Noir (or noire) is the French word for black. It may also refer to:
Noir: A Collection of Crime Comics is a black-and-white crime comics anthology published by Dark Horse Comics. The collection contains original stories as well as short stories of already established crime comics series.
Writer and artist: David Lapham
Letterer: Clem Robins
Writer and artist: Jeff Lemire
Writer and artist: Dean Motter
Writer: Chris Offutt
Penciller: Kano
Inker: Stefano Gaudiano
Letterer: Clem Robins
Writer: Alex De Campi
Artist: Hugo Petrus
Letterer: Ryan Hill
Writer and artist: M. K. Perker
Writer and artist: Paul Grist
Writer and artist: Rick Geary
Prose story with illustrastions
Writer: Ken Lizzi
Artist: Joëlle Jones
Writer: Gary D. Phillips
Artist: Eduardo Barreto
Letterer: Tom Orzechowski
Writers and artists: The Fillbach Brothers
Noir is a Danish luxury fashion brand founded by designer Peter Ingwersen.
Noir and the organic cotton brand Illuminati II were founded concurrently in 2005, and together with the diffusion line Bllack Noir, introduced in 2008, the three brands are owned by the holding company Noir Illuminati II Holding.
Noir’s design philosophy has its fulcrum in contrasts where shiny fabrics are set against matt textiles and stringent lines are combined with voluminous shapes. Inspiration is drawn from the dark side, literature such as Edgar Allan Poe and the Victorian era, mixed with sadomasochistic elements.
Peter Ingwersen’s founding vision behind Noir was to set up a luxury fashion apparel brand that in all links of the supply chain was based upon Corporate Social Responsibility principles. Inspired by the Zeitgeist – or ‘the spirit of the times’ – Ingwersen wanted Noir to be the first luxury clothing brand to incorporate social responsibility into the business model and blend organic and fair trade principles with mink, leather and similarly luxurious materials. The founding idea behind Noir was thus to create socially conscious fashion in an industry that is not otherwise known for its commitment to social responsibility. In other words: "We want to be known as the first brand to turn corporate social responsibility sexy”, says Peter Ingwersen.
Bass (/ˈbeɪs/ BAYSS; Italian: basso, deep, low) describes tones of low frequency or range from 16-256 Hz (C0 to middle C4). In musical compositions, these are the lowest parts of the harmony. In choral music without instrumental accompaniment, the bass is supplied by adult male bass singers. In an orchestra, the bass lines are played by the double bass and cellos, bassoon and/or contrabassoon, low brass such as the tuba and bass trombone and the timpani (kettledrums). In many styles of traditional music such as Bluegrass, folk, and in styles such as Rockabilly and jazz, the bass role is filled by the upright bass. In most rock and pop bands and in jazz fusion groups, the bass role is filled by the electric bass. In some 20th and 21st century pop genres, such as 1980s pop and Electronic Dance Music, the bass role may be filled with a bass synthesizer.
Played in a musical ensemble such an orchestra, such notes are frequently used to provide a counterpoint or counter-melody, in a harmonic context either to outline or juxtapose the progression of the chords, or with percussion to underline the rhythm. In popular music the bass part most often provides harmonic and rhythmic support, usually playing the root or fifth of the chord and stressing the strong beats. "The bass differs from other voices because of the particular role it plays in supporting and defining harmonic motion. It does so at levels ranging from immediate, chord-by-chord events to the larger harmonic organization of a entire work."
Miami bass (booty music or booty bass) is a subgenre of hip hop music that became popular in the 1980s and 1990s. Its roots are directly linked to the electro-funk sound of the early 1980s.
The use of the Roland TR-808 sustained kick drum, raised dance tempos, and frequently sexually explicit lyrical content differentiate it from other hip hop subgenres. Music author Richie Unterberger has characterized Miami bass as using rhythms with a "stop start flavor" and "hissy" cymbals with lyrics that "reflected the language of the streets, particularly Miami's historically black neighborhoods such as Liberty City and Overtown".
Miami bass has never found consistent mainstream acceptance, though it has had a profound impact on the development of Baltimore club, West Coast hip hop, funk carioca, and other genres.
During the 1980s, the focus of Miami bass tended to be on DJs and record producers, rather than individual performers. Record labels such as Pandisc, HOT Records, 4-Sight Records and Skyywalker Records released much material of the genre. Unterberger has referred to James (Maggotron) McCauley (also known as DXJ, Maggozulu 2, Planet Detroit and Bass Master Khan) as the "father of Miami bass", a distinction McCauley himself denies, choosing rather to confer that status on producer Amos Larkins.
The following is a list of characters from the Dead or Alive video game series, created by Tecmo and Team Ninja.
^1 Playable in console version.
^2 Unlockable character.
^3 Playable boss.
^4 Unplayable in arcade version.
^5 Unplayable character.
^6 Unlockable in Dead or Alive 5.
^7 Added in Dead or Alive 5: Ultimate.
^8 DLC in Dead or Alive 5: Ultimate.
^9 Added in Dead or Alive 5: Last Round.
^10 Guest Character
Voiced by (English): Joe J. Thomas (Dimensions), Patrick Seitz (DOA5)
Voiced by (Japanese): Daisuke Gōri (DOA–DOA4), Kenta Miyake (Dimensions–present)
Live-action actor: Kevin Nash
Bass Armstrong (バース・アームストロング, Bāsu Āmusutorongu) is a retired professional wrestler and Tina's overprotective father. He is also the widower of Alicia Armstrong, who died of a disease when Tina was only six years old. He disapproves of Tina's aspirations of wanting to be a model (DOA2), a Hollywood actress (DOA3) and a rock star (DOA4). Consequently, he enters the DOA tournaments to put an end to her fame-seeking, only to fail at each attempt. In the fourth tournament, it is revealed that he intends to win so he would have enough money to enter the "Hyper Battle Grand Prix", which he then loses after seeing Tina's picture on a billboard and crashes into it after losing control of his bike. Like Tina in the English versions of the game, he, too, speaks with a Southern accent.
Space is the boundless three-dimensional extent in which objects and events have relative position and direction. Physical space is often conceived in three linear dimensions, although modern physicists usually consider it, with time, to be part of a boundless four-dimensional continuum known as spacetime. The concept of space is considered to be of fundamental importance to an understanding of the physical universe. However, disagreement continues between philosophers over whether it is itself an entity, a relationship between entities, or part of a conceptual framework.
Read the words from my silent lips
The static screenplays of your agony
All hidden phobias will rise from within us
So kiss the dust from a little mirror
To see my light through the scud of time
A silver ray will lead the path
I'll take away what fate brought
Please let me in your life's tragedy
So I could write an end of our story
Something enters me from the outside
With a ghastly graze it rips the heart
I watch reflection in the mirrors of her eyes
Needle feeds all nightmares
Shots one after one
I see destruction in the center of it all
Among the liars similar tendencies
To rip every bright thought like paper to the shreds
Allow your heart to lose its rhythm
Drown deep within me
Another chapter overfilled with fear of a starving
human wreck begins...
With paralyzing thrill
Among the lines I hid all substance
Find it as your deathbed's waiting
Reach outside through veil of fear
Your heart beats within me!!!
So kiss the dust from a little mirror
To see my light through the scud of time
A silver ray will lead the path
I'll take away what fate brought
Please let me in your life's tragedy
So I could write an end of our story
Enter me now
Blow up the door
Do what you've promised
Reach outside through veil of fear