Paralanguage

Paralanguage is a component of meta-communication that may modify or nuance meaning, or convey emotion, such as prosody, pitch, volume, intonation etc. It is sometimes defined as relating to nonphonemic properties only. Paralanguage may be expressed consciously or unconsciously. The study of paralanguage is known as paralinguistics, and was invented by George L. Trager in the 1950s, while he was working at the Foreign Service Institute of the Department of State. His colleagues at the time included Henry Lee Smith, Charles F. Hockett (working with him on using descriptive linguistics as a model for paralanguage), Edward T. Hall developing proxemics, and Ray Birdwhistell developing kinesics. Trager published his conclusions in 1958, 1960 and 1961. His work has served as a basis for all later research, especially those investigating the relationship between paralanguage and culture (since paralanguage is learned, it differs by language and culture). A good example is the work of John J. Gumperz on language and social identity, which specifically describes paralinguistic differences between participants in intercultural interactions. The film Gumperz made for BBC in 1982, Multiracial Britain: Crosstalk, does a particularly good job of demonstrating cultural differences in paralanguage, and the impact these have on relationships.

Sigh (band)

Sigh (サイ, sai) is a Japanese extreme metal band from Tokyo, formed in 1989. They are credited as being one of the first Japanese black metal bands, when the majority of black metal in early 1990s came from Scandinavia. They gradually shifted from a more traditional black/thrash metal sound, to a more experimental, avant-garde style.

Biography

Sigh was founded in 1989 in Tokyo, Japan. The band was signed by Euronymous' (of Mayhem fame) infamous label Deathlike Silence Records and released their first full-length album Scorn Defeat on DSP in 1993, shortly after Euronymous' death. The label ceased to exist shortly after his death and Sigh changed to Cacophonous Records.

After major disputes with Cacophonous over promotion and album rights, the band eventually found a new home at Century Media Records. Through this label they released their album Imaginary Sonicscape in 2001, which contained a more avant-garde elements than their previous work. In 2005 they released their full-length Gallows Gallery through yet another source, Candlelight/Baphomet Records. The band then signed to The End Records that released Hangman's Hymn and Scenes From Hell and reissued re-mastered versions of Gallows Gallery and Imaginary Sonicscape with revamped artwork and bonus tracks, before re-signing with Candlelight Records. After returning to Candlelight Records, Sigh has released 2012's In Somniphobia, and have announced recordings for their 10th studio album, Graveward, will begin in mid-2014.

Sigh (film)

Sigh is a 2000 Chinese drama film directed by Feng Xiaogang, written by Wang Shuo, starring Zhang Guoli, Liu Bei, Xu Fan and Fu Biao. Like most of Feng's films, the film is set mostly in Beijing.

Plot

Liang Yazhou (Zhang) is a successful, middle-aged TV screenwriter from Beijing. While in Hainan working on a new script, Liu Dawei (Fu) assigns young and beautiful Li Xiaodan (Liu) to him as an assistant. Yazhou and Xiaodan are mutually attracted to each other, but Yazhou is already married to Song Xiaoying (Xu), with whom he has a daughter. To break off the connection, he changes his plans and returns to Beijing. However, as soon as Yazhou and Xiaoying return to Beijing, they begin having an affair.

When Xiaoying finds out about Yazhou's affair, she is furious and initially demands a divorce. Relations between Yazhou and Xiaoying become extremely strained. They separate, and Xiaoying eventually accepts Yazhou's affair for the sake of their young daughter Yueyue. Despite Xiaoying's tolerance, Yazhou remains caught between the two women, on one hand being spoiled by Xiaodan and, on the other, being an attentive father in front of Xiaoying and Yueyue. Even with Xiaodan demanding marriage, Yazhou finds himself unable to divorce his wife, due to the harmful impact their separation has already had on Yueyue.

Introduction

Introduction, The Introduction, Intro, or The Intro may refer to:

Intro (R&B group)

Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".

Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.

Discography

Albums

Singles

References

Introduction (music)

In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music this is often abbreviated as intro. The introduction establishes melodic, harmonic, and/or rhythmic material related to the main body of a piece.

Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material.

A common introduction to a rubato ballad is a dominant seventh chord with fermata, Play  an introduction that works for many songs is the last four or eight measures of the song, Play  while a common introduction to the twelve-bar blues is a single chorus. Play