"Sorry, Right Number" is a teleplay written by author Stephen King for an episode of the horror anthology series Tales from the Darkside. It was later included in King's short story collection Nightmares & Dreamscapes, and is the only such work that King has included in any of his anthologies. It appears in script format, and begins with an authors' guide for screenplays and abbreviations.
The Tales from the Darkside episode originally aired in 1987, and starred Deborah Harmon and Arthur Taxier as Katie and Bill Weiderman, with Rhonda Dotson as Katie's sister Dawn and Katherine Britton, Brandon Stewart and Nicole Huntington as the Weiderman children. It was later produced as a short film in 2005, directed and adapted by Brian Berkowitz. The cast included Darrin Stevens, Karla Droege, Michael Brady, Kimberly D'Armond, Karoline Striplin, and Barbara Weetman.
The title is a pun on the title of the radio play and film Sorry, Wrong Number.
Katie Weiderman is talking to her sister on the phone one night. Her husband, Bill, is in his study trying to find inspiration for a new novel. Her children are arguing about whether or not to watch Ghost's Kiss, a gory TV adaptation of Bill's earlier novel.
Tales from the Darkside was an American anthology horror TV series created by George A. Romero; it debuted in 1983. Similar to Amazing Stories, The Twilight Zone, Night Gallery, The Outer Limits, Tales from the Crypt, and Monsters. Each episode was an individual short story that often ended with a plot twist. The series' episodes spanned the genres of horror, science fiction, and fantasy, and some episodes featured elements of black comedy or more lighthearted themes.
The moderate success of George A. Romero's horror anthology film Creepshow led to initial inquiries about the possibilities of a Creepshow series. Because Warner Brothers owned certain aspects of Creepshow, Laurel Entertainment, which produced the film, opted to take their potential series into a similar, yet separate, direction, including changing the name to Tales from the Darkside. The new name reflected Creepshow's focus, that of a live-action EC-based horror comic book of the 1950s like Tales from the Crypt or The Vault of Horror, though the series would not carry the trappings of a comic as Creepshow did.