A lark is a small terrestrial bird.
Lark, The Lark, Larks or The Larks may also refer to:
The Lark (French: 'L'Alouette) is a 1952 play about Joan of Arc by the French playwright Jean Anouilh. It was presented on Broadway in English in 1955, starring Julie Harris as Joan and Boris Karloff as Pierre Cauchon. It was produced by Kermit Bloomgarden. Lillian Hellman made the English adaptation and Leonard Bernstein composed the incidental music. The two stars of the play reprised their roles in a 1957 television production of the play, as part of the anthology series Hallmark Hall of Fame. A different television adaptation aired in 1958 in Australia. There is another English translation by Christopher Fry.
The play covers the trial, condemnation, and execution of Joan, but has a highly unusual ending. Joan remembers important events in her life as she is being questioned, and is subsequently condemned to death. However, Cauchon realizes, just as Joan is burning at the stake, that in her judges' hurry to condemn her, they have not allowed her to re-live the coronation of Charles VII of France. The fire is therefore extinguished, and Joan is given a reprieve. The actual end of the story is left in question, but Cauchon proclaims it a victory for Joan.
The Lark is a 2007 British psychological thriller film directed by Steve Tanner and written by Paul Farmer. The film starred British TV actress Mary Woodvine, and was filmed in 18 days in Cornwall, England on a budget of £12,000. It premiered in The UK at the Cambridge Film Festival and has subsequently been shown at The Calgary International Film Festival, The Twin Rivers Media Festival where picked up the 1st Place prize for Best Feature and at the 1st LIC Astoria Film Festival.
The film opens with the a woman, Niamh (Mary Woodvine), dragging a body in from the cold, white out-side into what looks like a disused run-down factory who's walls are covered in strange, cryptical maps that seem to not make any sense. She is wearing a blue boiler suit and a respirator. The body "Sean" (Ian Marshall) is also dressed in a blue boiler suit and appears badly wounded (from one of the traps). Niamh calls out for "Doc" and "Friday" although nobody appears. Sean and Niamh appear to know each other but as they exchange words two children appear asking what is going on. Niamh tells them that Sean has been out-side without his respirator and is very ill. She tells the children to go back to their room and wait for her. Sean quips that he is fine and asks if they want some sweeties. The children disappear. Sean repeats that he is 'fine' over and over again then tells her he can smell bread, she agrees she can then continues to drag him through the endless corridors. Later, Niamh is frantically cleaning the trail of blood on the floor. Rory and Roison, her children, appear and ask if they can help look for respirators. Later they are in their room where Niamh tells them that Sean has left them some sweeties. After reading them a bedtime story she sings them to sleep.
The Song of the Lark is the third novel by American author Willa Cather, written in 1915. It is generally considered to be the second novel in Cather's Prairie Trilogy, following O Pioneers! (1913) and preceding My Ántonia (1918).
The book tells the story of a talented artist born in a small town in Colorado who discovers and develops her singing voice. Her story is told against the backdrop of the burgeoning American West in which she was born in a town along the rail line, of fast-growing Chicago near the turn of the twentieth century, and of the audience for singers of her skills in the US compared to Europe. Thea Kronborg grows up, learning herself, her strengths and her talent, until she reaches success.
The title comes from a painting of the same name by Jules Breton in 1884 and part of the collection of the Art Institute of Chicago.
Set in the 1890s in Moonstone, a fictional town in Colorado, The Song of the Lark is the self-portrait of an artist in the making. The ambitious young heroine, Thea Kronborg leaves her hometown to go to Chicago to fulfill her dream of becoming a well-trained pianist, a better piano teacher. When her instructor hears her voice, he realizes that this is her true artistic gift. He encourages her to pursue her vocal training instead of piano saying ... "your voice is worth all that you can put into it. I have not come to this decision rashly." [Part II; Chapter 7] In that pursuit she travels to Dresden, then to New York City, singing operas. Her reference for life is always her home town and the people she encountered there.
Riccardo Eugenio Drigo (ru. Риккардо Эудженьо Дриго), (30 June 1846 – 1 October 1930) was an Italian composer of ballet music and Italian opera, a theatrical conductor, and a pianist.
Drigo is most noted for his long career as kapellmeister and Director of Music of the Imperial Ballet of St. Petersburg, Russia, for which he composed music for the original works and revivals of the choreographers Marius Petipa and Lev Ivanov. Drigo also served as Chef d'orchestre for Italian opera performances of the orchestra of the Imperial Mariinsky Theatre. During his career in St. Petersburg, Drigo conducted the premieres and regular performances of nearly every ballet and Italian opera performed on the Tsarist stage.
Drigo is equally noted for his original full-length compositions for the ballet as well as his large catalog of supplemental music written ad hoc for insertion into already-existing works. Drigo is also noted for his adaptations of already-existing scores, such as his 1895 edition of Tchaikovsky's score for Swan Lake. Many pieces set to the music of Drigo are still performed today, and are considered cornerstones of the classical ballet repertory.
The Lark (Russian: Жаворонок, translit. Zhavoronok) is a 1965 Soviet film directed by Nikita Kurikhin and Leonid Menaker. It was entered into the 1965 Cannes Film Festival.
Out in the field where the lark it flies,
Over the earth where my heart it lies,
Oh how it sings when the west wind blows,
Out in the field where no-one goes.
Oh how I'm cold will you let me in,
If you could hear me speak, where I would begin,
Time it is past now and I roam free,
Is it wrong to wish you still need me,
is it wrong to wish you still need me.
Out in the field where the lark it sings,
There I was waiting for all love brings,
There I stood and there I fell,
Out in the field that I know well.
Oh how I'm cold will you let me in,
If you could hear me speak, where I would begin,
Time it is past now and I roam free,
Is it wrong to wish you still need me,
is it wrong to wish you still need me.
Out in the field where the lark resides,
Here I'll remain where my heart can hide,
Only the lark and the west wind know,
I'm in this field where no-one goes.
Oh how I'm cold will you let me in,
If you could hear me speak, where I would begin,
Time it is past now and I roam free,
Is it wrong to wish you still need me,