original Motion Picture Soundtrack and Other Stuff is the sixth studio album by "Weird Al" Yankovic, released on July 18, 1989. The album is the final of Yankovic's to be produced by former The McCoys guitarist Rick Derringer. Recorded between December 1988 and May 1989, the album served as the official soundtrack to 1989 film of the same name, although the original score by John Du Prez is omitted. The album's lead single was the titular "UHF", although it was not a hit and did not chart.

The music on UHF is built around pastiches of rock, rap, and pop music of the late-1980s, featuring parodies of songs by Dire Straits, Tone Lōc, Fine Young Cannibals, and R.E.M.. The album also features many "style parodies," or musical imitations of existing artists. These style parodies include imitations of specific artists like Harry Chapin, as well as various musical genres like blues. The album also features many music cuts from the film as well as some of the commercials, like "Spatula City", and other parody bits, like "Gandhi II".

Spam (Monty Python)

"Spam" is a Monty Python sketch, first televised in 1970. In the sketch, two customers are lowered into a greasy spoon café by wires and try to order a breakfast from a menu that includes Spam in almost every dish. The sketch was written by Terry Jones and Michael Palin.

It features Terry Jones as The Waitress, Eric Idle as Mr. Bun and Graham Chapman as Mrs. Bun. The televised sketch also featured John Cleese as The Hungarian and Michael Palin as a historian, but this part was left out of audio recordings of the sketch.

The term spam in the context of electronic communications is derived from this sketch.

Plot

The three and a half minute sketch is set in the fictional Green Midget Café in Bromley. An argument develops between the waitress, who recites a menu in which nearly every item contains Spam (among them, "Lobster Thermidor aux crevettes with a Mornay sauce, garnished with truffle pâté, brandy and a fried egg on top and Spam"), and Mrs Bun, who does not like Spam. She asks for an item with the Spam removed, much to the amazement of her Spam-loving husband. The waitress responds to this request with disgust.