A soundcheck is the preparation that takes place before a concert, speech, or similar performance, when the performer and the sound crew run through a small portion of the upcoming show on the venue's sound system to make sure that the sound in the venue's "Front Of House" (FOH) and stage monitor sound systems is clear and at the right volume and tonal frequencies. Soundchecks are especially important for popular and other musical genres that use heavily amplified PA systems; having correct sound is crucial to the success of such events. A soundcheck remains a difficult science, because the acoustics of a venue often change somewhat once it is filled with an audience.
Soundchecks are often conducted prior to audience entry to the venue. The sound check usually starts with the rhythm section, and then go on to the melody section and vocalists.
After technical adjustments have been completed by the sound crew, the performers leave the stage and the audience is admitted. In other instances, soundchecks take place in front of the audience, and can be followed immediately by the performance itself.
Soundcheck is a talk radio program about music and the arts hosted by John Schaefer. It is produced by WNYC, New York Public Radio. From 2002 to 2012, the show aired at 2 p.m. EST on 93.9 FM in New York City and on XM Satellite Radio Channel 133. The show underwent a summer hiatus from the airwaves in May 2012, and returned in September of that year.
Soundcheck covers music of all genres and styles and features interviews with performers, composers, authors and critics as well as frequent call-in segments. The show covers the latest music industry news, trends and ideas and is notable for its frequent in-studio performance segments. Guests have included singer-songwriters such as Norah Jones, M. Ward and Suzanne Vega; rock and pop musicians such as Robert Plant, David Byrne, and Moby; classical artists like cellist Yo-Yo Ma and violinist Anne-Sophie Mutter; world music performers like Ladysmith Black Mambazo and Youssou N'Dour; and jazz artists such as Wynton Marsalis and Ornette Coleman. Call-in segments regularly cover such subjects as rock 'n' roll history, personal technology, pop culture, online music distribution, arts philanthropy, new music, classical music, and audience trends. The show has also presented remote broadcasts from music venues around New York City and from Tanglewood in Massachusetts. On April 8, 2007, Soundcheck marked its five-year anniversary.
Soundcheck is the thirty-third album by Finnish experimental rock band Circle.
It was issued as a limited edition vinyl LP by Full Contact in 2009. It was recorded on 31 October 2009 in Lahti, Finland. The core four-piece Circle line-up is joined by sound engineer Tuomas Laurila who supplies effects and the original live sound mix, and guitarist brothers Julius and Pekka Jääskeläinen, creating a dense, guitar-heavy sound.
Soundcheck is one of a series of vinyl-only albums released by Circle which document their often improvised freeform live shows.
Presence may refer to:
Presence is the seventh studio album by the English rock band Led Zeppelin, released by Swan Song Records on 31 March 1976. The album was a commercial success, reaching the top of both the British and American album charts, and achieving a triple-platinum certification in the United States, despite receiving mixed reviews from critics and being the slowest-selling studio album by the band (other than the outtake album Coda).
It was written and recorded during a tumultuous time in the band's history, as singer Robert Plant was recuperating from serious injuries he had sustained the previous year in a car accident. Nevertheless, guitarist Jimmy Page describes Presence as the band's "most important" album, proving they would continue and succeed despite their turmoil.
Jimmy Page made the decision to record the album after Robert Plant sustained serious injuries from a car accident on the Greek island of Rhodes on 5 August 1975, which forced the band to cancel a proposed world tour that was due to commence on 23 August. At this point, Led Zeppelin were arguably at the height of their popularity. When he was taken to a Greek hospital after the accident, Plant recalled:
In filmmaking and television production presence (or room tone) is the "silence" recorded at a location or space when no dialogue is spoken. This term is often confused with ambience.
Every location has a distinct presence created by the position of the microphone in relation to the space boundaries. A microphone placed in two different locations of the same room will produce two different presences. This is because of the unique spatial relationship between the microphone and boundaries such as walls, ceiling, floor and other objects in the room.
Presence is recorded during the production stage of filmmaking. It is used to help create the film sound track, where presence may be intercut with dialogue to smooth out any sound edit points. The sound track "going dead" would be perceived by the audience not as silence, but as a failure of the sound system.
For this reason presence is normally recorded—like dialogue—in mono, with the microphone in the same position and orientation as the original dialogue recording. In the sound edit, presence occupies the same track as the dialogue to which it applies.
'Twas the height of the night
and I was deep in my sleep
in the middle of REM like Michael Stipe
my sheets were soaking wet
covered in sweat
abruptly awakened
my hands were shaking when I realized there was nothing left
they robbed me blind
but left a note with a location and time
the last line said "bring your dopest rhyme"
my eyes slowly shifted with delight to my golden mic
designed specifically for a night like tonight
ya damn right
1,2,1,2, it's a mic check, 1,2,1,2, microphone check
Jumped in my ride with my golden mic at my side
thinkin' me and my mic were like bonnie and clyde
out on a mission
turned on the ignition
repositioned my side view mirrors
flipped on my wipers
checked my rear and began to drive
then to my surprise right before my eyes
the mic handed me a blunt and said "try this on for size"
I smiled wide with pride
'cause I knew we'd be alright
I put my game face on and screamed out loud "let's ride!"
I live to rip apart a bitch MC
I reign supreme like the knowledge in BDP
in a battle of minds free
busted right through the diaphragm
impregnating the mic with a desire to understand