Spaceland

Spaceland was an alternative rock/indie rock nightclub in the Silver Lake neighborhood of Los Angeles, California, that existed between 1995 and 2011. The club was formerly a gay disco called Dreams of LA. Spaceland's owner announced the end of the venue in late 2010, with the space continuing to operate under the new name The Satellite.

History

The first show ever held at Spaceland featured Beck, The Foo Fighters, Possum Dixon and Lutefisk. The list of acts who have played Spaceland is quite long, ranging from veteran performers from the 1960s and 1970s like Arthur Lee and The Dictators to current major acts such as Supergrass, Jet, The Shore and The White Stripes. It was very important in establishing the career of Beck and the Silver Lake scene which followed in his wake.

Spaceland is considered "home" for many bands in the so-called Silver Lake "scene" over the years, including Silversun Pickups, 400 Blows, Pine Marten, Radar Bros., The 88, Biblical Proof of UFOs, Patrick Park, etc. The club features as the setting for the fictional band Munchausen By Proxy (lead singer Zooey Deschanel) in the 2008 Jim Carrey movie Yes Man. One of the final bands to play there is the New York Dolls, where they performed a rousing rendition of Bo Diddley's Pills.

Spaceland (novel)

Spaceland is a science fiction novel written by the Silicon Valley mathematician and computer scientist Rudy Rucker, and published in 2002 by Tor Books.

In a tribute to Edwin Abbott's Flatland, a classic mathematical fantasy about a 2-dimensional being (A. Square) who receives a surprise visit from a higher-dimensional sphere, Rudy Rucker's Spaceland describes the life of Joe Cube, an average, modern-day Silicon Valley hotshot who one day discovers the fourth dimension from an unexpected visitation. Spaceland contains scenes that are violent and sexual in nature as well as suggestive illustrations.

Plot summary

Joe Cube is a high tech executive waiting for his company's IPO. On the New Year's Eve before the new millennium, trying to impress his wife Jena, he brings home a prototype of his company's new product (a TV screen that turns standard television broadcasting into a 3D image). It brings no warmth to their cooling marriage, but it does attract the attention of somebody else. Joe is suddenly contacted by a Momo, a woman from the fourth dimension she calls the All, of which our entire world (which she calls Spaceland) is like nothing but the thin surface of a rug.