The term anthem means either a specific form of Anglican church music (in music theory and religious contexts), or more generally, a song (or composition) of celebration, usually acting as a symbol for a distinct group of people, as in the term "national anthem" or "sports anthem".
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Etymology [link]
The word is derived from the Greek ἀντίφωνα (antiphōna) via Old English antefn, a word which originally had the same meaning as antiphon.
Anthems and the church [link]
An anthem is a form of church music, particularly in the service of the Church of England, in which it is appointed by the rubrics to follow the third collect at both morning and evening prayer. Several anthems are included in the British coronation service. The words are selected from Holy Scripture or in some cases from the Liturgy, and the music is generally more elaborate and varied than that of psalm or hymn tunes. Though the anthem of the Church of England is analogous to the motet of the Roman Catholic and Lutheran Churches, both being written for a trained choir and not for the congregation, it is as a musical form essentially English in its origin and development.
The anthem developed as a replacement for the Catholic "votive antiphon" commonly sung as an appendix to the main office to the Blessed Virgin Mary or other saints. Although anthems were written in the Elizabethan period by Tallis (1505–1585), Byrd (1539–1623), and others, they are not mentioned in the Book of Common Prayer until 1662, when the famous rubric "In quires and places where they sing here followeth the Anthem" first appears.
In common usage among many Protestant churches, an "anthem" often refers to any short sacred choral work presented during the course of a worship service. In the context of an Anglican service, an "anthem" is a composition to an English religious text. From this widening usage has come the more modern sense of the word.
Music theory [link]
Early anthems tended to be simple and homophonic in texture, so that the words could be clearly heard. Late in the sixteenth century the "verse anthem", in which passages for solo voices alternated with passages for full choir, developed. This became the dominant form in the Restoration, when composers such as Henry Purcell (1659–1695) and John Blow (1649–1708) wrote elaborate examples for the Chapel Royal with orchestral accompaniment. In the nineteenth century Samuel Sebastian Wesley (1810–1876) wrote anthems influenced by contemporary oratorio which stretch to several movements and last twenty minutes or longer. Later in the century, Charles Villiers Stanford (1852–1924) used symphonic techniques to produce a more concise and unified structure.
Many anthems have been composed since this time, generally by organists rather than professional composers and often in a conservative style. Major composers have usually composed anthems in response to commissions and for special occasions. Examples include Edward Elgar's Great is the Lord (1912) and Give unto the Lord (1914) (both with orchestral accompaniment), Benjamin Britten's Rejoice in the Lamb (1943) (a modern example of a multi-movement anthem and today heard mainly as a concert piece), and, on a much smaller scale, Ralph Vaughan Williams' O taste and see (1952) (written for the coronation of Queen Elizabeth II). With the relaxation of the rule, in England at least, that anthems should be only in English, the repertoire has been greatly enhanced by the addition of many works from the Latin repertoire.
Modern use [link]
The word "anthem" is commonly used to describe a celebratory song or composition for a distinct group, as in the term "national anthem". Many pop songs are used as anthems, such as Queen's "We Are the Champions", which is commonly used as a sports anthem. The term "anthemic" is a modern word coined to describe music with a celebratory connotation. Since the target audience of pop music can vary greatly, so can the celebrated subject of the anthem. Examples of this wider range of anthem subjects include Marilyn Manson's Irresponsible Hate Anthem and Silverchair's Anthem for the Year 2000.
See also [link]
The following is a list of articles on anthems:
Notable anthems:
- La Espero (anthem of the language Esperanto)
- God Save the Queen (National anthem of the United Kingdom and New Zealand)
- Hail to the Chief (American Presidential anthem)
- The Internationale (Socialist anthem)
- La Marseillaise (Republic anthem)
References [link]
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Wikisource has the text of the 1911 Encyclopædia Britannica article Anthem. |
- Peter Le Huray "Anthem" in Stanley Sadie, ed. The New Grove dictionary of music and musicians (London: Macmillan, 1980) ISBN 0-333-23111-2
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press.
https://wn.com/Anthem
Anthem (Chess song)
"Anthem" is a song from the concept album and subsequent musical Chess by Tim Rice, Benny Andersson and Björn Ulvaeus. The song describes the feelings of Soviet Russian challenger, Anatoly Sergievsky, when he defects. The song was originally sung by Tommy Körberg on the original concept album]] and as Anatoly in the original West End cast. It was later covered by various artists including Josh Groban on his album Stages and Kerry Ellis.
Plot
Distracted by the loss of Florence's love, Freddie flounders in the chess tournament, leaving himself just one more loss away from losing his title. Florence leaves Freddie, who sends The Arbiter a letter of resignation, resulting in Anatoly's becoming the new world champion. Anatoly immediately defects from the Soviet Union and seeks asylum at the British embassy. Florence, accompanies Anatoly, reflecting on their newfound romance. Walter tips off the press about this scandal. When the mob of reporters ambush Anatoly to ask why he is deserting his country, he tells them in this song that he will never truly leave his country because his land's only borders lie around his heart.
Anthem (Iced Earth song)
"Anthem" is a song by American heavy metal band Iced Earth from their album Dystopia. Since its release it has become one of the most popular tracks of the album. The song "Anthem" was described by vocalist Stu Block as a celebration of "people, the human spirit and life". A shorter version the song was also featured on the extended play 5 Songs which was released on September 19, 2011.
Music video
Produced and directed by Kosch Fabian Film, the music video for "Anthem", was released on January 24, 2012. The video was filmed at the Essigfabrik in Cologne, Germany on December 7, 2011, during the band's Dystopia World Tour. It switches between live scenes and the band on the road which are in filmed in black and white.
Jon Schaffer commented on the video on Century Media Records:
Critical reception
Caj Källmalmm, from Swedish website Hallowed named "Anthem" as one the album's best songs and Chad Bowar from About described it as "appropriately enough, anthemic." Keith Chachkes of Metal Army America also called "Anthem" "a rousing call to arms against hypocrisy and sycophants who seem to be overrunning the world these days."
Soul (The Kentucky Headhunters album)
Soul is the sixth studio album released by American country rock & southern rock band The Kentucky Headhunters. It was released in 2003 on Audium Entertainment. No singles were released from the album, although one of the tracks, "Have You Ever Loved a Woman?", was first a single for Freddie King in 1960.
Track listing
All songs written and composed by The Kentucky Headhunters except where noted.
Personnel
The Kentucky Headhunters
Guest musicians
On the Soul
On the Soul (Greek Περὶ Ψυχῆς, Perì Psūchês; Latin De Anima) is a major treatise by Aristotle on the nature of living things. His discussion centres on the kinds of souls possessed by different kinds of living things, distinguished by their different operations. Thus plants have the capacity for nourishment and reproduction, the minimum that must be possessed by any kind of living organism. Lower animals have, in addition, the powers of sense-perception and self-motion (action). Humans have all these as well as intellect.
Aristotle holds that the soul (psyche, ψυχή) is the form, or essence of any living thing; that it is not a distinct substance from the body that it is in. That it is the possession of soul (of a specific kind) that makes an organism an organism at all, and thus that the notion of a body without a soul, or of a soul in the wrong kind of body, is simply unintelligible. (He argues that some parts of the soul—the intellect—can exist without the body, but most cannot.) It is difficult to reconcile these points with the popular picture of a soul as a sort of spiritual substance "inhabiting" a body. Some commentators have suggested that Aristotle's term soul is better translated as lifeforce.
TPG Telecom
TPG Telecom Limited is an Australian telecommunications and IT company that specialises in consumer and business internet services as well as mobile telephone services. As of 2015, TPG is the second largest internet service provider in Australia and operates the largest mobile virtual network operator. As such, it has over 671,000 ADSL2+ subscribers, 358,000 landline subscribers and 360,000 mobile subscribers, and owns the second largest ADSL2+ network in Australia, consisting of 391 ADSL2+ DSLAMs.
The company was formed from the merger between Total Peripherals Group, which was established in 1992 by David and Vicky Teoh, and SP Telemedia in 2008.
TPG provide five ranges of products and services including Internet access, networking, OEM services, mobile phone service and accounting software.
History
Total Peripherals Group was established in 1986 by Malaysian-born Australian businessman David Teoh, as an IT company that sold OEM computers and later moved to provide internet and mobile telephone services.
Podcasts:
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by CHRONIC FUTURE
Soul Anthem
by: CHRONIC FUTUREThe future of our generation to come
Is coming to see what our ancestors have done
So have we decided what we're gonna do?
With the panet, we're going to inherit
Are we gonna spare it and repair it
And reconstruct that aqueduct that harmony
Be flowing through the past present and the future
Generations
Only to be disrupted by those not in
Tune with the sound
Comin' up from within the mind, body and soul
And so they try to synchronize out minds
To their sense of time
And disrupt the path our society goes
I will do my best not to synchronize my time
To their sense of mind
Chrous:
I won't synchronize To their sense of mind
I won't synchronize Any of my time
The future of our generation to come
Is coming to see what our ancestors have done
So are we gonna conduct ourselves
In a civilized manner
Or are we gonna continue to separate intimidate
Only to see the human race disintegrate
Haven't we had enough of the politics
Haven't we had enough of the antics
This twist on humanity's tied tight
Yo the light that leads us is bright
Not a racial issue between blacks and whites
The only issue is fake stereotypes
That get us nowhere they only hold us back
Smokin' reputations faster than a quarter sack
Unlike the herb, effects of a stereotype is wack
Just like crack
{Chorus}
So have we decided what we're gonna do?
With the planet we're going to inherit
Are we gonna spare it and repair it
And reconstruct the aquaduct
That harmony be flowing through
The past present and future generations
Only to be disrupted by those not in time
With the sound coming up from the
Mind body and soul
And so they try to synchronize our minds
To their sense of time
And disrupt the path our society goes
And I will do my best not to synchronize my time
To their sense of mind